Tag: abc

ABC 2018/2019 Schedule (THOUGHTS & TRAILERS)

 

MONDAY

8- DANCING WITH THE STARS

9- DANCING WITH THE STARS

10- THE GOOD DOCTOR

TUESDAY

8- ROSEANNE / THE KIDS ARE ALRIGHT

9- BLACKISH / SPLITTING UP TOGETHER

10- THE ROOKIE

WEDNESDAY

8- THE GOLDBERGS / AMERICAN HOUSEWIFE

9/ MODERN FAMILY / SINGLE PARENTS

10- A MILLION LITTLE THINGS

THURSDAY

8- GREY’S ANATOMY

9- STATION 19

10- HOW TO GET AWAY WITH MURDER

FRIDAY

8- FRESH OFF THE BOAT / SPEECHLESS

9- CHILD SUPPORT

10- 20/20

SUNDAY

7- AMERICA’S FUNNIEST HOME VIDEOS

8- DANCING WITH THE STARS: JUNIORS

8- THE SHARK TANK

10- THE ALEC BALDWIN SHOW

 

MIDSEASON

AGENTS OF SHIELD (summer) | FOR THE PEOPLE | WHISKEY CAVALIER | GRAND HOTEL | THE FIX | SCHOOLED

 

THOUGHTS

– 2 new dramas, 2 new comedies in the fall: that’s pretty much what we expected from ABC, with few moves and a conservative schedule overall. If The Rookie, A Million Little Things, The Kids Are Alright & Single Parents are as strong as they seem to be, the alphabet network could be having a good year.

– Moving American Houseviwe to an ealier slot makes all the sense in the world and paired with The Goldbergs it should be doing a bit better than this year. Two newbies back to back on wednesday from 9.30 to 11 is a bit worrying, though both shows seem compatible. The return of comedies on friday is also a good move.

– An all-scripted sunday waiting for American Idol to come back is probably the wisest move they could have come up with. But it means all three new dramas plus For The People will have to air midseason. It’s a bit much.

– ABC may have a comedy back-up problem in the spring if their newbies fail in the fall since they only have Schooled at his time.

 

TRAILERS

 

 

 

 

 

A Million Little Things (ABC) pilot preview: So Many Feelings

Written and executive produced by  DJ Nash (Growing Up Fisher, ’til Death). Also produced by Aaron Kaplan (The Chi, Life In Pieces, American Housewife, Secrets & Lies) & Dana Honor (9JKL, Me Myself And I). Directed by James Griffiths (The Mayor, Blackish, Episodes). For ABC, ABC Studios & Kapital Entertainment. 58 pages. 10/01/2018 Draft.

Description: ”Friendship isn’t a big thing – it’s a million little things,”. A group of friends, for different reasons and in different ways, are all stuck in their lives, but when one of them dies unexpectedly from suicide, it’s just the wake-up call the others need to finally start living. The group comes together to mourn the loss of their friend and in the process are reminded of how their lives used to be before their secrets…

With David Giuntoli (Grimm, Priviliged), James Roday (Psych, Miss Match), Romany Malco (Weeds, Think Like a Man), Stephanie Szostak (Satisfaction), Allison Miller (13 Reasons Why, Go On, Terra Nova), Anne Son (My Generation), Christina Moses (The Originals, Containment), Christina Ochoa (Valor, Blood Drive, Animal Kingdom), Lizzy Greene… Also Ron Livingston as guest star.

    

You’ll Like It If You Already Like: This Is Us, Thirtysomething, Brothers & Sisters, Parenthood

Likely timeslot: Wednesday at 10 or Thursday at 9

 

There’s simply no words to tell you how enthusiastic I am about A Million Little Things. I’ll try to find some, though. First, we need to go back a year ago when ABC decided not to pick-up to series DJ Nash’s previous project, a comedy pilot called Losing It, about “three misfit adult siblings and their parents who — between divorce, new parenthood, early-onset dementia and let’s just say life — are all losing it in different ways“. An heartbreaking decision but understandable: though the script was good, it was definitely not your typical ABC family comedy, since it was pretty dark, with a cable-feel. Not a good fit. It was hard not to think of This Is Us, especially with Gerald McRaney playing the father and some sort of surprising twist towards the end (spoiler alert: the mother died). But ABC loved it and gave DJ Nash a second chance. It’s this “failure” that gave him the idea and the courage to work on A Million Little Things, based on a personal experience. “Sometimes in comedy, you have to apologize for adding drama, which is why I was so thrilled to see ABC’s passion for a drama that has comedy” he declared when the pilot got picked-up. Since then, it’s a clear frontrunner in the 2018 pilot race. And the script does live up to the expectations!

