Tag: fox

FOX 2018/2019 Schedule (THOUGHTS & TRAILERS)

 

MONDAY

8- THE RESIDENT

9- 9-1-1

TUESDAY

8- THE GIFTED

9- LETHAL WEAPON

WEDNESDAY

8- EMPIRE

9- STAR

THURSDAY

THURSDAY NIGHT FOOTBALL

FRIDAY

8- LAST MAN STANDING / THE COOL KIDS

9- HELL’S KITCHEN

SUNDAY

8- THE SIMPSONS / BOB’S BURGERS

9- FAMILY GUY / REL

 

MIDSEASON

GOTHAM | THE ORVILLE (starting December 30th) | PROVEN INNOCENT | THE PASSAGE

 

THOUGHTS

– FOX only ordered two new dramas and both are kept for midseason. The network had great luck in the past at launching new shows during winter so it kinda makes sense. That being said, it may also mean they’re not that happy about them and don’t know what to do with them…

– Why airing 9-1-1 at 9 and not at 8, where it could be used as a launchpad for the fragile The Resident? Plain weird. Maybe because of 9-1-1’s content, a bit too edgy for an earlier slot…

– Why moving Lethal Weapon at 9, facing This Is Us, the year when the show will have to prove it was worth a renewal despite a big change in the cast? Probably to avoid NCIS at 8 that really didn’t help it this past season.

– The sitcom duo on friday makes total sense, Last Man Standing being back in its ABC’s timeslot.

Rel might be a good fit with the animated comedies on sunday. Smart move.

 

TRAILERS

 

 

 

 

 

 

FOX | 2018/2019 – Fantasy Schedule

Those are predictions based on feelings and FOX final schedule may end up very differently! It will be announced on Monday. Stay tuned and until then, enjoy the read!

RENEWED

GOTHAM | EMPIRE | STAR | LETHAL WEAPON | 9-1-1 | THE ORVILLE | THE GIFTED | THE RESIDENT

THE SIMPSONS | FAMILY GUY | BOB’S BURGERS | LAST MAN STANDING

ORDERED

THE PASSAGE | PROVEN INNOCENT

THE COOL KIDS | REL

CANCELLED

LUCIFER

BROOKLYN NINE-NINE | THE LAST MAN ON EARTH | THE MICK

TO BE DETERMINED

L.A. TO VEGAS | GHOSTED

 

This is the end of an era for FOX with the Disney deal -yet no approved- forcing them to rethink the network as we knew it. Always considered as edgier than the others, younger-skewing too and more male, New FOX, or “Diet FOX” as some like to call it, will make a big push into sports with the Thursday Night Football already set and other events coming later like the rights for WWE. As a consequence, they will bet on more traditional programs, as the Last Man Standing comes back suggests, and will try to steal older viewers to CBS. Next fall’s schedule will probably be a mix between the “old FOX” and what the new FOX would look like. A recipee for disaster? We’ll see. Here’s my take on how it could/should be:

 

MONDAY

9-1-1

THE RESIDENT

Ryan Murphy’s 9-1-1 is the only big hit FOX found last year and it’s expected to be back in the fall, with a scheduling possibly resembling Empire‘s : 8 episodes in the fall and 8 episodes in the spring. Even though it would make sense to use it as a lead-in for a new show, it wouldn’t be far-fetched to use it instead on a show that is still relatively new and that seems compatible. Dark medical drama The Resident did quite okay in season one and a little push could be what it needs to really become something.

 

TUESDAY

LETHAL WEAPON

PROVEN INNOCENT

At the moment I’m writing this article, we still don’t know if Lethal Weapon will be back or not, depending on how the giant mess they’re in because of Clayne Crawford’s alleged behaviour is sorted out. But if it is renewed, I wouldn’t move it. Considering the bloodbath in FOX’s comedy department, I don’t expect comedies being back at 9. Instead, I would launch a new show and since they only approved 2, I guess Proven Innocent, while not promising at all, seems the one that fits best with Lethal Weapon as yet another character-driven procedural. It’s probably darker but none of the new shows are light anyway…

 

