Category: News

SCOOP: NBC bets on musical soap “Drama High” by Jason Katims & “Hamilton” producers


Missing Glee? NBC is working on a new teen musical soap written by Friday Night Lights & Parenthood creator Jason Katims with the “Hamilton” team producing. 

Drama High tells the story of Lou Mazzuchelli, a litterature teacher in his forties in a Pennsylvania high school, who is appointed by the principal to take over and modernize the theater program that is dying. He chooses the provocative and emotional rock musical Spring Awakening –about teenagers discovering the inner and outer tumult of sexuality in late-19th-century Germany- as their first production. A choice that won’t be without consequences for the students and their families in this “Americana” town… It is based on the true story of the first-ever high school production of Spring Awakening that made headlines back in 2011.

The drama project about to get an official order looks like a mix between Smash, about the creation of a Broadway musical, and teen soap Glee with a more grounded feel thanks to Jason Katims. Plus, he already wrote for teenage characters in critically-acclaimed Friday Night Lights and family drama Parenthood. He also executive produces alongside partner Michelle Lee under their overall deal with Universal Television. Jeffrey Seller and Flody Suarez, producers of Tony-Award-Winning hip-hop musical Hamilton, are also producing through their production deal with Universal signed last year.


PILOT WHISPERER: New edition #PilotSeason

First published on December, 07

2017 pilot season officially started yesterday when ABC ordered political comedy pilot Libby & Malcolm starring Felicity Huffman and Courtney B. Vance as we reported 3 weeks ago. Other comedies are nearing pilot orders while deals are being worked out.


At ABC, the next one on the list is Rapper Mayor / Untitled City Mayor Project, that could be descrided as a comedic version of hit Designated Survivor. It is about Courtney Rose, a talented but struggling hip-hop artist, who runs for mayor to promote his mixtape – and wins. The guy is a quitenssential optimistic, a dreamer through and through. He’s the coolest, most fun dude in town, and if you don’t believe it, just ask him and he’ll tell you… It’s created by Jeremy Bronson, writer and producer on The Mindy Project and Speechless, and produced by Jamie Tarses (Happy Endings) for ABC Studios. The casting for the leading man is underway. PICKED-UP

The multicamera comedy project Documenting Love, sort of a Mad About You new generation has a pilot production commitment, as well as thriller drama Doomsday from Sony Pictures Television about a secret think tank featuring the most creative minds in science and entertainment that is tasked with dreaming up man-made disaster scenarios and their possible solutions. PICKED-UP  DTLA, about a celebrity choreographer who must fight to protect her status, family, business and secrets, is heating up. The Untitled Marc Cherry drama with Reba McEntire is already ordered to pilot.

Comedy Start Up starring Zach Braff is inching closer to a pick-up PICKED-UP, as well as Splitting Up Together produced by Ellen De Generes  PICKED-UP and Charlie Foxtrot from Aaron Kaplan PICKED-UP. A not-yet-announced project starring basketball player Jalen Rose, Jalen vs Everybody, and written by Nahnatchka Khan, is heating up. PICKED-UP


At CBS, the Untitled Chris Distefano Hybrid Comedy Project is heating up. Written and produced by How I Met Your Mother creators Carter Bays & Craig Thomas. Inspired by comedian Chris Distefano’s life story, the hybrid project is centered on Izzy and Chris, two 20-somethings who are raising their newborn daughter and merging their loud families – one Puerto Rican, one Italian… PICKED-UP

Me, Myself and I is also on the map. The single-camera comedy which examines one man’s life over a 50-year span, somewhat in the vein of movie Boyhood, has a put pilot. PICKED-UP And of course, the order for The Big Bang Theory spin-off Sheldon is just a formality. UPDATE: World Wide Webbs, a comedy about a family who became rich and famous thank to their daily video blogs, is on tracks for an order.

On the drama side, quirky cop show Magnolia Springs about a sheriff and his teenage son solving crimes in a small city is gearing up towards a pick-up, casting is underway. Firewall, a new procedural from Mentalist creator, is also hot. Luc Besson’s Hunch, about a LAPD detective who begrudgingly teams up with a celebrity psychic who, unfortunately, is also his ex-wife, should get the nod soon; as well as Justin Lin’s SWAT,  a reboot of the 1970s series billed as an intense, action-packed procedural following an African-American SWAT lieutenant torn between loyalty to the streets and duty to his fellow officers. PICKED-UP


