Tag: fox

Mixtape (FOX) pilot preview: Life Bursting Into Songs

“Track I : Sam & Nellie” written and executive produced by Josh Safran (Quantico, Smash, Gossip Girl). Also produced by Megan Ellison (Her, Zero Dark Thirty, Foxcatcher, American Bluff) & Sue Naegle (Outcast). Directed by Jesse Peretz (Girls, GLOW, Divorce, Nurse Jackie, Juliet Naked). For FOX,  20th Century FOX Television & Annapurna Television. 66 pages. Third Network Draft. 1/09/2018.

Description: a romantic musical drama that looks at a disparate group of interconnected people in contemporary Los Angeles through the lens of the music that defines who they are. Mixtape captures the different stages of love, exploring if time can heal a broken heart and if love can withstand life’s tragedies…

With Raul Castillo (Looking, Seven Seconds, Atypical), Callie Hernandez (La La Land, Too Old To Die Young, Graves), Madeleine Stowe (Revenge, 12 Monkeys, The Last of the Mohicans), Marianne Jean-Baptiste (Without a Trace, Broadchurch, Blindspot), Jenna Dewan Tatum (Step Up, Witches of East End, American Horror Story), Jahmil French (Degrassi: The Next Generation), Megan Ferguson (Bad Moms, Heart of Dixie), Campbell Scott (House of Cards, Royal Pains, Damages, The Amazing Spider-Man), Evan Whitten & Christina Milian (Grandfathered)…

    

You’ll Like It If You Already Like: Smash, Rise, La La Land, This Is Us…

Likely timeslot: Somewhere midseason with a limited run

 

Every Song Is A Love Song“. That’s with those words that Mixtape starts… and ends. And a very beautiful and emotional demonstration ensues from our hero Sam. I’m not gonna lie and there’s no suspense anyway if you’ve seen those 5 stars up there: I fell in love with this script as you fall in love with a song. So everything in this review will only be displays of affection. I will keep it short, by the way. I hate it when songs are too long. But also, I’ll be walking -or more like dancing- on eggs here. There are things that has to be kept secret and I don’t want to spoil any surprise to anybody. That’s part of the reason why it’s so good. You never know where it’s going, like you never know what life is bringing upon you, good or bad. And when you finally get a sense of what’s really going on, you’re just happy to see it play before your eyes. Mixtape is not just another musical drama. At the core, it’s a love letter to music where life burst into songs.

Let me tell you first about the structure of this very unique pilot (and future show). It is broken up into five parts (acts), with every one of them containing one song: Nellie’s Side A, Sam Side A, Nellie Side B, Sam Side B, and finally their mashup; this development illuminates the overarching metaphor that weaves throughout the pilot: music is life, life is music. And there’s a lot of love and loss in between. It’s quite simple and very clever at the same time. I don’t remember anything like it before. Of course, every song expresses the feelings of the character who sings. That’s how we get to know them better, their profound fears, and desires, and pains, and sometimes joys. That’s how every musical works. Every song is a big number, with or without dancers, while life happens. The reference is obviously La La Land. They’re aiming at something as modern and somehow timeless too. Those songs are not originals and not even hits but more like the perfect song for the situation, even if it has to be a lesser known one from a famous or not so famous artist. If the directing is as good as the writing, we’re gonna have a lot of fun my friends, music lovers and others.

The characters happen to be very well-written too and their stories are both intimate and universal, as they should be. Nellie seems to be living the American Dream: she’s beautiful and her hot boyfriend’s band is catapulting into massive stardom. Nothing can get to her, until, on the eve of her third anniversary, fantasizing about being proposed to, her life explodes as her punk boyfriend dumps her. Her own dreams of becoming an artist have derailed along the way. Now, her life turns completely upside down. Meanwhile, Sam, a scrupulous and shattered widower, aspiring songwriter and secret romantic, who has been forced to move into low income housing with his son after his wife’s death, spends his time balancing jobs and fathering his bright-eyed son. He’s helped by his aunt and now neighbour, a warm, pragmatic woman in her fifties that loves him like her own daughter. There’s other women in there: Joanna, a young professional with everything always under control, the most rational person ever, and yet she’s a little guarded, as if always prepared for the worst; and Margot, an actress who carefully controls how she presents herself to the world, but is secretly exhausted by having to do it. All those characters are very human, attractive and appealing, fragile, sometimes shattered, simply beautiful. And that’s all I can say. Just know there’s a twist. It’s also this kind of show.