Again, I will quote DJ Nash, he’s the one who describes it the best way since he’s the brilliant mind behind it and I assure you it’s not just PR, it’s true, it’s what I felt too: “It’s an optimistic look at how the loss of a friend is the impetus for the other seven to finally start living, to make a promise to him and to themselves to finally be honest about what’s really going on (…) I know in my own life, my friend’s passing is a constant reminder to keep things in perspective“. There’s something really emotional and profound on the page that I hope will translate on the screen and with the cast they managed to assemble, I have a feeling it will. A Million Little Things could be summed up as “This Is Us with friends”, though it would be unfair to compare them too much. They come from the same place -a little something called heart- and they march to the beat of the same drum but they’re different enough so there’s a place for both in our lives. AMLT is about the power of friendship, the power of belonging to a group in a world where it’s easy to get lonely, to be left alone. People are not talking anymore, they don’t even look at each other on the bus, on the train, on the streets… Those seven realize they need to take care of each other a little bit better, tighter. They simply need to change, which is also the name of the song from Tracy Chapman we’re supposed to hear in the pilot if they got the rights for it.

At first, I was a bit taken aback when I discovered it was mostly about a male friendship. Not that it’s not interesting, but experience proved that shows centered around those rarely work (Men of a certain age, Big Shots, We Are Men…) for some reason. My guess is women are not that fascinated by this type of look behind the curtain -what do men do when we’re not around?- and men are not into soapy character-driven dramas as much as women are. What’s different with A Million Little Things is that those men are not stereotypes, they are modern and self-conscious -though they spend too much time at hockey games if you ask me- they’re multi-dimensional and they don’t avoid their emotions; while the women are not just on the background, they’re not just girlfriends or wives, they have their own stories to tell and their own journeys to live. It’s a bunch of promising characters and we’ll all fall in love with them I’m sure. Even when they’re not nice, even when they’re difficult. But don’t be afraid, they can also be a lot of fun. Let me introduce you to them.

Eddie (David Giuntoli) is the former front man of a local band turned music teacher and stay-at-home dad. His marriage is in trouble, and although he loves being a dad, he wonders what his life would have been like had he made different choices. He may be ready to take a big risk and leave his wife… for another woman he’s having an affair with. There’s a Netflix’s Friends From College vibe here, but it’s less cynical and more importantly: they didn’t meet at college! Then there’s Gary (James Roday), who is known for his deflective humor, a habit of sleeping with everyone, and complete control over his emotions. He’s in remission after battling a breast cancer and may want to take a chance at love. He’s both irritating and cute. Rome (Romany Malco) is a depressed but very successful commercial director. Not quite the gig he went to film school for, he longs to be doing something more important than making stupid commercials. He’s in a happy marriage but his wife knows nothing about his darker side. Also, he’s black. And it’s important because depression in the black comunity is even more taboo. Finally, there’s Jon (Ron Livingston), who appears to have it all: good looks, a beautiful family, and a successful career. But he takes his own life in the opening by jumping out of a window for reasons everyone has a hard time to understand. Don’t expect a Desperate Housewives‘ kind of mystery, but there’s certainly soapy elements in the DNA of the show, with a big reveals at the end of the pilot to make sure you’ll come back, including one shocker. And Jon’s suicide is still very much a question mark.

It’s the women’s turn now. Delilah (Stephanie Szostak) is Jon’s wife, who pushes through after his death for the sake of her children. She’s admirable and I love her already.  Katherine (Anne Son) is Eddie’s wife, who was once the fun one in the group but now is the boring mom to a son she loves while juggling being the parent she wants to be with her very successful law career. She’ll be harder to love but it’s the type of character that could become fascinating after a while if she’s not labeled as “the bitchy one”. Regina (Christina Moses) is a talented chef with dreams of opening her own restaurant one day. She is living proof that there’s nothing stronger in this world than a determined woman. She’s married to Rome and he’ll need her more than ever. Finally, there’s Maggie (Allison Miller) who is amazing and comfortable in her own skin. She’s a therapist and her career and her life are focused on the emotional. She might be the one for Gary. But there’s something about her he doesn’t know yet… The scenes between the guys are cool but the scenes between the girls are even cooler. Most of the pilot is happening during Jon’s funeral, or right before and after, and there are flashbacks to tell us how they met. And a great speech. And much more.