At NBC, while Amy Poehler’s off-cyle pilot The Baby starring Seann William Scott will shoot in a few days, the Untitled Kourtney Kang Comedy produced by Fresh Off The Boat creator Nahnatchka Khan is red hot. It explores what it’s like to grow up as the only girl in the only mixed race family in the suburbs of Philadelphia, dealing with real-world issues like race and gender while never losing focus of her life goal… to become a Laker Girl like her idol, Paula Abdul. PICKED-UP

In the drama department, the peacock has medical drama Salvation directed by Paul Haggis awaiting green light. It is billed as the first real-time hospital “extreme event” show, capturing the life-and-death choices nurses, PA’s and other front-line caregivers make as they struggle to provide care and triage. PICKED-UP Legal drama Blood Defense, based on Marcia Clark’s book about a relentless criminal attorney, is red hot for a pick-up, as well as Family Honor, from Matt Reeves, a police procedural told through the eyes of four diverse foster sisters. The Last Policeman is close to a pick-up. It follows a detective in New Hampshire during the final years of civilization as a catastrophe-level asteroid hurtles toward the planet. Heavy serialized legal drama Flight Risk from John Wells is also considered. Drama High, an high-school drama with musical elements written and produced by Jason Katims (Parenthood) with Hamilton producers Jeffrey Seller & Flody Suarez is red hot. PICKED-UP Last drama pilot order at NBC should go to Redliners, adapted from Charlaine Harris’ short stories, that mixes romance and espionnage about a pair of former spies living in suburbia who are reactivated when a failed hit on one of them leaves the assassin dead. PICKED-UP


At FOX, DC’s Black Lightning is almost a done deal PICKED-UP AT THE CW, as is Matt Nix’s untitled family superhero drama at Marvel in the X-Men Universe PICKED-UP. The network is just waiting for the final pilot script. Dr House creator David Shore could be back at FOX with an untitled project about a professional spy who teams up with an enterprising civilian to solve cases here and abroad. Control, by Westworld creators Jonathan Nolan & Lisa Joyce, is heating up.

Comedy Thin Ice from New Girl creator is already ordered to pilot. Other comedy heating up is Turned On, directed by Paul Feig, about a brilliant but awkward engineer who creates an android who spirals out of control… The Untitled Wresting Comedy produced by Dwayne Johnson, Will Ferrell & Adam McKay, is also very much on the map.


At The CW the Charmed reboot seems to be a priority. Searchers pilot from The 100 creator Jason Rothenberg & Greg Berlanti is a sure thing, with a shooting expected to take place in South Africa. PICKED-UP Transience produced by Ian Somerhalder, is heating up, as well as LA Demonic for Warner Bros.


More to come…

SCOOP: Netflix preps remake of french series “Ainsi soient-ils” (“Churchmen”) produced by Tom Fontana

David Baïot, Julien Bouanich, Clément Manuel, Samuel Jouy et Clément Roussier in “Ainsi Soient-ils” (“Churchmen”)


Oz creator Tom Fontana is back at work with a Netflix series adapted from french faith-based drama Ainsi Soient-Ils, which ran for 3 seasons from 2012 to 2015 on channel Arte and won the Séries Mania Best Series Award in Paris twice and the Best Film Award winner at the International Catholic Film Festival.

Churchmen is about five young men from very different backgrounds and with different motivations for leaving the lives they’ve known who enter seminary in New York, discovering an institution where ambition and discord could cast a shadow over their strongest belief. Tom Fontana (Borgia, Copper, Homicide) is producing the project through his Levinson/Fontana Company alongside Netflix and Asylum Entertainment, with James Yoshimura, who worked on Homeland & Treme, William Powell and K.C. Warnke. Fontana may have heard about Ainsi Soient-ils for the first time when he came to the Series Mania festival in Paris in 2013. Shooting should start as soon as February in New York. The number of episodes is unclear at this time.

It’s the second time a french TV show is adapted in the US. A&E did “The Returned” two years ago, based on “Les Revenants” from Canal +. It was cancelled after one season. Churchmen will probably have better luck with Netflix behind.



SCOOP: The CW eyes Charmed prequel with Jane The Virgin team

More than three years after CBS passed on the Charmed reboot they were working on -which is still talked about a lot by fans all over the world- The CW has landed a prequel to the cult WB series produced by the team of critically acclaimed dramedy Jane The Virgin.

