You’ll like it if you already like: The Newsroom, The Good Wife…
Likely timeslot: Sunday at 9, Wednesday at 10
When CBS picked-up The Get a few weeks ago, I breathe a huge sigh of relief. I’m hoping for a network drama about journalism for years. There were a few projects in the past–among them two produced by Shonda Rhimes, Correspondents & Inside the Box– but none of them ever went to series. And of course there was HBO’s The Newsroom written by Aaron Sorkin, which was half-baked but mostly good. It’s a head-scratcher quite frankly. It’s such a perfect workplace to make a great drama (or a great soap)! What are the producers waiting for exactly? Since journalism is in danger these days (a serious study said recently that newspaper reporter is the “worst job”), more than ever in this new political environment, it’d be important to have such a show on the air. The Get may not be the ideal version of it, it’s not exactly what I had in mind, but it’s definitely something I’d watch on a weekly basis, though obviously a series order looks like a long shot.
The Get is the title of the show, but it also refers to the website inside the show. Three of the most important journalists of the team are women, which looks like a real statement from the writer, Bridget Carpenter. Meet first the steeled and determined Ellen (played by the excellent Amy Brenneman), who has been known to push boundaries in order to find the truth. She has a backstory about her father, who works for the LAPD. Then there’s Noelle, a fearless journalist who never backs down from a story she cares about. In the pilot, she works on a case of a woman who fakes pregnancies in order to get money from desperate couples who are looking to adopt a baby. Finally, there’s Isa, the senior producer at The Get and a tech-savvy researcher. They are joined by a fresh face, Alex, a young man who was a discreet and observant intern until he found THE story that got him a regular job; and their boss, Bill (played by Brad Garrett), a hardworking reporter who has spent his life working up to the position of executive producer.
It’s a really promising and functional group on paper. They are instantly likable without playing it nice all the time. Plus, they have more than their The Get’s stories to tell, things more personal that will help serialize the show a little bit if it’s ordered to series. Until then, the pilot is mostly procedural, with two cases tackled with energy and fearlessness. It’s efficient, captivating and inspirational. They often operate undercover with hidden cameras, which could give a different atmosphere to the series visually. Think Person of Interest for example. But let’s be real: in the end, it works exactly like a cop show with detectives replaced by journalists. They help solve a case AND make a great story of their own. I feel like they could become more ambitious later, add layers, maybe with more serialized cases over multiple episodes, but in order to convince CBS, they’d better start straight and simple. They clearly have more cards to play over time.
The Get is not exactly an innovative offer from CBS since it works like many of their cop shows but without cops. That being said it’s different and timely enough to warrant a series order. It gives a little bit of hope and a sense of justice that we desperately need. Plus, it shows that journalism can be important, IS important when it’s more than rumors, gossips and fake news.