Tag: eric mccormack

“Studio City” (FOX) pilot preview: when “The O.C.” & “Shameless” are making music together

STUDIOCITY

Written & produced by Krista Vernoff (Shameless US, Grey’s Anatomy, Private Practice, Charmed). Co-produced by John Wells (Shameless US, ER, The West Wing, Third Watch) & Andrew Stearn (Shameless US, The West Wing, SouthLAnd, Third Watch). Directed by Sanaa Hamri (Shameless US, Empire, Nashville, Elementary). For FOX, Warner Bros. Television & John Wells Prods. 61 pages.

Description: After her alcoholic mother totally lost it, Catalina Evans, 17, is sent to L.A to live with her songwriter father and her stepfamily. What she thought would be an easier life doesn’t turn out exactly the way it should when she discovers her dad is a drug dealer to the stars and haven’t sell a single song for years. With her own dreams of stardom in mind, she starts her new life full of hope and songs to give…

With Florence PughEric McCormack (Will & Grace, Perception, Trust Me), Heather Graham (Austin Powers, Boogie Nights, Scrubs, Californication), Riley Smith (True Blood, 90210), Jeanine Mason (Bunheads), Samantha Logan (666 Park Avenue, The Fosters), Jordan Calloway (ER, Allie Singer), Timothy Granaderos

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The whole time I was reading Studio City‘s pilot script I was thinking about whether or not it would be a good fit with Empire. The musical show’s surprise and incredible success didn’t allow FOX to develop any soap opera of the same kind to pair it with, on time for pilot season. But honestly, I don’t think FOX should even try to do that. Other networks, yes, they will have to. Even if ABC always did and NBC tried many times the past few years but failed to offer one on the schedule except the horrible Deception. Some of you may also remember Cane on CBS. There probably won’t be another Empire anytime soon. FOX better should find shows that are not straight soap-operas but which could work with Empire. Ryan Murphy’s Scream Queens is a very strong contender (already picked-up to series). Studio City is another one. I’m always suspicious when a show is officially described as a little bit of this mixed with a little it of that. But this time, they’re not playing with us: Studio City really is The OC meets Shameless. With a bit of Nashville too. But this, they couldn’t say.

The OC (and Nashville) part of Studio City is pretty obvious from the get go : a smalltown girl with a violent and batshit crazy mother comes to L.A. to live with her songwriter father and his family in a nice house with a pool. But a little pool. Studio City is not Orange County. It’s not a poor neighborhood either. And since we’re talking about Los Angeles, know the big city is pretty much a character in the show. I’m just a little disappointed the writer made very cliché and uninspired choices such as Malibu beach or Universal Studios’ Jurassic Park Ride to locate some scenes. The OC comparison also works with the tone that is used: there’s a lot of humor and characters who don’t take themselves too seriously, like Rob, the father -it’s a good thing he’s played by such a funny guy like Eric McCormack- or the mother-in-law, Stevie (Heather Graham), who’s not Cookie but a pretty insane woman we can only love. They’re just the right amount of funny and craziness. More would make them unbelievable. Most of the cast consists of young adults characters because Rob has another daughter from a previous marriage, Emma, who acts like a bitch, and Stevie has a son, Mateo, and a daughter, Zoe. And they are all beautiful, of course. Two of them may even fall in love… Oh, shocking!

And that’s when Shameless US more than comes to mind, which is not so surprising since the creator, as well as the producers -especially the great John Wells who never disappoints- work for the show. You can find the same kind of lightness even when terrible things happen and this very special family liberates the same sort of energy and warmth. There are a few quite daring storylines, like this love story I won’t talk about, or the central conflict of having a drug dealer as a father. Note this is inspired by the real story of Krista Vernoff, the creator. In case you thought it was not credible. That being said, Studio City don’t (and can’t) go as far as Shameless and stays very much in a network comfort zone. Proof: the script starts with the mention “Curse words will be silenced or bleeped“. We hate that.

Even if I liked what I’ve read, I was not totally hooked and I’m not sure why. Maybe because the promise of what’s to come is not clear enough. I don’t know what we will see every week. The different members of the family doing bad things, mostly? How long can it stay relevant, then? The coming of age story of Cat is what interests me the most. At the very beginning of the pilot, we’re exposed to what she will become in 4 years: a superstar. Taylor Swift-like, it is said. I’m curious to see how we get there. You have to wait for 30 pages to hear a song, by the way. For now, the show can’t be labelled as a musical drama. Good: we already have enough of that!