Jane The Virgin creator Jennie Snyder Urman, as well as producer Brad Silverman, are behind the project which will follow three witches who fight evil in a small New England town during the seventies/eighties (1976), possibly the Halliwells’ ancestors from the Warren Line, the most powerful line of witches in history introduced in the original show. The pilot script is written by Amy Rardin & Jessica O’Toole who already know a thing or two about the 80s and prequel series since they wrote for The Carrie Diaries, prequel of Sex & The City. They also worked on Jane The Virgin, Selfie & Greek.

Brad Silberling, who directed the pilot of Jane The Virgin and also A Series of Unfortunate Events movie (not the upcoming Netflix show) is attached to direct this one as well. CBS Television is the studio, with Propagate Content and Reveal Entertainment.

So don’t expect Alyssa Milano, Shannen Doherty, Holly Mary Combs or Rose McGowan to comeback, at least initially.

It’s not the only series reboot The CW is developing for next season. A Dynasty remake is also in the works.

The CW’s 8 most exciting projects for 2017/2018 pilot season

The CW’s 8 most exciting projects for 2017/2018 pilot season


The following article is based on descriptions mixed wih talents attached ONLY. None of the scripts have been read at this point.



  • At least one CBS Television Studios-produced series that actually work.
  • No new DC Comics show for now (4 at the same time is enough).
  • More ambitious concepts, less dramedies


After years of increasing power, The CW took a hit this season with both new entries dramedy No Tomorrow & cop-show with a twist Frequency doing tiny numbers. No real surprise here, those were weird pick-ups from the get go. The good news is the transfer of Supergirl from CBS to the CBS-owned network worked exactly like it was supposed to. It became the second most rated series on The CW right behind The Flash and some say it found its footing creative-wise. Meanwhile, other DC Comics properties show signs of weakness: Arrow is not the hit it used to be and Legends of Tomorrrow never became the hit everybody expected. The giant crossover between all of them was a real success but shouldn’t really help on a longtime perspective.

Supernatural is still a monster on thursday. It’s the Grey’s Anatomy of the CW. It might never end. The order for a 13th season is just a formality at this point. Jane The Virgin does okay on monday but Supergirl -its leadin- didn’t help it improve sadly. The Vampire Diaries is finally ending without making noise. That’s what happens when you drag on a show for too long. Crazy Ex-Girlfriend is in a bad place on friday and will only get a 3rd season thanks to the critics and awards recognition, if the network feels generous enough. Reign is about to end after 4 years. The Originals is coming back midseason but it’s already half-dead. The 100 has to become great again if it wants to last. iZombie looks like a filler a this point. And then there’s Riverdale. Everybody was shocked when it didn’t appear on The CW’s fall schedule. In retrospect, it was a good and safe decision. They had to concentrate their efforts on the Supergirl move this fall and they needed a buzzy show for midseason. The 9pm slot on thursday doesn’t look like the best one they could give it but competition is not that strong (Chicago Med, the return of Scandal, Mom/Life In Pieces) so a little success is not out of reach. For next season, they will probably need more shows produced in-house, shows that fit better with the actual line-up.



CASA (Warner Bros. Television)

What? about six siblings in a Hispanic family who have to band together to survive when their parents get unjustly deported…

Why? Timely idea for a show, on a touchy and difficult subject that has already been dealt with in Jane The Virgin but could be revisited in a more dramatic, precise and profound way. It is produced by The CW king Greg Berlanti, which is an interesting comeback to its roots, to what he did well before all the DC Comics stuff, with series like Dawson’s CreekEverwood & Brothers & Sisters about family and growing up. I’d love to watch this, if Casa is as good as those.


CRIMINAL MAGIC (Warner Bros. Television)

What? about two warring street gangs who fight the cops and each other to corner the market on the most lucrative contraband of all: magic; a young woman hiding spectacular magical powers and an undercover cop must try to survive this glamorous world of speakeasies, crime and danger…

Why? This project has a few things going on for it: it is produced by Rob Thomas (Veronica Mars, iZombie); shows about magic are not that common these days; treating magic like a drug everybody is ready to go crazy for possessing is interesting; the “undercover” twist could be fun. That being said, I don’t think it should be The CW’s priority.


MATA HARI (CBS Television Studios)

What? a reimagining of the life of the infamous dancer, notorious lover, and World War One double agent; following the brutal murder of her fiance, Mata Hari is drawn into a game of international espionage in order to avenge his death in this sexy spy thriller…

Why? The logline doesn’t say if it’s gonna be a modern adaptation or a period drama, which might change everything. But one of the producer is Laurie McCarthy, who co-created Reign. It could be a clue. Anyway, Mata Hari is an iconic historical figure that has never been portrayed in a TV series so far (there’s an international one coming up, that looks terrible) and her adventures are certain to make an epic one. Michael Weatherly is producing. Not that it’s important though.


