Tag: boom

ABC | 2015/2016 – Fantasy Schedule



Those are predictions based on feelings and ABC final schedule may end up very differently! It will be announced on Tuesday. Stay tuned and until then, enjoy the read!








10pm- CASTLE

For years, ABC played the safe card and never moved Castle from the post-Dancing With The Stars. Though season 8 could very much be its last, I don’t see them deciding to move it to another night to end its run. It’s too late and only a procedural seems to be working here. But ABC didn’t order any. Let’s leave it that way. ABC has biggest fishes to fry.




10pm- AGENTS OF S.H.I.E.L.D.

Even though The Middle is still a strong asset for ABC, it started to fade on the younger demo on Wednesdays and became the weakest link the past few months. The best way to finally start Tuesday night with a bang is to move it at 8 (as Fresh Off The Boat proved there is an appetite for family comedy on Tuesdays too) and associate it with something new. The Real O’Neals would fit perfectly with it and could even do better on the younger demo. A match made in heaven! And since we’re talking about heaven, Kings and Prophets, religious-themed drama with a Game Of Thrones feel, could take the 9pm slot, moving Agents Of SHIELD to 10 where its underwhelming performances would be no longer an issue, at least for the next two years, until it gets a syndication deal. It’s a male oriented night from 9 to 11. Of course, it’s a real bet on Kings and prophets but ABC seems to be very high on it so… It’s a go big or go home situation!





The Goldbergs blossomed beautifully on Wesnesdays and constantly did better on the younger demo than The Middle. It’s strong enough now to anchor the night, paired with Fresh Off The Boat that is too promising to stay on Tuesday. Hopefully, Fresh Off will become the new The Goldbergs! At 9, slowly fading Modern Family won’t move, of course. And Blackish is probably too young and too fragile for now to be tried elsewhere on the schedule (whatever happens with Empire on FOX). Plus it’s in-house produced, so ABC would better not mess with it. At 10, Quantico is one of the rare new dramas ordered that could deliver 22 episodes per season. It’s probably not the best option to make it a hit (in the #TGIT, it would have been one instantly) but with a black lead and a very diversified cast, it makes sense to put it right after Blackish. If CBS and NBC doesn’t put big guns there -and there’s a fair chance they won’t- the show can really explode!





What can I say except: why fixing something that doesn’t need to be fixed? ABC would be crazy to mess with its successful TGIT night. Plus now, with a new Shondaland drama –The Catch– they can air a “real” TGIT from September to May. That being said, ABC could be tempted to launch The Catch during fall. But it would be a mistake in my opinion…




10pm- 20/20

Maybe Dr Ken will be able to break the curse? More family-oriented than Cristela was, it’s the perfect companion for Last Man Standing. And it’s co-owned by ABC so they’ll make a little more money with it.





Once Upon A Time has no reason to move and Nashville has to take the Revenge spot to get its 88 episodes and die there. The Family seems to be the best option for 9pm. First because it fits with the female and soapy oriented shows all around, and because similar dark stories Resurrection and Secrets & Lies proved there is an audience there. Since The Family is way better than those two, a miracle could happen!



The Muppets & Galavant would make a great quirky pair when Once Upon a Time is away on January. Secrets & Lies could fit once again towards the end of the season in the same slot, sunday at 9 (I suspect The Family won’t have more than 15 episodes). Agent Carter will take Agents of SHIELD‘s slot during the midseason break. The Catch will replace How To Get Away in the TGIT. Uncle Buck is a back-up if another comedy fails. BoomWicked City & American Crime are wild cards, back-ups, break fillers or bound to a summer run.

What do YOU think?


ALSO READ: ABC | 2015/2016 Pilot Season: The Best & Worst

ABC | 2015/2016 Pilot Season: The Best & Worst


Before ABC reveals its new schedule next Tuesday, here’s the best & worst of their pilot season ! Just my humble opinion.