WEDNESDAY

EMPIRE

STAR

Empire is not the big hit it once was anymore but its duet with Star is a force to be reckoned with. FOX shouldn’t touch it. And they need some stability somewhere…

 

THURSDAY

THURSDAY NIGHT FOOTBALL

 

FRIDAY

LAST MAN STANDING / THE COOL KIDS

HELL’S KITCHEN or MASTERCHEF JUNIOR

Putting Last Man Standing back where it was when it aired on ABC for several years seems like the easiest decision to take. Pairing it with The Cool Kids is also a given, since it was probably picked-up for this very reason. I don’t know if people will show up for this combo but with the Thursday Night Football airing the evening before it, they’ll have many occasions to advertise it. The traditional friday cooking show is an option at 9. And if somehow Gotham is renewed, it could also end up there.

 

SUNDAY

THE SIMPONS / FAMILY GUY

THE ORVILLE

Now almost all live comedies are gone, I don’t see what FOX could do other than putting a drama at 9. Not any drama: Seth MacFarlane’s weird space dramedy that did better than expected last fall. It’d be kind of MacFarlane’s night with his documentary show Cosmos that could come back once The Orville‘ second season -probably limited- ends. They could also try new multicamera comedy Rel at some point with either LA to Vegas or something they’ll order later since they’re working on off-cycle pilots and redeveloping others like Dan The Weatherman

 

MIDSEASON

THE PASSAGE – This new supernatural/vampire show could air alongside X-Men‘s THE GIFTED, that was renewed somehow and I feel like FOX kinda regret it now. I don’t expect if to be back in the fall, though it means a very long absence that will probably resonate into weaker ratings. Whether the pair will air on monday or wednesday is a question mark…

PRISON BREAK – Though a new season has not yet been approved, it’s very much likely. It could be back on monday or tuesday…

 

Mixtape (FOX) pilot preview: Life Bursting Into Songs

“Track I : Sam & Nellie” written and executive produced by Josh Safran (Quantico, Smash, Gossip Girl). Also produced by Megan Ellison (Her, Zero Dark Thirty, Foxcatcher, American Bluff) & Sue Naegle (Outcast). Directed by Jesse Peretz (Girls, GLOW, Divorce, Nurse Jackie, Juliet Naked). For FOX,  20th Century FOX Television & Annapurna Television. 66 pages. Third Network Draft. 1/09/2018.

Description: a romantic musical drama that looks at a disparate group of interconnected people in contemporary Los Angeles through the lens of the music that defines who they are. Mixtape captures the different stages of love, exploring if time can heal a broken heart and if love can withstand life’s tragedies…

With Raul Castillo (Looking, Seven Seconds, Atypical), Callie Hernandez (La La Land, Too Old To Die Young, Graves), Madeleine Stowe (Revenge, 12 Monkeys, The Last of the Mohicans), Marianne Jean-Baptiste (Without a Trace, Broadchurch, Blindspot), Jenna Dewan Tatum (Step Up, Witches of East End, American Horror Story), Jahmil French (Degrassi: The Next Generation), Megan Ferguson (Bad Moms, Heart of Dixie), Campbell Scott (House of Cards, Royal Pains, Damages, The Amazing Spider-Man), Evan Whitten & Christina Milian (Grandfathered)…

    

You’ll Like It If You Already Like: Smash, Rise, La La Land, This Is Us…

Likely timeslot: Somewhere midseason with a limited run

 

Every Song Is A Love Song“. That’s with those words that Mixtape starts… and ends. And a very beautiful and emotional demonstration ensues from our hero Sam. I’m not gonna lie and there’s no suspense anyway if you’ve seen those 5 stars up there: I fell in love with this script as you fall in love with a song. So everything in this review will only be displays of affection. I will keep it short, by the way. I hate it when songs are too long. But also, I’ll be walking -or more like dancing- on eggs here. There are things that has to be kept secret and I don’t want to spoil any surprise to anybody. That’s part of the reason why it’s so good. You never know where it’s going, like you never know what life is bringing upon you, good or bad. And when you finally get a sense of what’s really going on, you’re just happy to see it play before your eyes. Mixtape is not just another musical drama. At the core, it’s a love letter to music where life burst into songs.