RISE (Warner Bros. Television)

What? when martial law is declared following a terrorist attack, a disparate group of everyday people start to uncover that the attack was a cover-up for a homegrown coup; these unlikely heroes rise up against the tyranny of the new governmental regime, planting the seeds of hope and strength that will in time spark a Second American Revolution…

Why? We’re starting to get tired of series that begin with a terrorist attack, but this one seems to be different since it doesn’t involve directly the governement, or the FBI, or the CIA, but as it is said “a group of everyday people”. It’s produced by Julie Plec (The Vampire Diaries, Containment, Kyle XY) so it should look like your usual The CW show…


SEARCHERS (Warner Bros. Television) picked-up

What? about a group of unlikely heroes who find themselves on the journey of a lifetime. Ten years after the death of their parents, a pragmatic brother and free spirited sister are forced to team up when they learn that their mother’s terrifying and bizarre stories may be a road map to discovering the great legends, myths, and unexplainable mysteries of the world.

Why? Usual suspect Greg Berlanti is also involved in this one, created by The 100‘s Jason Rothenberg. It could be a perfect companion for Supernatural, hoping it’s not just a rip-off. But it’s something that could last for years and the network needs that too. Something that is both procedural, with a “monster of the week” or “a legend of the week” in this particular case, and heavy serialized to keep people intrigued for the long haul.


STICK MAN (CBS Television Studios)

What? about an amateur documentarian who returns to her hometown to chronicle the events of her brother’s murder and the ensuing trial; while there, she finds herself increasingly sympathetic to the convicted killer, ultimately discovering evidence that links her brother’s death to supernatural events

Why? Well. I think I would have loved this logline way more if supernatural events were not involved in the end. Especially since Heroes creator Tim Kring is producing. And he and I are not friends. Still, depending on the execution, it could be great. Is it a good fit with The CW? I’m doubtful. Maybe as a miniseries…


THE TERRANAUTS (Warner Bros. Television)

What? an epic story of science, society, sex, survival and, ultimately, human folly and ambition. Said to be inspired by the Biosphere 2 real-life experiment, the story revolves around eight scientists enlisted to run a biosphere that will prove vital for humanity’s survival in an off-Earth colony. Their goal is to successfully create a sustainable environment to house generations to come, but things don’t quite go as planned.

Why? Based on a book written by novelist T.C. Boyle, this preapocalyptic tale got rave reviews. I’m not even sure The CW is the best place to offer such a smart and deep-dive into human behavior, but it could be a game-changer for the network. Since The 100 went from really good to mostly bad, they need this desperately. Jim Parsons is producing, which doesn’t hurt its chances.


WEAVEWORLD (CBS Television Studios)

What? two ordinary people find themselves on a quest to find and protect a magical realm and ultimately to save all of humanity from an evil force…

Why? The CW already took a stab at this Clive Barker’s adaptation last year, but it didn’t go to pilot stage. They seem to be really high on the idea since they ordered a second script, this time penned by Josh Stolberg who wrote for Parker Lewis, Weird Science and movies such as Piranha 3D or Saw: Legacy. For decades, Weaveworld had been considered too hard to adapt for TV because of its scope and settings that would require extensive use of special effects. But now it’s possible so… Yeah, they should go for it!


The CW also has a Dynasty reboot in the works by Josh Schwartz & Stephanie Savage (Gossip Girl), which is a mistake in my opinion as the flops of Dallas & Melrose Place proved not that long ago: millenials don’t care about those. But it’s such a great IP that they will probably try.  A small screen take on Joel Schumacher’s cult 1987 feature The lost Boys, about vampires rising, is in development; as well as an adaptation of Alyssa Milano’s comic book Hacktivist; and a drama billed as Touched by an Angel-meets-Ghost with an urban twist called Straight Outta Heaven by John Singleton.


What projects are you the most interested in among these? Take your picks!




ABC’s 25 most exciting projects for 2017/2018 pilot season

The following article is based on descriptions mixed wih talents attached ONLY. None of the scripts have been read at this point. 