Again, Mixtape is a love letter to music where life burst into songs. I don’t know if it can be successful, it’s probably too ambitious to become a huge instant hit, but it doesn’t look like a one-hit wonder either. This script is pure beauty and artistry. Those characters need to be heard. Between La La Land & This Is Us, it may be the best thing network television will bring us next year. Prepare your eyes, your ears and your hearts to it!

Mrs Otis Regrets (FOX) pilot preview: The Good Scandal

Written and executive produced by Ilene Chaiken (Empire, The Handmaid’s Tale, Empire) & Melissa Scrivner Love (Rosewood, Person Of Interest, CSI Miami). Also produced by Judy Smith (Scandal, Braindead) & Oly Obst (The Resident, Ghosted, The Mick). Directed by Saana Hamri (Empire, Shameless US). For FOX, 20th Century FOX Television & 3 Arts. 60 pages. Network Draft. 1/21/18.

Description: FBI Special Agent Hazel Otis -wife, mother, patriot- is in the midst of investigating a domestic terrorism threat when a personal indiscretion – an affair with a prominent general – shatters her life and threatens her career at the FBI. Now labeled “the mistress,” Clementine Otis – wife, mother, patriot – begins to rebuild her personal life and professional reputation…

With Katie Holmes (Ray Donovan, The Kennedys, Dawson’s Creek, Batman Begins), James Tupper (Big Little Lies, Revenge, Men In TreesRose Rollins (The Catch, The L Word), Mark Moses (Desperate Housewives, Mad Men, Homeland), Christian Camargo (Penny Dreadful, Dexter), Ian Harding (Pretty Little Liars), Jose Pablo Cantillo (Taken, The Walking Dead, Sons of Anarchy), Paul Walter Hauser (I, Tonya, Kingdom)…

  

You’ll Like It If You Already Like: The Good Wife, Scandal, Homeland…

Likely Timeslot: it’s almost impossible to guess FOX schedule at this point

 

Katie Holmes is back, guys! Between her guest stint on Ray Donovan, Soderbergh’s Logan Lucky, upcoming Ocean’s 8, this pilot and her much talked-about romance with Jamie Foxx, our dear Joey Potter is doing great 20 years after Dawson’s Creek launched (I’m a die hard fan of Kevin Williamson’s teen drama). It makes me genuinely happy for her. Always thought she was worth better than movies nobody’s watching and unsatisfying TV roles. But let’s not forget she played Jackie Kennedy for christ’s sake! Too bad it was for a miniseries that was just okay. With Mrs Otis Regrets (or whatever name it ends up with), she’s playing a character like she’s never been offered before. We’ll see if she’s the right fit -and sometimes I felt like she wasn’t, I want her to prove me wrong- but it’s a great showcase for her talent. It’s demanding, she’s just not there to make her trademark pouty face. She starts the show undercover dressed as a sexy and trashy redneck southern gal, riding a mechanical bull! Later in the pilot, she’s drunk as fuck, performing Maniac in a karaoke bar, singing and doing sexy moves, and then pouring a bottle of water over her head, shaking her hair and spraying water like Jennifer Beals did in the movie. It’s gonna be legendary! And those scenes are reasons enough to pray for a series pickup!

With such an introduction, you probably think I will tell you this script is awesome. Not if you paid attention to the number of “stars” I gave it. Honestly, I went back and forth a lot. 3 stars or 4 stars? It was a really difficult decision to make. Overall, I enjoyed this script and I think it will make at the very least a decent pilot. It is great at introducing the central character, making us feel a diverse range of emotions regarding her actions, past and present; it’s a multi-dimensional, challenging heroine, that you don’t instantly fall in love with but that you know you want to spend more time with, to understand who she really is. She can be fun, badass -she has a military past that is very important in her backstory- and also very restrained and even cold at times. She’s all of this. And brilliant at her job. And a loving mom. And sexy as hell. It’s hard not to side with her, especially when her all world collapses. She’s definitely worth our attention. She’s a heroine of our times. The show is written, directed and produced by women. And that you can tell. It’s a fine portrait.