A Million Little Things may or may not become the next This Is Us ratings-wise. It may or may not become the next best thing. But let me tell you it’s a good medecine, a great therapy a lot of us need and to which we could become addicted. It’s the kind of show that makes you realize you should be living your life at the fullest while you can. It’s the kind of show that makes your heart jumps a little, your eyes cry a little… Ultimately, it gives you a million different feelings. I don’t know about you but that’s exactly what I’m looking for in a television show. So please be part of our lives, AMLT

 

https://twitter.com/SeasonZeroCom/status/973686654992109569

Grand Hotel (ABC) pilot preview: One More Lazy Soap

Written and executive produced by Brian Tanen (Atypical, Devious Maids, Desperate Housewives, Ugly Betty). Based on spanish series Gran Hotel. Also produced by Eva Longoria (Devious Maids, Telenovela, John Wick), Ben Spector (Telenovela, Wedding Band), Oliver Bachert & Christian Gockel (Velvet). Directed by  Ken Olin (This Is Us, Brothers & Sisters, Alias, Thirtysomething). For ABC, ABC Studios, UnveliEVAble Entertainment & Beta Film. 64 pages. Draft 1/17/2018.

Description: The Riviera Grand hotel is a famed Miami Beach establishment, filled with beautiful people masking dark and explosive family secrets. The hotel’s façade of perfection begins to crumble on the night of a fateful hurricane when a woman mysteriously disappears after a heated dispute with the charming hotel owner…

With Roselyn Sanchez (Devious Maids, Without a Trace, Rush Hour 2), Demian Bichir (Weeds, The Bridge US, The Hateful Eight, Machete Kills), Chris Warren (The Fosters), Wendy Raquel Robinson (The Game The Steve Harvey Show), Shalim Ortiz (Magic City, Heroes), Bryan Craig (Valor, General Hospital), Denyse Tontz (The Fosters, Incorporated), Justina Adorno (Seven Seconds), Lincoln Younes (Love Child, Home And Away), Anne Winters (13 Reasons Why, The Fosters), Feliz Ramirez

 

You’ll Like It If You Already Like: Devious Maids, Ugly Betty, Revenge…

Likely timeslot: sunday at 8 or 9, or wednesday at 10

 

I got excited by this Grand Hotel project, based on the spanish hit series, like 10 minutes when Roselyn Sanchez and then Demian Bichir were cast in the two most prominent roles of the ensemble. Roselyn Sanchez was just hilarious in Devious Maids & Demian Bichir is a really good actor with a wide range of acting. That was reassuring. And then they kept on casting young actors and actresses mostly based on their looks, I suppose. Which is fine if you’re doing a daytime soap, I guess. But not when you want to make a great primetime soap, with a strong comedic aspect, which will obviously be compared to Desperate Housewives, Ugly Betty or Devious Maids. And those became iconic thanks to their solid writing and their skilled cast, not just because the women were sexy in their dresses and the men hot with their abs out. So maybe they’re really beautiful AND talented, BUT this script is weak and I don’t think they will be able to save it.

Look, I’m a sucker for good soaps. I was raised by Amanda Woodward on Melrose Place! So what I’m gonna tell you is not coming from someone who doesn’t like the genre and doesn’t unsterdand it. I really do. But ABC just can’t put this on their schedule and hope for a miracle. It’s just not gonna work. If they didn’t keep Devious Maids for themselves back in the days and sent it to Lifetime, it was for a (good) reason. There was like zero chance it worked for them. I was frustrated at the time but ultimately I got it. And actually, we can’t even say it really worked for Lifetime either, as great as it was. Ratings for the first season were okay but then it fell quickly. Grand Hotel is really lazy, rarely funny and it lacks so many things to make it appealing, starting by characters you can care about, that I don’t see how ABC could even consider a series order. But hey, maybe it’s just me… Of course, there’s the international appeal because Gran Hotel was a success all over the world but I suspect it was for the most part because it was a period soap set in 1906. Like a lighter Downton Abbey of some sort. But here, and I get why ABC did it, it’s set in the present days. The upstairs/downstairs aspect has disappeared and it’s mostly about the family that owns the hotel, the people who work for them and the guests are not that important overall. Making it more like a traditional family soap kinda makes sense so the american audience will feel more comfortable with it, but it looses its charm along the way and nothing really makes it distinctive. I didn’t like the new Dynasty‘s pilot either. But then it got better. So who knows? But it doesn’t work for The CW. Why would this for ABC?