  • One big family soap, preferably produced in-house.
  • One police procedural show, preferably produced in-house and preferably in ABC’s wheelhouse: heavy serialized.
  • At least one ambitious and buzzworthy thriller and/or fantasy series.
  • New comedies that differ slightly from their successful family brand to diversify the offer.
  • More synergy with Disney-owned properties (Marvel, Lucas Films…)

ABC is in a very dark place this year while new president Channing Dungey, the first African American woman to head a broadcast network ever, is working hard on her first pilot season. She explained recently why the Alphabet was failing the past few years in her opinion “With our dramas, we have a lot of shows that feature very well-to-do, well-educated people, who are driving very nice cars and living in extremely nice places. There is definitely still room for that, and we absolutely want to continue to tell those stories because wish-fulfillment is a critical part of what we do as entertainers. But in recent history we haven’t paid enough attention to some of the true realities of what life is like for everyday Americans in our dramas.” We’ll see in a few weeks if her pilot pick-ups reflect that vision but in my opinion, they should not forget people tend to watch what doesn’t remind them their (sad) daily life too much…

Despite a smart fall schedule, ratings have plunged. Both new procedural drama entries Conviction & Notorious have failed big time. They were not very good shows and they didn’t add anything new and distinctive to the network. The second season of Secrets & Lies -which was supposed to start last year- came way too late and wasn’t able to bring the attention of viewers. In the meantime, ABC left Quantico in the 10pm sunday slot. It had to fight alone, a decision that resulted in new lows. But it’s still an important asset for them so they will finally try to save it by putting it behind The Bachelor come midseason. Too little too late? Once Upon A Time is dying but could live one more year since ABC won’t be able to launch too many new shows at the same time next fall. Agents of SHIELD is dying too and does for quite some time now. New Marvel show ordered straight-to-series The Inhumans will replace it in the fall but it could still be renewed.

Grey’s Anatomy is still ABC’s number one show. A 14th season is on its way. A 15th probably too. It’s an incredible success. How To Get Away With Murder manages to stay a decent level, which was not easy with Scandal being on a hiatus and Notorious doing horrible numbers right before. Designated Survivor starring Kiefer Sutherland is a hit. Not the biggest hit ABC could have hoped for, but a hit nonetheless. And they have in store a third season for critically-acclaimed American Crime; a miniseries about the evolution of the LGBT movement in the US called When We Rise; an unexpected second year of Shondaland’s The Catch; the new Shondaland drama Still Star-Crossed; and Kevin Williamson’s Time After Time. All are still unscheduled at this time. And none look like a potential big winner…

But ABC has one great reason to be happy: their comedy brand is stronger than ever! New entries American Housewife and Speechless, smartly scheduled behind The Middle & The Goldbergs respectively, found their audience right away. Modern Family is not a monster anymore but does more than okay; Blackish gets decent numbers and receives awards recognition; Fresh Off The Boat maintains itself out of dark waters. The only black sheep is The Real O’Neals, a really good show that struggles for unknown reasons and that will probably get the axe in may to make room for something new. On friday, Last Man Standing and Dr Ken are living their lives peacefully. New comedies Downward Dog and Imaginary Mary are waiting in the wings… As a result, they won’t need many new comedies next year.



CRIMINAL (Warner Bros. Television)

What? after falling prey to a CIA sting, a fast-talking, hedonistic con man and his ragtag team of criminals must complete an ongoing series of missions to clear their names and steal an unknown number of long-forgotten relics that could change the fate of the world…

Why? By the team that brought you Blindspot. Martin Gero is co-creating, Greg Berlanti is co-producing. It’s easy to understand why ABC can be interested in this kind of high-concept serialized procedural show. It’s not really in their DNA, it skews more male than they’re used to, but if it works for NBC -mostly- why wouldn’t it work for them? Maybe they’d need The Voice to achieve the same goal though…


DOOMSDAY (Sony Pictures Televison) picked-up

What? starts in the aftermath of 9/11, when the U.S. government institutes a secret think tank featuring the most creative minds in science and entertainment that is tasked with dreaming up man-made disaster scenarios and their possible solutions; because the hypothetical ideas are deemed extremely dangerous, the list is sealed and the program shut down; but when a catastrophe occurs that’s ripped from the pages of the missing doomsday book, the team is brought back years later to prevent the disasters of their own making…

Why? Is this the next Designated Survivor for ABC? It sounds like it, even though it seems a little more complex and ambitious, and doesn’t have a big star attached to it yet. It could be buzzworthy and exciting. It’s from the people who wrote The Jury last year. ABC passed on it but it was worth a try honestly (and they’re redeveloping it). Maybe they’ll get their chance this time around. It’s definitely something the network needs badly.


DOWN IN THE VALLEY (TriStar Television)

What? a talented female police officer returns home to Napa Valley to support her struggling family after her troubled sister disappears and leaves her infant daughter in need of care. When she joins the Napa County Sheriff’s Department to make ends meet, she quickly realizes that this posh, bucolic, “small town” paradise now has more than its fair share of big-city problems.