Let me tell you first about the structure of this very unique pilot (and future show). It is broken up into five parts (acts), with every one of them containing one song: Nellie’s Side A, Sam Side A, Nellie Side B, Sam Side B, and finally their mashup; this development illuminates the overarching metaphor that weaves throughout the pilot: music is life, life is music. And there’s a lot of love and loss in between. It’s quite simple and very clever at the same time. I don’t remember anything like it before. Of course, every song expresses the feelings of the character who sings. That’s how we get to know them better, their profound fears, and desires, and pains, and sometimes joys. That’s how every musical works. Every song is a big number, with or without dancers, while life happens. The reference is obviously La La Land. They’re aiming at something as modern and somehow timeless too. Those songs are not originals and not even hits but more like the perfect song for the situation, even if it has to be a lesser known one from a famous or not so famous artist. If the directing is as good as the writing, we’re gonna have a lot of fun my friends, music lovers and others.

The characters happen to be very well-written too and their stories are both intimate and universal, as they should be. Nellie seems to be living the American Dream: she’s beautiful and her hot boyfriend’s band is catapulting into massive stardom. Nothing can get to her, until, on the eve of her third anniversary, fantasizing about being proposed to, her life explodes as her punk boyfriend dumps her. Her own dreams of becoming an artist have derailed along the way. Now, her life turns completely upside down. Meanwhile, Sam, a scrupulous and shattered widower, aspiring songwriter and secret romantic, who has been forced to move into low income housing with his son after his wife’s death, spends his time balancing jobs and fathering his bright-eyed son. He’s helped by his aunt and now neighbour, a warm, pragmatic woman in her fifties that loves him like her own daughter. There’s other women in there: Joanna, a young professional with everything always under control, the most rational person ever, and yet she’s a little guarded, as if always prepared for the worst; and Margot, an actress who carefully controls how she presents herself to the world, but is secretly exhausted by having to do it. All those characters are very human, attractive and appealing, fragile, sometimes shattered, simply beautiful. And that’s all I can say. Just know there’s a twist. It’s also this kind of show.

Again, Mixtape is a love letter to music where life burst into songs. I don’t know if it can be successful, it’s probably too ambitious to become a huge instant hit, but it doesn’t look like a one-hit wonder either. This script is pure beauty and artistry. Those characters need to be heard. Between La La Land & This Is Us, it may be the best thing network television will bring us next year. Prepare your eyes, your ears and your hearts to it!

No Apologies (FOX) pilot preview: The Good Scandal

Also known as Mrs Otis Regrets. Written and executive produced by Ilene Chaiken (Empire, The Handmaid’s Tale, Empire) & Melissa Scrivner Love (Rosewood, Person Of Interest, CSI Miami). Also produced by Judy Smith (Scandal, Braindead) & Oly Obst (The Resident, Ghosted, The Mick). Directed by Saana Hamri (Empire, Shameless US). For FOX, 20th Century FOX Television & 3 Arts. 60 pages. Network Draft. 1/21/18.

Description: FBI Special Agent Hazel Otis -wife, mother, patriot- is in the midst of investigating a domestic terrorism threat when a personal indiscretion – an affair with a prominent general – shatters her life and threatens her career at the FBI. Now labeled “the mistress,” Clementine Otis – wife, mother, patriot – begins to rebuild her personal life and professional reputation…

With Katie Holmes (Ray Donovan, The Kennedys, Dawson’s Creek, Batman Begins), James Tupper (Big Little Lies, Revenge, Men In TreesRose Rollins (The Catch, The L Word), Mark Moses (Desperate Housewives, Mad Men, Homeland), Christian Camargo (Penny Dreadful, Dexter), Ian Harding (Pretty Little Liars), Jose Pablo Cantillo (Taken, The Walking Dead, Sons of Anarchy), Paul Walter Hauser (I, Tonya, Kingdom)…

  

You’ll Like It If You Already Like: The Good Wife, Scandal, Homeland…

Likely Timeslot: it’s almost impossible to guess FOX schedule at this point

 