Gonzalo Cardena, the owner of the hotel -who decided to sell it- is decribed as “one of those people who can talk to anyone and make them feel like fast friends; he has built himself up from nothing and will do anything to keep what he has”. Well, that’s a waste of Demian Bichir. Of course, he’s worth better than that but most of all, his character doesn’t come out as charming to me; it’s just an uninteresting and coward man. It would have been fun if he were a really bad guy, even a cliché of a bad guy, but so far in this pilot he’s just nothing much. Then there’s Gigi Cardena, his second wife “impossibly stylish with a flair for excess, unapologetically fabulous but never frivolous, smart, cunning and fiercely loyal to her twin daughters”. Well, this is a dreamy description but the reality is far less exciting. I’m pretty sure Roselyn Sanchez can improve the writing by her comic genius, but the problem is: Gigi’s not a fun bitch; she’s not even a very bad bitch. She’s just a bitch. Like a bitch in a bad ABC Family/Freeform drama. A WASTE! The only character that I like is Mrs P., the no-nonsense staff manager, tough on the outside -with great lines- and lovely on the inside. That’s a character you want to follow. All the others are just bland. Not nasty enough to be fun, not nice enough to be loveable. They’re just right in the middle of nowhere.

Are the twists good at least? Nope! You just go from one cliché story to another, and you know exactly how it’s gonna end the moment one of the character appears. Not gonna spoil it just in case ABC picks it up, but let’s just say Danny, the gorgeous new waiter at The Riviera, can’t hide very long why he’s really here, what are his ulterior motives. Devious Maids did similar stories not that long ago with more flavour and cleverness. There’s a wedding happening during this pilot. They had what they needed to make it explosive, crazy… It just falls flat. We had so many weddings in soaps, some very epic, they had to top that at least. They didn’t even try. It’s just one disappointment after another. And I can’t wait to watch the opening sequence happening during a hurricane! I’m pretty sure ABC Studios special effects team will do it justice…

You really need to be a virgin in the soap opera/telenovela world to appreciate Grand Hotel. When you’ve already seen really great ones, it’s just one bad more, and we had many through the years, oh boy! And if you’ve watched something like Jane The Virgin, that plays with the genre to make it more unique and fresher, you can only find this pilot very pale in comparison. If ABC has to choose between Grand Hotel and False Profits, there’s no doubt the latter is a far more interesting option! It has depth and a feel-good vibe, something Grand Hotel lacks among many other things.

The Finest (ABC) pilot preview: Hail to the Queens

Written and executive produced by Pam Veasey (CSI: New York, CSI: Cyber, Washington Police). Also produced by Robin Roberts (Good Morning America) & Regina King. Directed by Regina King (Being Mary Jane, Scandal, SouthLAnd). For ABCABC Studios, Royal Ties & Rock’N’Robin Productions. 60 pages. 2nd Revised Network Draft. 1/18/2018.

Description: the lives of five African-American sisters, Lena, Ella, Anise, Serena & Nicole, all officers in the NYPD, as they face the challenges of their high-risk jobs while juggling the responsibilities of marriage, motherhood and family. Raised in the borough of Queens by working-class parents, the Kendrick sisters are New York’s finest…

With Frances Turner (The Gifted, The Exes), Amirah Vann (How To Get Away With Murder, Underground), Tisha Campbell-Martin (Dr Ken, My Wife And Kids, Martin), Aubin Wise, Leigh-Ann Rose (Love Thy Neighbor), Zoe Robins (Power Rangers Ninja Steel), Michael Beach (The 100, The Game, Third Watch, ER), Eric Balfour (Haven, 24, Six Feet Under), Dorian Missick (Animal Kingdom, SouthLAnd), Gerardo Celasco (The Have and the Have Nots, Passions)…

  

You’ll Like It If You Already Like: BET & OWN shows, Shonda Rhimes’ shows…

Likely timeslot: Joining TGIT on thursday at 10 once How To Get Away Murder ends.