Why? Described as a darkly comedic hourlong crime drama and family soap, this project seems to reunite most of what ABC is looking for: fun, family, middle-America and procedural elements through a woman’s point of view.


DRAMA KINGS (Sony Pictures Television)

What? follows four handsome bachelor brothers, all of whom have major issues with women. However, nothing compares to the tumultuous relationship they have with their powerful, manipulative and controlling mother. In addition to meddling with their lives, she’s the owner of a Los Angeles hotspot, a scion in the community, and possibly responsible for the deaths of her last two husbands…

Why? Sounds like a big giant soap like ABC is known for, that could fit perfectly with The Bachelor by the way. It needs to be fun and provocative. They need to the find the right cast too, especially for the mother. The whole success of the show might depend on her. About the men, they don’t need to be famous, as long as they’re all beautiful and very different, from every ethnicity. And one should be gay / in the closet IMHO. Is it too much like Empire, without the music? Maybe. Jordan Budde (Mistresses, GCB) is writing. Peter Tolan (Rescue Me) is producing.


GRACE (ABC Studios)

What? about a family of adult siblings whose lives are upended when their stalwart minister father reveals to his family that he is gay…

Why? ABC was the best network in the emotional family drama arena in the 90s & 00s with such shows as Thirtysomething, Once and again, My so-called life, Brothers & Sisters… While This Is Us is a ratings success NBC can be really proud of, the Alphabet needs to take that crown back and Grace looks like the perfect show to do so, with the right cast. Please make it fun too.



What? top secret drama based on the Disney theme park mythology

Why? With no more details available at this time, it’s hard to tell if they should bet on it. But since synergy is really important for Disney and Once Upon A Time will conclude rather sooner than later, Hyperion looks like a potential substitute. It’s written by Agent Carter creators. It’s kinda reassuring. The show was not a ratings success but deeply appreciated by those who sticked with it.


JIGSAW (ABC Studios)

What? Set in suburban Las Vegas, this drama follows the relationships of three sisters, all with different fathers, within’ a blue-collar ‘Jigsaw’ family, that is a family that is pieced together by more than just births, marriages and adoptions.

Why? This Is Us vibe, anyone? The title and the term ‘jigsaw family’ suggests there might be something different in play here, something mysterious whether it’s in the story itself or in the storytelling. Plus, a family drama that takes place in Las Vegas is new. We’re not that often sent to Sin City. It sounds very ABC-like. Sarah Hooper is writing.


PATROL (ABC Studios)

What? about four female LAPD officers who attended the police academy together five years ago and are forced to reconnect after a high-stakes, traumatic secret returns to haunt them…

Why? Kerry Washington is producing this one. I’m sad Shonda Rhimes is not involved though. I’m pretty sure she can shake the detective genre and make it her own. Anyway, I’m all in favor of a female-fueled detective show, as long as it’s not a straight procedural and it doesn’t look like it. It’s more in the serialized realm with procedural elements. Maybe too close to Quantico though, if the story is told through two timelines?


THE CROSSING (ABC Studios) picked-up

What? revolves around refugees from a war torn country who start showing up seeking asylum in a U.S. city… but the country these people are from is America, and the war they are fleeing is 500 years in the future…

Why? I’m not sure how this very good idea can turn into more than a movie but it’s still a very good one, topical. I mean, in an America where Trump has been elected president and promised to build a wall… MTV’s Scream‘s creators are writing the script, which makes me even more doubtful about the end result. We’ll see.


THE MARQUIS (Warner Bros. Television)

What? a sexy and twisted character soap set in the most iconic and exclusive building in Manhattan…

Why? The Melrose Place fan in me can’t overlook this project. And I know Greg Berlanti & Julie Plec, who produce it, were big fans too. I hope they can do something as good and exciting, and twisty and crazy. And absolutely avoid making another 666 Park Avenue with a useless supernatural twist (a genre they love too obviously).


THE MOTHER COURT (ABC Studios) picked-up

What? Set in the Southern District of New York (SDNY) Federal Court, aka “The Mother Court,” it follows brand new lawyers working for both the defense and the prosecution as they handle the most high profile and high stakes cases in the country – all as their personal lives intersect.