So what’s the problem exactly, you’re asking? Well. First, they didn’t do a great job at introducing the other characters. Her new partner in crime, Sam Gerard, is a 29 yerd-old preppy, privileged and unexperienced agent who’s mostly irritating. I have no doubt they will make him more likeable in the subsequent episodes but so far, they made it way too easy to hate him. And then there’s her husband, Larry, a handsome news reporter who’s like the perfect man any woman would want to marry, which makes him a bit bland. He’s modern but he’s too kind, even when he should be really angry at his wife. You want him to scream and go nuts, and he doesn’t. Again, with more episodes they will be able to flesh him out. There are a lot of family scenes by the way. We meet their daughters, Chelsea (13) and Catherine (8). They found the right balance between her professional life and her private one, but sometimes, I have to say I just wanted the show to be about that, and office politics, but not about her mission of the day. She has to save a known racist politician from an assassination attempt. It’s efficient, just not the best part. There’s a serialized story behind though, since the mastermind behind this is not caught in the end. He’ll be back. I remember I had the same feeling with The Good Wife when it started. As much as I liked the cases and Alicia’s relationships at the office, what I wanted the most was her scenes with her husdand and her children, at home. It’s not the only thing that made me think of The Good Wife, to be honest. And it’s both a compliment and a reproach.

From start to finish, I felt like this script was a clever mix between The Good Wife & Scandal, with a hint of Homeland since she’s doing the same job as Carrie Mathison. So, yeah, clever. But it doesn’t change the fact that you’re always under the impression that you’ve already seen it before. It makes it very much predictable. Like this scene when the press is outside her home after the scandal broke. So cliché. Unavoidable, maybe. Or the one when the scandal breaks for instance: she’s right in the middle of a school fundraiser with the other moms. Or the daughter who’s harassed at school and called names because of her mother. But honestly, the most worrying part here is not the comparisons drawn with The Good Wife and Homeland. It’s the one with Scandal. The show is just about to end and it won’t leave on a good note since it’s stupid for ages now. I’m very much afraid Mrs Otis Regrets falls into the same traps. I don’t want Hezel to become as annoying and murderous as Olivia Pope. I don’t want a tiring and never-ending love triangle between Hezel, her husband and NSA’s General Moses Fallon, who’s a lot like President Grant. Been there, done that! Coincidentally, it’s also produced by Judy Smith, like Scandal, which was based on her own life! And with an Empire producer/showrunner on the team, I wouldn’t want the show to become too soapy either. I do love soaps but when they take place at the FBI -look at Quantico!- they can quickly turn into a mess.

Even though Mrs Otis Regrets have a few problems, mostly a bit predictable and déjà vu premise, it definitely has potential for the long haul and it’s a great vehicle for Katie Holmes. At some point, one character says: “The timing is all wrong. All anyone cares about right now is the sexual assault stuff.” And that’s my main concern here: is the show’s timing wrong? I’d say its timing is perfect as long as they play their cards right: it has A LOT to say about sexism in the work place, about the glass-ceiling, about being in the public eye and how much the perception is different if you’re a man or a woman, and I hope they won’t shy away from all of this, that they will embrace it and make it an important show in the process. Women deserve this.

FOX’s 20 most exciting projects for 2018/2019 pilot season

The following article is based on descriptions mixed wih talents attached ONLY. None of the scripts have been read at this point.

This pilot season will be very weird for FOX. Why? Because the network as we knew it is about to die. As Disney bought 20th Century FOX Television -among other 21st Century FOX assets- which was their principal content provider with big names attached to it (like Ryan Murphy’s or Seth MacFarlane’s), the network will soon be without any in-house studio. Except if Sony, Lionsgate or god knows what other television studio becomes part of FOX, but it’ll take months before it becomes effective. Since the deal between 21st FOX Television & Disney has yet to be approved, it’s a season of transition and the executives may be very picky about their orders, while they may not be there next year. The more they pick-up 20th Century FOX Television projects, the more money they’re giving to Disney… It’s hard to know what’s really gonna happen so let’s see what they have in store regardless.