Katie Holmes is back, guys! Between her guest stint on Ray Donovan, Soderbergh’s Logan Lucky, upcoming Ocean’s 8, this pilot and her much talked-about romance with Jamie Foxx, our dear Joey Potter is doing great 20 years after Dawson’s Creek launched (I’m a die hard fan of Kevin Williamson’s teen drama). It makes me genuinely happy for her. Always thought she was worth better than movies nobody’s watching and unsatisfying TV roles. But let’s not forget she played Jackie Kennedy for christ’s sake! Too bad it was for a miniseries that was just okay. With Mrs Otis Regrets (or whatever name it ends up with), she’s playing a character like she’s never been offered before. We’ll see if she’s the right fit -and sometimes I felt like she wasn’t, I want her to prove me wrong- but it’s a great showcase for her talent. It’s demanding, she’s just not there to make her trademark pouty face. She starts the show undercover dressed as a sexy and trashy redneck southern gal, riding a mechanical bull! Later in the pilot, she’s drunk as fuck, performing Maniac in a karaoke bar, singing and doing sexy moves, and then pouring a bottle of water over her head, shaking her hair and spraying water like Jennifer Beals did in the movie. It’s gonna be legendary! And those scenes are reasons enough to pray for a series pickup!

With such an introduction, you probably think I will tell you this script is awesome. Not if you paid attention to the number of “stars” I gave it. Honestly, I went back and forth a lot. 3 stars or 4 stars? It was a really difficult decision to make. Overall, I enjoyed this script and I think it will make at the very least a decent pilot. It is great at introducing the central character, making us feel a diverse range of emotions regarding her actions, past and present; it’s a multi-dimensional, challenging heroine, that you don’t instantly fall in love with but that you know you want to spend more time with, to understand who she really is. She can be fun, badass -she has a military past that is very important in her backstory- and also very restrained and even cold at times. She’s all of this. And brilliant at her job. And a loving mom. And sexy as hell. It’s hard not to side with her, especially when her all world collapses. She’s definitely worth our attention. She’s a heroine of our times. The show is written, directed and produced by women. And that you can tell. It’s a fine portrait.

So what’s the problem exactly, you’re asking? Well. First, they didn’t do a great job at introducing the other characters. Her new partner in crime, Sam Gerard, is a 29 yerd-old preppy, privileged and unexperienced agent who’s mostly irritating. I have no doubt they will make him more likeable in the subsequent episodes but so far, they made it way too easy to hate him. And then there’s her husband, Larry, a handsome news reporter who’s like the perfect man any woman would want to marry, which makes him a bit bland. He’s modern but he’s too kind, even when he should be really angry at his wife. You want him to scream and go nuts, and he doesn’t. Again, with more episodes they will be able to flesh him out. There are a lot of family scenes by the way. We meet their daughters, Chelsea (13) and Catherine (8). They found the right balance between her professional life and her private one, but sometimes, I have to say I just wanted the show to be about that, and office politics, but not about her mission of the day. She has to save a known racist politician from an assassination attempt. It’s efficient, just not the best part. There’s a serialized story behind though, since the mastermind behind this is not caught in the end. He’ll be back. I remember I had the same feeling with The Good Wife when it started. As much as I liked the cases and Alicia’s relationships at the office, what I wanted the most was her scenes with her husdand and her children, at home. It’s not the only thing that made me think of The Good Wife, to be honest. And it’s both a compliment and a reproach.

From start to finish, I felt like this script was a clever mix between The Good Wife & Scandal, with a hint of Homeland since she’s doing the same job as Carrie Mathison. So, yeah, clever. But it doesn’t change the fact that you’re always under the impression that you’ve already seen it before. It makes it very much predictable. Like this scene when the press is outside her home after the scandal broke. So cliché. Unavoidable, maybe. Or the one when the scandal breaks for instance: she’s right in the middle of a school fundraiser with the other moms. Or the daughter who’s harassed at school and called names because of her mother. But honestly, the most worrying part here is not the comparisons drawn with The Good Wife and Homeland. It’s the one with Scandal. The show is just about to end and it won’t leave on a good note since it’s stupid for ages now. I’m very much afraid Mrs Otis Regrets falls into the same traps. I don’t want Hezel to become as annoying and murderous as Olivia Pope. I don’t want a tiring and never-ending love triangle between Hezel, her husband and NSA’s General Moses Fallon, who’s a lot like President Grant. Been there, done that! Coincidentally, it’s also produced by Judy Smith, like Scandal, which was based on her own life! And with an Empire producer/showrunner on the team, I wouldn’t want the show to become too soapy either. I do love soaps but when they take place at the FBI -look at Quantico!- they can quickly turn into a mess.