Why? It screams “Legal Grey’s Anatomy” all over the pitch. And it’s okay. Remember the Shonda Rhimes medical drama is right in the middle of its 13th season. It’s unbelievable! And you know what? This one is produced by Shonda Rhimes too, penned by a Scandal writer. One can only hope it’s as good. As long as it’s different from HTGAWM and it has characters we haven’t already seen a million times before in Shondaland or somewhere else, we’re good to go! The post-Grey’s Anatomy spot is waiting for you.


UNIT ZERO (ABC Studios) picked-up

What? a brilliant, but unassuming CIA engineer and single mom, Jackie Fink, is the leader of a team of CIA underlings who are thrust into the field as first time spies. Each week, this team of zeroes races against the clock to gather intelligence and solve cases of national security. And they succeed partly because no one in their right mind would ever suspect they were spies.

Why? The brilliant Toni Collette is set to star as the heroine of the show and it’s reason enough to give it a chance quite frankly. Plus, even though it’s a procedural, it’s billed as a “dramedy” and it relies heavily on the characters. This one could be really fun and ABC needs to be fun again in the drama department after so many heavy serialized shows. It’s from the guy who created Blackish. He knows funny.



What? after a horrible, suspected act of terrorism happens at a 4th of July parade in the small town of Oxblood, Kentucky, the FBI sends a cocky agent of Middle Eastern descent to investigate. He teams up with the mercurial local Sheriff (McEntire) to uncover secrets far darker than either could have ever imagined…

Why? Created by Marc Cherry, the man who brought us Desperate Housewives & Devious Maids, and starring popular country singer Reba McEntire, this soap described as “southern gothic” might be dark but as long as it’s twisty and funny and has something to say about the state of America right now, it’s an automatic order for me. And since ABC won a bidding war to have it, I’m not afraid: they will order it! They need it.


WITNESS 33 (ABC Studios)

What? When thirteen families in witness protection are killed in one day, the head of the program is forced to go on the run. He maintains his innocence as he evades with an obsessive FBI agent in pursuit accross the country. Week to week, he will visit the families he put into witness protection, knowing one of them can unlock the mystery of who framed him…

Why? It screams like a midseason show with no more than 13 episodes per year that doesn’t fit with what ABC is usually doing but which is worth a chance thanks to a pretty solid hook. There’s a procedural element to it that would help along the way to grab new or occasional viewers while keeping the fans satisfied. That’s of course if it’s as entertaining and exciting as it sounds. Adrian Hodges is writing (The Muskeeters, Primeval New World) & Julie Gardner is producing (Doctor Who, Torchwood, Banana, Cucumber).


ABC also develops a number of basic procedural shows like a Magnum reboot; Hobbs from Michael Strahan about an NFL player turned cop; John Corey; The Exchange where an American cop teams up with an British one; Homicide Special or NYPD Red. There’s one medical show in development The Good Doctor by Dr House’s creator David Shore. They also have an Enemy of the State adaptation from Jerry Bruckeimer; and more family soaps like House of Moore (redeveloped from last yeat but without Felicity Huffman starring this time); Icon; American Heritage or Women in black (that’d be perfect for summer or… Lifetime), plus an untitled one about a multi-generational Indian American family. Dark thrillers are in the works like Salamander or Head Games produced by Viola Davis.



940 SATURDAYS (Universal Television)

What? There are 940 Saturdays between the day your child is born and the day they turn eighteen. In this single-camera series, three families band together to enjoy… and survive them all.

Why? Eva Longoria is producing. She doesn’t have such a good track record so far through her UnbeliEVAble production shingle based at Universal but at least there’s an original concept here. It really depends on how it plays out. If it’s just a pretext or if they use those 940 Saturdays as an important tool in the storytelling. I’m intruigued though not totally sold yet.


CO-LIVING (Sony Pictures Television)

What? a recently-widowed 60-something guy teams up with an entrepreneurial 20-something girl to “monetize” his biggest asset — the single-family brownstone he used to share with his wife — renting out the bedrooms to an eclectic group of housemates. The “sharing economy” just hit home.

Why? As a non-family comedy project, this one seems to be modern and topical. With the right set of characters and actors, I can see it becoming something cool.


THE ESCAPE (20th Century FOX Television)

What? about a stressed-out urban professional who uproots himself and his troubled 19-year-old son to move to rural Idaho to live with his father, a retired surgeon with the ruggedness of Indiana Jones

Why? There’s an Everwood vibe that I like a lot, but most of all, it looks sincere and emotional. From the guys (Chris Miller & Phil Lord) who wrote the LEGO movie, 22 Jump StreetThe Last Man On Earth, Son of Zorn, upcoming Making History… Doesn’t look like your classical ABC comedy, might be a problem to fit it in the schedule.