1. QUANTICO – Ordered to series

“an incredibly strong contender at ABC, not only because it’s a great pilot script that keeps you on the edge of your seat for the whole time but above all because it’s the promise of a show that will keep you on the edge of your seat EVERY WEEK for an ENTIRE SEASON -and hopefully more- alongside characters you can only care about, through a journey that’s relevant to the world we live in. It’s a bomb in the making that’s about to explode. The Clock is already ticking. Tick tock… Tick Tock…” Full preview here

2. THE FAMILY (aka ORIGINAL SIN) – Ordered to series

“a family drama, a very human one, more than a mystery or a detective show, or even a soap. (…) People can relate to this family and its members, they can feel for the detective, they can get excited by the investigation and the secrets that will be found along the way… And it won’t even feel like a sin to love it (…) Everything’s in place to make a great show out of the already great pilot.” Full preview here

3. THE BROAD SQUAD – Dead but could be redeveloped

” This pilot manages to be both entertaining and intelligent, even important I might add (…) The Broad Squad is not your usual cop show, not only because it’s a period drama but because it aims to be different, not a crime-solving straight procedural but a heavy serialized and character-driven one, with no strong emphasis on romantic storylines.” Full preview here

4. THE CATCH – Ordered to series

“it’s in the same vein as Scandal and entirely devoted to Alice Martin, a strong leading woman, brilliant at her job but who can also prove to be fragile when it comes to her messy personal life, in the same fashion as Meredith Grey, Addison Montgomery, Olivia Pope and Annalise Keating (…) The Catch comes off as a thrilling ride, but I can’t say it blew my mind… yet.” Full preview here

5. OIL (aka BOOM) – Ordered to series

“it is as ambitious as it looks, and as ambitious as the couple at the center of the show is. t has what it takes it to be a good entertaining TV series that doesn’t take its viewers for morons and which offers a little bit more than just fun. That being said, Boom may be a little too smart and intricate for its own good…” Full preview here

6. KINGMAKERS – Officially Dead

“Kingmakers is ABC wanting to recreate the magic they once had with Revenge. It’s not a spin-off, it’s not officially a reboot. It’s the same show but different. You know you’ve seen it before but you don’t really care as long as they keep it entertaining and fresh somehow. Let’s call it a spiritual spin-off!” Full preview here

7. MIX – Officially Dead

“Mix finds the right balance between the prime time family soap like Dallas and the more emotion-based family drama like Parenthood, the same way Brothers & Sisters did in fact. Let’s call it a family dramedy, with a lot of heart, a bit of laughs and the inevitable dirty little secrets we’re exposed to throughout the pilot (…) It’s almost too simple and too sweet to be really good.” Full preview here

8. RUNNER – Officially Dead

“ABC has better things to pick up, but it’s a solid pilot script that embarks us on a thrilling ride.” Full preview here

9. KINGS AND PROPHETS – Ordered to series

“Game of Thrones is a soap opera in its bones. The Bible is too, in a way. Kings and Prophets even more. It’s about lies, treasons, revenge… Death is everywhere all the time.  I wouldn’t have bet on it before reading the script, now I’m intrigued though not totally convinced. It could crash, it could work, it could even be a hit. Everything’s possible.” Full preview here

10. WICKED CITY (aka LA CRIME) – Ordered to series

“Dark and twisty. It takes a dangerous road for a network show because of the way the serial killer called Clark Gallagher operates (…) But I’m not sure in this crowded television landscape, already full of serial killers, this show has something more to offer…” Full preview here

11. THE ADVOCATE – Officially Dead

“An interesting way of spinning your gold ol’ medical drama, but not distinctive enough to make a splash and be a game changer. It’s nice, it’s a good vehicle for Kim Raver, but it’s boring most of time. The medical part is okay, but the soapy part is just too generic”. 

12. THE ADVERSARIES – Officially Dead

“not something new, not something bad, not something we’d be willing to really give a chance (…) trying to distinguish itself through the family drama perspective, but even that has already been made and it doesn’t make that much of a difference in the end (…) It will skew old and it doesn’t really fit with the schedule. It’s efficient and pleasant but a little outdated.” Full preview here

Not reviewed: UNTITLED AGENTS OF SHIELD PROJECT – Officially Dead


Martha Plimpton as Virginia Chance, Jimmy's mother.