Even though Mrs Otis Regrets have a few problems, mostly a bit predictable and déjà vu premise, it definitely has potential for the long haul and it’s a great vehicle for Katie Holmes. At some point, one character says: “The timing is all wrong. All anyone cares about right now is the sexual assault stuff.” And that’s my main concern here: is the show’s timing wrong? I’d say its timing is perfect as long as they play their cards right: it has A LOT to say about sexism in the work place, about the glass-ceiling, about being in the public eye and how much the perception is different if you’re a man or a woman, and I hope they won’t shy away from all of this, that they will embrace it and make it an important show in the process. Women deserve this.

FOX’s 20 most exciting projects for 2018/2019 pilot season

The following article is based on descriptions mixed wih talents attached ONLY. None of the scripts have been read at this point.

This pilot season will be very weird for FOX. Why? Because the network as we knew it is about to die. As Disney bought 20th Century FOX Television -among other 21st Century FOX assets- which was their principal content provider with big names attached to it (like Ryan Murphy’s or Seth MacFarlane’s), the network will soon be without any in-house studio. Except if Sony, Lionsgate or god knows what other television studio becomes part of FOX, but it’ll take months before it becomes effective. Since the deal between 21st FOX Television & Disney has yet to be approved, it’s a season of transition and the executives may be very picky about their orders, while they may not be there next year. The more they pick-up 20th Century FOX Television projects, the more money they’re giving to Disney… It’s hard to know what’s really gonna happen so let’s see what they have in store regardless.

FOX is not having a bad year per say, but only their Empire/Star pairing is doing really good business for them. Everything else nagivates between big flops (virtually every comedy including their best hope The Mick, The Exorcist…), little flops (Gotham, Last Man On Earth) and okay performers (Lethal Weapon, Lucifer). Supernatural comedy Ghosted is doing okay on sunday while Seth MacFarlane’s The Orville is compensating its so-so live ratings with important gains on live+7. The Gifted, which was supposed to be their biggest new asset, disappointed and didn’t generate any buzz, despite being part of the X-Men universe, and has yet to be renewed. But with Ryan Murphy’s 911 and the new season of The X-Files coming, they may witness a ratings surge in the new year. Not all is lost… yet!

 

——————-

DRAMAS

 

THE BAD DECISIONS PLAYLIST (20th Century FOX Television)

What?  focuses on 16-year-old Austin, who’s always messing up and then joking his way out of tough spots. The sudden appearance of his allegedly dead father, who happens to be the very-much-alive rock star Shane Tyler, spins his entire world out of orbit. Austin, a talented musician himself, is sucked into his newfound father’s alluring world while he discovers more about himself, his friendships and what it means to have this new modern version of a family.

Why? Is FOX turning into an all-musical network? If they add another music-fueled show to Empire & Star, it will start to look like it. But how can we blame them? It’s currently what works best for them… Writer and producer Lee Daniels is not involved in this one, but there’s still potential, especially if they bet more on the family part than the behind-the-scenes of the music industry. This Is Us lead the way for more family dramas, and this one may have what it takes to be different enough and somehow similar too.

 

BEING JUDGED (20th Century FOX Television)

What? No one likes being judged, least of all Josephine Graves, who is struggling to figure out this thing called life, while balancing her demanding career, social life, and family responsibilities; unfortunately for her, she has to do it all under the biggest, brightest, spotlight because at 27 years old she is the youngest judge in the history of America…

Why? FOX is out of the legal drama business for quite some time now. This project may be a interesting way in, though it doesn’t sound particularly original. But hey, as we’ve been proven multiple times the past few years, the simpler ideas can often lead to the best shows. Look at The Good Doctor and This is Us… If Being Judged has an Ally McBeal vibe to it, it’s a yes! Plus, we’re still waiting for women-led dramas on the network…

 

EAST OF HOPE (20th Century FOX Television)

What? set in an All-American working class town which centers around two families divided by a past event, and reconnected by blood; both tie their hopes and dreams to the high school basketball team, which they see as their ticket to a better life…

Why? Other than being musical shows imagined by Lee Daniels, Empire & Star have something else in common: they’re about black people coming from a poor environment trying to get better lives. That’s also the case with East of Hope but with basketball in the background. And guess who’s producing? Yes, Lee Daniels again! No-brainer, right?