 

A whole team of powerful black women, from writer to director and producers, crafting a compelling story about a sisterhood of complex black women, that’s unprecedented on network television and beautiful and precious. I really hope ABC will proceed with a series order in may. Not only for the symbol and the huge step forward but also because it’s worth one judging by the script and because, as Empire and Scandal proved, there’s an audience waiting for it, desperately. There is not a single white person in a regular role in this show. So what? We got a ton of shows with only white people for years… The Finest is a bit messy sometimes and can’t be labeled as “a fine drama”, but it does have potential. You just have to deal with the fact that this premise is highly unlikely: what are the odds not 2, not 3, not 4, but 5 -and even 6- women from the same family -mostly sisters- all become police officers? I mean… It’s just weird. They make it believable somehow on the page but you just need to look beyond this, just relax and enjoy. EDIT: Turns out those sisters exist in real life! Good Morning America did a segment about them a few years ago!

Let me introduce you to our main characters, who all have secrets. Some are included in my descriptions, some others I’ll keep, just so you still have surprises while watching it. First, there’s what we could call “the lead sister”, Lena Kendrick (played by Frances Turner). She’s not the oldest but she’s the highest ranking and accomplished. Witty and intelligent, Lena is the first African-American woman to be promoted to Assistant Chief in the department. But she struggles with the news that her cancer may be back. And there’s an incredible scene, a mash-up of two cult scenes in fact, when she takes her wig off (hello Viola Davis in HTGAWM!) -let’s see it as an hommage- and we discover a scar across her scalp (hello Kimberly Shaw in Melrose Place!). That’s quite powerful. Then we have Ella (Amirah Vann). She’s smart, kind, and principled, she goes out of her way to prove that police officers can still be good guys who treat people fairly. Married for 18 years, Ella is also a mother of three who struggles to balance her home life with her job. When she chooses to disregard protocol, her partner gets shot, putting his life and her career in jeopardy. There’s an interesting thread here since the call they responded to which was supposed to be about domestic abuse turns out to be a fake, an ambush designed to target a police officer… Also, Ella may be having an affair… with a woman! Yeah, it’s a lot for just one character.

Then we have Anise (Tisha Campbell-Martin), a witty, tough and outspoken patrol officer with a sharp sense of humor. She is immensely proud of her family, especially that her four sisters are in the NYPD, she was the first to join the force and kinda led the way. She has a daughter, Taylor (Zoe Robbins), who’s just been accepted in the police academy, and she’s not happy about it. She wanted her to become a lawyer, or at least get any college degree. Let’s move on to Nicole (Leigh-Ann Rose), an attractive, fit, strong-willed, tough detective. Her ex-boyfriend Jessie, who’s the father of their child, refuses to move out of Nicole’s apartment despite her wishes. He takes her to court to establish paternity and gain legal custody of their kid. Finally, there’s Serena (Aubin Wise), the youngest sister, a youthful and wholesome beauty, playful but tough who is happily married to her handsome architect husband. She’s a germaphobe. And kinky. She’s kind of the sister the story didn’t need, to be honest. Four would have been enough I guess. We’ll see what they’ll do with her but for now, she doesn’t have much to offer.

As I said earlier, it’s not “a fine drama”. By that, I mean it’s very very soapy, not always subtle, often on the nose. But it’s damn ambitious too. I mean, there are so many things going on at the same time, so many characters to introduce, both personal challenges and investigations to go through… It’s a damn lot! The writer did her best, I guess, to make it all fit. As a consequence, it’s fast-paced, with a few action-packed scenes in the streets of New York, but it never goes deep, there’s just not time left for that. The good side of it is that there are a lot of things left unsaid, especially about their family as a whole, their parents, their past, that they will be able to delve into later. It’s probably more of a script problem than an actual pilot problem, but you need an awfully long time to distinct the sisters. They’re all tough, they’re all beautiful, they’re all police officers of course, they’re all in their thirties or forties, they’re all fabulous… It will take more than one episode to understand the way their sisterhood works. Then again, it’s good to have things to look forward. You end up bloated but with a undeniable  desire to have some more.

The Finest‘s pilot wants to be all over the place and actually is. But when you think about it, it looks exactly like what ABC needs actually: a character-driven, female-fueled soapy drama, with police elements on the side, targeting a large audience, including an african-american demo mourning Scandal’s Olivia Pope. They’re offered like 5 Olivia Pope instead! Let’s just hope they don’t turn out as unbearable as her. For now, they’re queens from Queens and they’re just great as they are.