1. THE REAL O’NEALS – Ordered to series

“it fits perfectly with ABC’s brand, alongside Modern Family, The Goldbergs and all the others (…) The fact that the narrator is a teenage boy makes it sound like Fresh Off the Boat too, which can’t be a bad thing. Honestly, I’m already in love with these people (…)”  Full preview here

2. NERD HERD – Officially Dead

“I laughed out loud while reading it, which doesn’t happen very often to me (…) Just picture all of the smart ass kids of TV -like Manny from Modern Family or the adorable Brick from The Middle– and make them brothers and sisters, living in the same house.Full preview here

3. DELORES & JERMAINE – Officially Dead

“This shit is good. Better than expected, better than you think and even better than it should have been. I mean: a young man living with his grandma, it’s quite exciting on paper I think -I love grandmas on TV- but it’s paper thin at the same time. Somehow, the magic happens and at the end of the pilot, nothing about it seems thin anymore.” Full preview here

4. CHEVY – Officially Dead

“it’s in the vein of The Middle. They share the same kind of sweetness and warmness, and they aim at the same sort of truth of what a family really is, or should be, based on everyday life (…) It would fit perfectly in ABC’s line-up”  Full preview here

5. FORTUNE FAMILY – Officially Dead

“TV definitely needs a lesbian heroin, even more if she’s not the pretty kind. That’s diversity too, guys! Outside of the coming-out part, which is dealt with really well, the sitcom is probably less original than The Real O’Neals for many reasons, especially the mother & father dynamic that we have already witnessed countless times, but it works” Full preview here

6. ALL STARS – Officially Dead

“Better than expected, really funny at times, with an extravaganza you don’t find on the other ABC projects. But it’s more niche and the sports part lost me a bit. Not the best choice.” 

7. THE 46 PERCENTERS – Officially Dead

“Liked this one way more than expected and I can totally picture it lasting for years. But too many farts jokes for my taste, probably.” 

8. DR KEN – Ordered to series

“Liked this one way more than expected (again) and I can totally picture it paired with Last Man Standing. Good for diversity, good for laughs, but not especially great regarding originality” 

9. THE KING OF 7B – Officially Dead

“Quite daring, totally original and crazy, but a bit of a mess, with a feeling that it can’t last very long with such a pitch. Would better fit on Netflix or something!”

10. UNCLE BUCK – Ordered to series

“Not impressed. But it has some potential somehow…” 

11. KNOXVILLE – Officially dead

“A family comedy about rednecks? Already done by Greg Garcia with Earl and then Raising Hope. We don’t need this one even if it’s fine.”

12. WARRIORS – Officially Dead

“Don’t understand the attractiveness of this project. But apparently it has one. Maybe not being remotely interested in basket ball didn’t help. I have faith in producer Dan Fogelman -and ABC too since they can’t keep ordering his shows- but I don’t think it belongs to ABC, even if they broadcast NBA…”

Not reviewed: THE MUPPETS -Ordered to series


What pilots are you rooting for ?

“Blood and Oil” (aka”Boom”) (ABC) pilot preview: a smart soap that will either bomb or explode!


Written & produced by Josh Pate (Surface, Legends, Falling Skies) & Rodes Fishburne. Co-produced by Don Johnson, Tony Krantz (Sports Night, 24, Felicity) & Louis G. Friedman (American Pie, X-Men Origins: Wolverine). Directed by Jonas Pate (Aquarius, Friday Night Lights, Battlestar Galactica: Blood & Chrome). For ABC, ABC Studios & Flame Ventures. 61 pages.