 

KENTUCKY BLOOD (ABC Studios / 20th Century FOX Television)

What? Inspired by the revelation that the recipe for Jack Daniels whiskey was developed by a slave, Kentucky Blood is a heartland, family drama set in the bourbon business about deep, family secrets bubbling up to the surface. It follows two families intertwined by a complex history and a secret epic romance between two star-crossed lovers. One white. One black. A perfect storm of circumstance brings them back into each others lives as business partners, changing the old dynamic between them and disrupting their families lives.

Why? Am I the only one thinking it’s a bit odd FOX haven’t tried another big soap since Empire? If there’s a network that is in the best place to launch one right now, it’s FOX. This one is particularly interesting for multiple reasons : the setting, the “Romeo & Juliet” vibe, the multiracial love story… but it will need to be modern to work because the pitch sounds a bit old. I’m wondering why ABC didn’t keep it for themselves honestly.

 

MIDNIGHT LAWYER (20th Century FOX Television)

What? about a lawyer who gets his clients out of trouble they get into after dark. He used to live the NYC after-hours life and now he’s always striving to save people the way he saved himself – but this business comes with temptation…

Why? Another legal drama but this time with this particularity: it starts after dark and ends right before dawn. Is it enough to make it special? It will also need a good central character and as it is written here, we can imagine another anti-hero à la Dr House. Is this type of character a thing of the past now? Maybe. But it should be given a chance, just in case.

 

MIXTAPE (20th Century FOX Television)

What? drama that looks at a disparate group of interconnected people in contemporary Los Angeles through the lens of the music that defines who they are…

Why? Busy Quantico creator Josh Safran -he works on three pilots at the same time- is back to its musical roots after his stint on the second season of Smash that didn’t end well. Mixtape is reminiscent of critical darling La La Land, which is a good thing I guess. The worrying part is “a disparate group of interconnected people” because this type of concept rarely works on television. Remember Six Degrees or even Heroes. It’s really hard to sustain and it may not do well on a network. But it’s definitely intriguing.

 

OFF-SITE (20th Century FOX Television)

What? about a former “chaos agent” for the CIA who’s recruited by a UN investigator to help recover a missing artifact that surprisingly contains clues to a mythical reservoir said to be overflowing with an incredibly rare and immensely valuable fossil fuel, instantly igniting a pulse-pounding chase across the desert

Why? Adventure dramas are rare on television, probably because it’s a very hard thing to do, it needs big budget, but I’m always hoping for a good one. Maybe Off-Site will be it… Len Wiseman (Sleepy Hollow, APB, Lucifer) is involved as writer, director and executive producer. I’m not sure it’s a good thing though.

 

PROXY (20th Century FOX Television)

What? centered on a technology that allows online followers to live voyeuristically through the experiences of hedonistic young “Proxies” on a remote island paradise…

Why? John Francis Daley (Bones) is behind this very interesting sci-fi project developed by Anonymous Content (Mr Robot, True Detective, 13 Reasons Why…). It may not be such a good fit with a network but since that’s where it is at this time, let’s just cross our fingers so we get the chance to see it from our own eyes.

 

SURVEILLANCE (20th Century FOX Television)

What? A lens into the least understood organization in the United States the NSA. Its a high stakes, serialized, character-driven political thriller set in a world we really haven’t seen before all through the eyes of our hero and the NSAs secret keeper Madeline Yardley.