The Fix (ABC) pilot preview: American Crime Story – The People Vs OJ Simpson, a sequel

Written and executive produced by Marcia ClarkElizabeth Craft & Sara Fain (The Shield, Lie To Me, The Vampire Diaries, Dollhouse). Also produced by David Hoberman (Monk, Fighter), Todd Lieberman (The Family, Detroit 1-8-7) & Laurie Zaks (The Family, Castle). Directed by Larysa Kondracki (Rogue, Copper, Legion). For ABCABC Studios & Mandeville Television. 61 pages. 4th Revised Network Draft. 1/23/2018.

Description: After losing the biggest case of her career and being shredded by the media, former prosecutor Maya Travis has left Los Angeles for a quiet life in rural Oregon. Eight years after her devastating defeat, the murderer – a famous movie star- strikes again, forcing Maya to return to Los Angeles to confront him one more time. Will she play by the rules or will she do whatever it takes to get him behind bars?

With Robin Tunney (The Mentalist, Prison Break, The Craft, Empire Records), Adam Rayner (Tyrant, Hunted), Adewale Akinnuoye-Agbaje (Lost, Oz, Suicide SquadBreckin Meyer (Franklin & Bash, Clueless), Merrin Dungey (Big Little Lies, The Resident, Alias, The King of Queens), Mouzam Makkar (The Exorcist, The Vampire Diaries), Scott Cohen (Necessary Roughness, The Carrie Diaries), Marc Blucas (Buffy, Underground), Alex Saxon (The Fosters, Finding Carter), Daniella Alonso (Animal Kingdom, Revolution, Friday Night Lights)…

   

You’ll Like It If You Already Like: American Crime Story, The Good Wife, Murder One, Law & Order True Crime…

Likely timeslot: Thursday at 10 joining the TGIT?

 

Does the name Marcia Clark mean anything to you? For those who watched the excellent American Crime Story: The People Vs OJ Simpson, she was the lead prosecutor in the OJ Simpson case, played by Sarah Paulson. She resigned from the District Attorney’s office after the debacle and left trial practice behind. She became a “special correspondent” for news show providing coverage of high-profile trials and she wrote several novels based on her experience, as well as pilot scripts that were never produced. She’s one of the executive producer of The Fix and her story is obviously a big inspiration for the show. ABC insists on the fact that the drama is fictional. Still, its starting point draws a lot of parallels to what was called at the time “the trial of the century” and Maya Travis is also finding herself in the eye of a media storm like Clark did. The ambition is to examine the case from all sides of the law, going home with the characters and exploring how it is affecting their personal lives. And I have to admit the writers really captured something here. Unfortunately for them, they will be compared a lot to Ryan Murphy’s brilliant piece and they can’t compete. It doesn’t mean they shouldn’t try!

Part legal thriller, part confessional, part revenge fantasy, The Fix is as riveting as ABC promises but it’s never a good omen to be so many things at the same time. I’d leave the “revenge fantasy” part out of the equation. It gives the wrong impression. There’s the idea of redemption, that’s for sure, but Maya Travis is not Amanda Clarke from Revenge. She’s a far more interesting character, it seems. More mature. A legal thriller? That’s what describes it the best. And of course, because we’re on ABC, it’s soapy. Not the dirty kind. It stays classy, at least from Maya’s side. From the OJ-like murderer’s side, it’s another story. But can they beat the real OJ?! Not really. It’s very much the same man, or the idea we have of him at least. Steven “Sevvy” Johnson is a narcissistic, perhaps sociopathic, famous Oscar-winning actor that most people actually love because he’s charismatic and charming, and a very good liar too probably. He’s also black, which is a subject in itself like it was with OJ since he’s well-loved by the black community, or at least was. Well, the more I write about it, the more this show feels like a OJ Simpson vs The People‘s fictional follow-up! And I can’t decide if it’s a good thing or bad thing in terms of potential. It could bring more eyeballs than this kind of show usually does but there’s a downside to it: again, the comparison is not in The Fix‘s favor, as good as it is.