Studio City‘s pilot script is very decent and a pleasure to read but I don’t think there is an unmissable TV show in there. An enjoyable one, that’s for sure. But nothing we haven’t already been told a million times. After Glee, Smash, Nashville, Power, Violetta (!) and Empire, what’s left to say about the musical industry? Probably a ton of things, but I can’t imagine Studio City saying them differently or at all. BUT I also think FOX really should favor this one to the dark drama pilots they ordered so… I’m in!

Catches of the Week: it’ all about diversity! Vanessa Williams, Laverne Cox, Natalie Martinez…

desperate-housewives-s8-vanessa-williams-renee-perry-dvdbash1

While the directors’ jobs are filled quickly, casting is tough this pilot season. Because of the increasing competition from cable and most importantly digital platforms like Netflix & Amazon, the talent pool of experienced actors is almost empty. The pressure over channels and talent agencies is higher than ever. So far, catches are not impressive. But most of them have something in common: diversity! 

NBC is very high on diversity, something they made pretty clear since their pick-ups of series Telenovela (Eva Longoria) and Shades Of Blue (Jennifer Lopez) and pilots Go, Jerrod Go!, The Curse of the Fuentes women, martial arts Warrior, and Love is a Four Letter Word. They all requires latinos, afro-americans and asian americans in lead roles.

This is how Nadine Velasquez and Cynthia McWilliams have been cast this week in the marriage drama Love is a Four Letter Word which chronicles the collision of race, sexuality and gender roles when three diverse couples put modern marriage to the test. The My Name is Earl alumna will play play Rebecca, a Cuban American who is deeply in love with Julie and very happy with their marriage, but doesn’t realize her wife is actively considering getting back together with her ex, Nick. McWilliams will play Tandi, one half of a happy couple with a young son who is experiencing difficulties fulfilling her dream of having another child. Hot Adan Canto, seen in The Following and Mixology, got the part of the mysterious man who brings the Curse to the Fuentes women in the pilot from Ugly Betty creator Silvio Horta. Natalie Martinez, most recently seen in Under The Dome, will star in Warrior as Kai Forrester, a damaged heroine who works undercover with physical and spiritual guidance from a mysterious martial arts master to bring down an international crime lord. Finally veteran S. Epatha Merkerson from Law & Order is reuniting with producer Dick Wolfe with a lead role in the Chicago Fire and Chicago PD planted spin-off Chicago Med. She will be the head of the hopistal.

LAVERNE

In other diversity casting news, Vanessa Williams from Ugly Betty and Desperate Housewives will play the bold and unapologetic new boss of Kevin Connolly (Entourage) in comedy pilot Fantasy Life for FOX, where Mitch (Connolly) lands his ultimate dream job hosting a fantasy football show, he’s forced to navigate office politics while becoming the star he never thought he could be. Asian American actor Daniel Henney has joined the Untitled Criminal Minds spin-off with Gary Sinise & Anna Gunn. Last but really not least, Laverne Cox, discovered in Orange is the new black, got the part of a transgender attorney in Reasonable Doubt for CBS. If the show is ordered to series, then she’ll become the first transgender regular character on broadcast TV, which is exciting and groundbreaking.

In other non-diversity news (!), cancelled Perception‘s star Eric McCormack, pursued for different roles, will star in musical drama pilot Studio City for FOX, where he’ll play the songwriter father of a young singer who’s trying to make it big in Hollywood, but the man turns out to be a drug dealer to the stars! Ex-Breaking Bad actress Betsy Brandt wants to prove she can be funny after the Michael J. Fox Show demise, so she accepted one of the female leads in CBS’ Life In Pieces comedy pilot, with Colin Hanks playing one of her siblings. David Lyons (Revolution, The Cape) toplines drama pilot Game Of Silence, which NBC is very high on. Sweet Zach Gildford (Friday Night Lights, Off The Map), coming off Stanistan‘s pilot USA Network sadly just decided not to pick-up to series, lands on ABC in soap pilot Flesh & Blood. Finally, excellent Annie Potts & John Carroll Lynch will play the heroine’s parents in comedy pilot Family Fortune for ABC, where the central character comes out to her family.