Description: The largest oil discovery in U.S. history is happening right now in North Dakota and people are coming from all over the country to strike it rich. Heading there with big dreams and sky-high ambition are the young married couple Billy and Cody Lefever. As we follow their trials and tribulations in a modern day “Wild West”, they negotiate a colorful ensemble of roughnecks, grifters, oil barons, criminals and fellow prospectors against a stark and beautiful backdrop…

With Chace Crawford (Gossip Girl), Rebecca Rittenhouse (Red Band Society), Don Johnson (Nash Bridges, Miami Vice, From Dusk Till Dawn), Scott Michael Foster (Greek, Californication, Once Upon A Time), Delroy Lindo (Believe, Kidnapped), Amber Valletta (Revenge, Transporter II), India de Beaufort (One Three Hill, Jane By Design), Caitlin Carver (The Fosters, Hit the Floor), Yani Gellman (Pretty Little Liars, The Young & The Restless)…

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Since it was announced, Boom is one of the most, if not the most, intriguing pilot of the season. But before reading the script, I was not sure what it was really about, only that it looked original, ambitious and dead serious. Following the oily and soapy foodsteps of notorious Dallas, Boom is an old project that was set up at ABC a few years ago, then went to USA Network, before landing on ABC again this year and finally scoring a pilot order. It certainly deserved one: it is as ambitious as it looks, and as ambitious as the couple at the center of the show is. It is set in the real world, it deals with real issues, it’s about economics, tactics… And it has what it takes it to be a good entertaining TV series that doesn’t take its viewers for morons and which offers a little bit more than just fun. That being said, Boom may be a little too smart and intricate for its own good…

The script starts with facts about this incredible oil discovery that probably most of the people in the US or somewhere else in the world are not aware of. To sum up for you, The Bakken, that’s how it is called, is the biggest oil discovery in American history -bigger than Texas and as big as Saudi Arabia- which has triggered a geopolitical shift and an economic boom in North Dakota on a scale not seen since the 1849 California Gold Rush. According to The Economist, the city of Williston (where the show takes place) is the fastest growing small city in America, that will be the size of Dallas by 2030 if predictions are accurate. North Dakota’s unemployement rate is currently zero. Yes, 0%! A millionnaire is created each and every day in the Bakken. Crazy, right? The first thing that came to my mind was how come have I never heard about it (I probably don’t watch enough documentaries and don’t read enough newspapers) and how good a setting it is for a TV show.

The first scene is a car accident, a stylized one as it is described in the script, in the middle of nowhere with the beautiful backdrop of the Salt Lake City Area (where it is shot); one of the last scene is a big “Boom!” explosion that is meant to be impressively awesome, with oil pulsing from a rig. You also have a shoot-out in the streets of Williston in between, making the show look like a western for a few minutes. So the pilot is not just about people plotting against each others, especially if they are family members (and there are some) as in every good soap opera; it’s before anything else introducing us to a world where we have no landmarks, that is modern and retro at the same time, where there’s a very special atmosphere like nowhere else and where dangerous things are really happening. It’s disturbing but it feels good to break out from our comfort zone to discover something that feels new.

The show can also be very unsettling -and for some of us, crippling I fear- because of the characters we are introduced to, most of them being wicked and malicious, with an hidden agenda (and I hope the young cast will be able to meet the expectations). Even our heroes, the LeFevers, can be a little frightening sometimes. But they’re cute most of the time, we’re rooting for them of course. They’re trying to live their American Dream, they’re smart enough to succeed, but to be able to do so, sooner or later they will have to enter a pact with the Devil. The Devil being the Boyd family here, one of the richest of the city, with Hap, the father, played by Don Johnson -a role reminiscent of the one he played in Tarantino’s Django Unchained– and his wife, Darla (Amber Valletta), the bitch in chief. There is a tense dinner scene with the four of them that is great. They happen to have two disloyal children, Wick (Scott Michael Foster) who is in constant war with his father, and Lacey, an environmental activist who is deeply in love with Hap’s driver, who is not the man everybody think he is. But for now, the LeFevers are poor. They live in a trailer parked in Patchwork, a mini-city inside the city, some sort of bidonville, where they meet good people for a change, eager to help them.

There’s a lot to assimilate at first in Boom and it won’t be an easy show to sell, especially on a network, but as I said before, it’s Dallas, it’s a soap, but more grounded, with higher ambitions. It’s no Empire. If ABC orders it to series, it will either bomb quickly or explode and become a hit. Is the audience ready for it? I sure hope so!