Also, they don’t have Sarah Paulson. From what I’ve heard, they were aiming for a big name to play the lead and sent a lot of offers. But the best they could get in the end was Robin Tunney from The Mentalist. I don’t mean to be disrespectful and it’s not like she’s an unknow actress either nor that she’s bad, but sadly she’s not much of a draw on paper. And these days, for a role like this one on a show like this one, it’s a big disadvantage. That being said, the cast looks strong overall, especially with Adewale Akinnuoye-Agbaje as Sevvy. He’s an excellent actor, much more skilled and charismatic than Cuba Gooding Jr. if you ask me, and easily scarier. OJ was shown as a bit dumb and immature. Sevvy seems like a far more manipulative person. There’s no real doubt about what he has done. What they need is actual proofs and that’s where the fun begins for us. He’s not an easy one to catch. And his defense team is nasty. And they hate Maya, as much as she hates them. We have all the ingredients for a thrilling legal drama. It could have been less Manichaean, it’s really the good guys vs. the bad guys, but that’s probably the price to pay if you want this show to be on a network and not on cable. It needs to stay easily readable and pretty straight-forward. I’m not sure how many episodes they can squeeze out of it, though. Problaby no more than 10 if they want to keep it as efficient and fast-paced.

Other characters are: Andre, who was Maya’s second chair during the high-profile trial (think the equivalent of Sterling K. Brown’s character) and there’s an undeniable connection between them; CJ, a DA investigator who was one of Maya’s closest friends and confidantes but they lost touch when she went away; Charlie Wiest, a spineless opportunist who doesn’t have enough power within the office to control its inner workings, despite his grave efforts, another pain in the ass for Maya; Loni Cho, a Deputy District Attorney and the lead attorney on the new murder case, with a secret; and finally Ezra, an extremely confident defense lawyer -an arrogant pitbull- who won the trail against Maya years ago and who defends Sevvy once again. Those are all strong characters who really exist within the story, who all play an important part.
The Fix is a bit of a dark horse in this pilot season for ABC since it doesn’t correspond at all to what they’re supposed to be looking for. It’s heavily serialized, soapy and pretty dark, and this type of shows did poorly those past few years when they were not from Shonda Rhimes. It would work better as a limited series. Being that different from the other competitors might be an advantage for a series order though. It won’t fix ABC’s drama problems but it could be a good low-profile addition.

False Profits (ABC) pilot preview: Flashback to ABC’s Glory Days

Written and executive produced by Kayla Alpert (Code Black, Ally McBeal, Sweet Valley High). Also produced by Sabrina Wind (Devious Maids, Desperate Housewives, Reba) & Jason Reed (The Crossing, Ninja Turtles). Directed by Paul McGuigan (Sherlock, Devious Maids, Designated Survivor, The Family). For ABCABC Studios & Jason T. Reed Productions. 63 pages. Network draft 1/18/2018.

Description: Laura, Parvun and Hilary, three down-and-out women who live in suburban Arizona, fight their way to the top of the cutthroat world of a multi-level marketing cosmetics business, forming their own tribe, each wanting a better life for themselves. Little do they know what will happen in a year…

With Bellamy Young (Scandal, Dirty Sexy Money, Scrubs), Kosha Patel (Mary+Jane, The Newsroom), Shelley Hennig (Teen Wolf, Ouija, Unfriended, The Secret Circle), Vanessa Williams (Daytime Divas, Desperate Housewives, Ugly Betty), Ben Lawson (Designated Survivor, Doubt, Love Child), Mark L. Young (Ten Days in the Valley, The Comeback, The Inbetweeners US), Marcus Coloma (Major Crimes, Make It or Break It, South BeachTapil Talwalkar

   

You’ll like it if you already like: Desperate Housewives, Good Girls, Devious Maids, Ugly Betty…

Likely timeslot: Sunday at 9, Wednesday at 10

 

In the midst of chaos, there is also opportunity” says Sun Tzu in The Art of War. “The best revenge is massive success” said Frank Sinatra. It’s with those quotes that False Profits‘ script starts and they say a lot about what this show is really about. The intention of it all. Yes, the logline looks like yet another desperate attempt for a “new Desperate Housewives” with working women this time, but it’s much more than that. Not that it’s a better show than DH. It’s not. And not that ABC won’t try to market it as one if it’s picked-up. With an executive producer -Sabrina Wind- who was Marc Cherry’s “eyes and ears” (that’s what he said) during DH glory, it will be too tempting for them. But I feel like False Profits tries to dig deeper and looks like a great show for the #MeToo #TimesUp era. Also, it fits perfectly with ABC’s new ambition to tell stories that are “less dark, less edgy, more hopeful, more joyful” and that reflect the true realities of what life is like for everyday Americans, especially for american women, without losing what made them successful 15 years ago.