Why? The NSA storylines were not the best part of The Good Wife, and a spin-off about this world would not have worked, but I still think there’s a show to do about the NSA and it’s the only one in this pilot season that I know of. Matt Reeves (Planet of the Apes, Cloverfield) is involved as producer, which reassures me. That being said, there’s a reason why it’s “the least understood organization”: it’s always very complex and can easily become boring…

 

UNTITLED LAVENDER & ULIN PROJECT (20th Century FOX Television)

What? After twenty years of marriage, a couple try to reignite their passion and strengthen their family by starting over in paradise on earth: Hawaii; they move their two teenage kids to the island of tourist fantasies, but the reality of paradise is not all sun, surf, and sex on the beach – dark family secrets, a complicated social structure they don’t understand, old mistakes, and messy new relationships threaten to tear the Campbell family apart, even as they struggle to find their way back to each other

Why? As a big supporter of family dramas, I find this one particularly interesting thanks to the Hawaii setting and the culture attached to it. Escapism and emotion, that’s a really good plan, isn’t it? If it’s as good as Alexander Payne’s movie The Descendants, we have a winner! But let’s not set the bar too high already…

 

UNTITLED L.A. WOMEN PROJECT (20th Century FOX Television)

What? Longtime friends Reza, June, Amelia, and Indie who have climbed to the top of the Hollywood ladder together as a lawyer, an actress, a writer-producer, and an entrepreneur. It all looks pretty enviable from the outside, and they all enjoy the many perks of their high-flying lifestyles – but there’s no such thing as having it all, at least not all at the same time. Each of them has made significant sacrifices to get where they are. When a face from their past resurfaces in the pilot, they have to confront some ugly buried secrets and protect their lives from being destroyed.

Why? Eva Longoria can’t get over Desperate Housewives after Devious Maids apparently, with this project that she’s producing that takes one aspect of it -4 women friends- to another environment: Hollywood! It’s timely, especially if those women are confronted to very bad men like Harvey Weinstein and so many others… There’s potential, as long as it’s not just another funny dramedy with cartoonesque characters that are mostly here to make us laugh and cry easily. Make it a profound feminist soap or don’t do it at all.

 

VICTORY (20th Century FOX Television)

What? set in the world of competitive gospel choirs which tells the inspirational story of a prodigal son and a group of forgotten young people who must rise above their personal hardships to save a church and heal a broken community through the power of song

Why? Well… Yeah, of course it’s from Lee Daniels again. What can I say? He certainly has deep obsessions and Victory is exactly what we could expect from him, no surprise here. But I can’t help thinking that this gospel choirs idea is good and it’s something that could touch people’s hearts as long as it’s not too preachy. Gospel is empowering and an amazing thing to witness in a church, if you get the chance. Would it work on a weekly basis? Yeah, if the community the characters form is well-defined and relatable, not on the “bigger-than-life” side.

 

FOX is also developing a small screen take on James Cameron’s 1994 feature True Lies about a super-spy whose family discovers his real job, by McG; a new anthological take on the 24 franchise which would center on a female prosecutor who uncovers a legal conspiracy and has to work against the clock to save a death row inmate facing imminent execution whom she had helped prosecute but may be innocent; a retelling of the King Lear story produced by Milo Ventimiglia called Cordelia; a sequel to the 1970s David Carradine-led TV series Kung-Fu produced by Greg Berlanti (?!); more Lee Daniels projects; The Nice Girls, a contemporary gender flipped TV series based on Shane Black’s 2016 feature film The Nice Guys, about two very different PIs; many cop show…

 

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COMEDIES

COOL KIDS (20th Century FOX Television) – picked up to pilot

What?  about three guy friends in a retirement community who are the top dogs until they’re blown out of the water by the newest member of the community, a female rebel who’s ready to challenge their place – it’s high school with 70 somethings…

Why? I like old people having existential crisis and also a lof of fun in the process. If it can be as good as The Golden Girls or Grace and Frankie, I’m in. If it’s as shitty as FOX last attempt Dads: definitely out!

MS. PAT (20th Century FOX Television)

What?  the story of a most unlikely suburban mom; her hustle and entrepreneurial spirit were forged on the mean streets of Atlanta, but she now finds herself in conservative middle America alongside her loving husband and two distinct sets of kids raised under very different circumstances

Why? Redeveloped leftover from last year – Empire‘s Lee Daniels & Brian Grazer are behind this family comedy project that could be great if Ms. Pat is as hilarious a character as Cookie. I don’t know a thing about stand-up comedian Patricia Williams who’s attached to play the role but I feel very confident about this one.