HOLY SH*T (ABC Studios)

What? follows the staff of a struggling church and their edgy new pastor (Nick Thune) as they fight to survive in the modern world…

Why? Some sort of office comedy happening in a church? The racy title needs to change but other than that, I think it’s promising.



What? Whether it be for the sake of their family, finances, or friendship, the series will explore three very different but connected couples’ hilarious journeys as they choose to make a go of their marriages for all the right and wrong reasons — because in the end, divorce is so old fashion.

Why? ABC needs to find their new Modern Family and this “connected couples” thingy helps thinking Let’s Stay Together coud be the one. Too soon to tell, of course. Plus, it may be a very tired family comedy in disguise. Once they decide not to divorce, I’m not sure how it can differentiate from the others. But I’m interested. It looks positive, full of hope. And we need that, don’t we?


LIBBY & MALCOLM (ABC Studios) picked-up

What?  a very real look at how today’s “politics of division” play out between two opposing pundits who also happen to be married; one’s black, one’s white; one’s left, one’s right. Bitter rivals at work on their pundit show Black & Wright, they have to turn conflict into compromise at home when it comes to raising their kids…

Why? This is my favorite comedy pitch of the year! It’s from Kenya Barris, who also created Blackish and it sounds like something that could be both funny and intelligent, very topical. It even screams Emmy Awards! ABC really wants Felicity Huffman (not that she’s gone, she’s in American Crime but…) and Courtney B. Vance as her partner, looks magical. It could fit with the other ABC comedies while adding something different, something more. This one looks a sure bet. See you next year!



What? centers on a blended family made up of equal parts Indian, Muslim, Jewish, and New Jersey. It is about a newly married couple struggling against culture, tradition and generations to build their idea of a “normal” American family.

Why? Kerry Washington produces this project and it doesn’t change the fact that this pitch is exciting. Such a comedy is too important to be overlooked in those troubled times, with an America divided, Trump as the president and immigrants being seen as trouble-makers. Shows about one indian family, or one jewish family are great. But mixing them all together looks even greater. We needs this. America needs this. To be great again.


RAPPER MAYOR (ABC Studios) picked-up

What? Courtney Rose, a talented but struggling hip-hop artist, runs for mayor to promote his mixtape – and wins. The guy is a quitenssential optimistic, a dreamer through and through. He’s the coolest, most fun dude in town, and if you don’t believe it, just ask him and he’ll tell you.

Why? Is this some kind of Designated Survivor comedic version? Sort of. It deviates from what ABC is doing, sounds more like a NBC or FOX comedy, but it doesn’t make it less attractive. Well done, it could be really fun.


TWINSTERS (Sony Pictures Television)

What? the story of identical twins separated at birth, adopted on two different continents and raised completely unaware of each other until they are reunited at age 29…

Why? This pitch could totally be used for a drama instead, and honestly I think it would make a great one. But they chose to make a comedy out of it and I understand why: it’s another version of the “Odd couple” concept that seems more profound than usual. Plus, it’s based on a documentary about a true story. And it’s from David Caspe, who created Happy Endings. It could get very emotional. I’m all for it.



What? a divorced mother of three moves her family to the East Side of Austin, Texas, soon after the assassination of Martin Luther King Jr., in an effort to be closer to her estranged sister. Once there, her teenage son forms a rock ‘n’ roll band, to the utter bewilderment of friends, family and the community at large.

Why? ABC visits the 80s with The Goldbergs, the 90s with Fresh Off The Boat. Why not going back to the 70s with The Zipcoders? If it’s as good! And the pitch suggests it could be, with a rich historical context and some music. It’s produced by Viola Davis, which could help.


UNTITLED CAROL BURNETT COMEDY (Universal Television) picked-up

What? about a family who gets a chance to buy the house of their dreams — a house they’d never be able to afford under normal circumstances, but is able to under extremely abnormal circumstances. They must live with the current owner, an older actress (Burnett) — until she dies.

Why? Carol Burnett + this pitch + the multi-camera format doesn’t suggest it’s gonna feel very modern. But shows like Last Man Standing or Kevin Can Wait prove there’s still an audience for it on network television. Plus, it’s produced by Amy Poehler. If ABC needs something new for their friday slate, I would count on this one first.


ABC also has a Goldbergs spin-off about the character of the gym teacher. Well, why not? A Zach Braff comedy Start Up about a guy starting his own business; and a Mindy Kaling-produced project about a liberal lesbian couple.


What projects are you the most interested in among these? Take your picks!