False Profits -this title isn’t appealing at all, it needs to change- is an update on the sacred American dream, on the female side this time; which is not that ordinary. It lightens the mood in these uncertain times but not without substance when Desperate Housewives was an exciting and incredibly entertaining show but pointless most of the time. Not trying to pit them against each others. But since they will be compared a lot, I want to make things clear. Yes, it’s often comical, and bitchy, and full of twists; it’s an unapologetic soap which aims to be entertaining and exciting as well. The added value here is its hopefulness, the positive message it sends to women, the inclusiveness. That’s where it deviates from NBC’s Good Girls, for instance. They both show women fighting together and not against each others, pursuing their dreams, the “girl power” in full force, but in False Profits they launch their business, they don’t rob a supermarket. And that’s way more powerful. Even though the world of comestics is very specific, which may make it harder for viewers to relate to -and for the show to find an audience that will look beyond that- it’s still something that’s part of every women’s lives, whether they like it or not. And False Profits doesn’t show it with naiveté. On the contrary, it’s quite cynical sometimes. At least, that’s how I read it.

It starts with a big joyous cold open set in Las Vegas during 2018’s Brava Natural (the fictive brand of the show) cosmetics national sales training with women from different ethnicities, ages and religions, like they’re all members of a cult, but a million-dollar extravaganza cult with cocktails, dancers, acrobats, and even two of the original Spice Girls (Mel B & Gerri Halliwell) on stage! It’s crazy. But things quickly go south when a woman in her pink stilettos emerge from the shadows and shoots Brava‘s CEO Kirsten Odelfet. And then we flashback to one year earlier. So the show is not all positive and fun, it’s also dark. Of course, we don’t know who the female shooter is, we don’t even see her face. It’s an efficient hook, in the “who shot X?” fashion that always works. The only problem is: as of now, we don’t care about this Kirsten. And we don’t see her again in the pilot by the way. But we want to. Definitely.

Let’s meet our three central characters now, who are all smartly introduced and already relatable and moving on the page. First, there’s Laura Hazelton, a single mother of two struggling to get by. it will be interesting to see Bellamy Young in a very different role than Scandal‘s Melly Grant. Tired of being ten steps behind, Laura signs up for a multi-level marketing scheme for selling cosmetics. it’s through her that it all starts. Then there’s her friend and colleague Hilary Jenkel (Shelley Hennig), a sharp-tongued, hot-tempered former beauty queen whose glory days were cut short by a nasty drug habit. Now in recovery and single mother of a 6 year-old, she hopes to reignite the flame between her and Clark, Lila’s father. But when he sues for full custody of their daughter, Hilary needs to whip her life and bank account into shape. She joins Laura in the business, using her pageant know-how as the underdog’s team secret sales weapon. The third Musketeer is indian-american Parvun Chattoraj, a soft-spoken, whip-smart young woman, who’s much more sophisticated about computers than most people. Her very traditional parents want her married but it’s not her priority.

Finally, on the other side of the spectrum is Suzanne (Vanessa Williams), chief of a highly successful “tribe” of Brava Natural saleswomen, who become Laura, Hilary and Parvun’s best enemy when they decide to become her direct competition. At a bridal convention, they get creative in selling products, outsmarting Suzanne and her extravagant booth. So the war is on! Bellamy Young vs Vanessa Williams is the most promising thing this show can provide, by far! What if Suzanne was the shooter? Unless it’s one of our girls? See. It works! We’re dying to know what happened. Let’s just hope we will be as much invested in the little details of their everyday lives than in the bigger picture. Also that the men characters will become more interesting and complex. I get that those women don’t need men to become who they want to be, but it doesn’t mean that the ones who are in their lives should be useless. They need to exist too.

False Profits is a fun soap, mostly comical, darker at times, that takes us back to ABC’s glory days when Desperate Housewives, Grey’s Anatomy, Brothers & Sisters & Ugly Betty were all on the air at the same time. Does it belong to the past or does it have a future on a network that changed a lot since then? Crossing my fingers so it can find a place in the schedule and in the audience’s heart. It’s not revolutionary but it sends the right message at the right time.