 

MURDERTOWN (20th Century FOX Television)

What?  about a New York radio journalist who, after a career-ending gaffe, returns to her hometown in Cape Cod and takes a job at the local newspaper, hoping to uncover a headline-grabbing true crime story that will get her back in the spotlight…

Why? It could have been the pitch of a drama but since it’s a comedy, we can expect a true-crime parody in the vein of Trial & Error or American Vandal. There’s still time but not so much before this type of projects become outdated so it’s now or never, FOX.

 

ONE HIT WENDY (20th Century FOX Television)

What? about Wendy, a one-hit wonder who peaked at 18, who tries to guide her talented niece, Jordan, through the music industry and keep her from making the same mistakes she made… 

Why? If FOX develops so many music-fueled dramas, there’s no reason why they wouldn’t try it on the comedy-side too. This one sounds like the best of the crowd and it has one advantage: Julianne Hough, a popular judge from Dancing With The Stars -who won twice the competition before getting the gig- is attached for the lead role.

 

RESERVATIONS (20th Century FOX Television)

What? about a Native American family that trades their impoverished reservation for Los Angeles, a move inspired by the dreams of a 14-year-old boy to live in Hollywood

Why? Yet another family comedy but with an original angle. It makes me think of the best part of Unbreakable Kimmy Schmidt: Jacqueline and her native american parents. Curious to see how funny this cultural clash can play out.

 

REVIVAL (20th Century FOX Television)

What?  about Elliot, formerly the little kid from a beloved ’80s family sitcom and now living a normal life, who reluctantly gets sucked back into the show’s revival with his old TV family

Why? These days, with so many revivals on the air –Roseanne, Fuller House– this fake-family comedy from TV is simply genius! And the good news is Nahnatchka Khan (Fresh Off The Boat, Don’t Trust the B) is producing. I want it badly!

 

SPACEBOUND (Jackal Prod)

What? about an alien who goes on an intergalactic coffee run and finds herself stranded on “the worst planet in the universe”: Earth; a group of eccentric friends takes her in and she discovers she might actually be the most functional person in the world

Why? Similar projects are developped every year or so, I won’t tell you it’s incredibly original but instead of a 3rd Planet From The Sun reboot -that is not in the cards at this time- or worst an Alf one, why not?

 

STEP STRANGERS (Warner Bros. Television)

What? about five 20-something adults who are forced to become step-siblings after their overbearing divorced mother and oblivious widower father meet on a singles cruise and fall in love

Why? Elizabeth Banks is producing this one. I kinda like the premise. Think it’s like Happy Endings but if they were suddenly all brothers and sisters! Did I convince you? I just convinced myself.

 

What projects are you the most interested in among these? Take your picks!

FOX 2017-2018 Schedule [+ THOUGHTS]

 

MONDAY

8- LUCIFER

9- THE GIFTED

TUESDAY

8- LETHAL WEAPON

9- THE MICK / BROOKLYN NINE-NINE

WEDNESDAY

8- EMPIRE

9- STAR

THURSDAY

8- GOTHAM

9- THE ORVILLE

FRIDAY

8- HELL’S KITCHEN

9- THE EXORCIST

SUNDAY

8- THE SIMPSONS / GHOSTED

9- FAMILY GUY / LAST MAN ON EARTH

MIDSEASON

911 – THE X-FILES – THE RESIDENT – LA TO VEGAS – NEW GIRL…

 

What’s good?

  • Tuesday night feels very coherent with compatible shows. Lethal Weapon needed to move from Empire‘s shadow. They were never a good fit.
  • Using Empire as a lead-in should have been done last year. But it’s not too late, even if the show is not as strong anymore. Pairing Star with it is an evidence. Thank God they realized it.

What’s bad ?

  • That’s a weird thing to do to use both Lucifer and Gotham as lead-ins while they treated them shit the whole past year. Plus, The Gifted seemed like a better option at 8, since it’s family-friendly. It could have self started.
  • The Orville against This Is Us? Well, why not? The problem is not there. The problem is that they never should have ordered The Orville. It has FLOP written all over it…