FOX is not having a bad year per say, but only their Empire/Star pairing is doing really good business for them. Everything else nagivates between big flops (virtually every comedy including their best hope The Mick, The Exorcist…), little flops (Gotham, Last Man On Earth) and okay performers (Lethal Weapon, Lucifer). Supernatural comedy Ghosted is doing okay on sunday while Seth MacFarlane’s The Orville is compensating its so-so live ratings with important gains on live+7. The Gifted, which was supposed to be their biggest new asset, disappointed and didn’t generate any buzz, despite being part of the X-Men universe, and has yet to be renewed. But with Ryan Murphy’s 911 and the new season of The X-Files coming, they may witness a ratings surge in the new year. Not all is lost… yet!

 

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DRAMAS

 

THE BAD DECISIONS PLAYLIST (20th Century FOX Television)

What?  focuses on 16-year-old Austin, who’s always messing up and then joking his way out of tough spots. The sudden appearance of his allegedly dead father, who happens to be the very-much-alive rock star Shane Tyler, spins his entire world out of orbit. Austin, a talented musician himself, is sucked into his newfound father’s alluring world while he discovers more about himself, his friendships and what it means to have this new modern version of a family.

Why? Is FOX turning into an all-musical network? If they add another music-fueled show to Empire & Star, it will start to look like it. But how can we blame them? It’s currently what works best for them… Writer and producer Lee Daniels is not involved in this one, but there’s still potential, especially if they bet more on the family part than the behind-the-scenes of the music industry. This Is Us lead the way for more family dramas, and this one may have what it takes to be different enough and somehow similar too.

 

BEING JUDGED (20th Century FOX Television)

What? No one likes being judged, least of all Josephine Graves, who is struggling to figure out this thing called life, while balancing her demanding career, social life, and family responsibilities; unfortunately for her, she has to do it all under the biggest, brightest, spotlight because at 27 years old she is the youngest judge in the history of America…

Why? FOX is out of the legal drama business for quite some time now. This project may be a interesting way in, though it doesn’t sound particularly original. But hey, as we’ve been proven multiple times the past few years, the simpler ideas can often lead to the best shows. Look at The Good Doctor and This is Us… If Being Judged has an Ally McBeal vibe to it, it’s a yes! Plus, we’re still waiting for women-led dramas on the network…

 

EAST OF HOPE (20th Century FOX Television)

What? set in an All-American working class town which centers around two families divided by a past event, and reconnected by blood; both tie their hopes and dreams to the high school basketball team, which they see as their ticket to a better life…

Why? Other than being musical shows imagined by Lee Daniels, Empire & Star have something else in common: they’re about black people coming from a poor environment trying to get better lives. That’s also the case with East of Hope but with basketball in the background. And guess who’s producing? Yes, Lee Daniels again! No-brainer, right?

 

KENTUCKY BLOOD (ABC Studios / 20th Century FOX Television)

What? Inspired by the revelation that the recipe for Jack Daniels whiskey was developed by a slave, Kentucky Blood is a heartland, family drama set in the bourbon business about deep, family secrets bubbling up to the surface. It follows two families intertwined by a complex history and a secret epic romance between two star-crossed lovers. One white. One black. A perfect storm of circumstance brings them back into each others lives as business partners, changing the old dynamic between them and disrupting their families lives.

Why? Am I the only one thinking it’s a bit odd FOX haven’t tried another big soap since Empire? If there’s a network that is in the best place to launch one right now, it’s FOX. This one is particularly interesting for multiple reasons : the setting, the “Romeo & Juliet” vibe, the multiracial love story… but it will need to be modern to work because the pitch sounds a bit old. I’m wondering why ABC didn’t keep it for themselves honestly.

 

MIDNIGHT LAWYER (20th Century FOX Television)

What? about a lawyer who gets his clients out of trouble they get into after dark. He used to live the NYC after-hours life and now he’s always striving to save people the way he saved himself – but this business comes with temptation…

Why? Another legal drama but this time with this particularity: it starts after dark and ends right before dawn. Is it enough to make it special? It will also need a good central character and as it is written here, we can imagine another anti-hero à la Dr House. Is this type of character a thing of the past now? Maybe. But it should be given a chance, just in case.

 

MIXTAPE (20th Century FOX Television)

What? drama that looks at a disparate group of interconnected people in contemporary Los Angeles through the lens of the music that defines who they are…

Why? Busy Quantico creator Josh Safran -he works on three pilots at the same time- is back to its musical roots after his stint on the second season of Smash that didn’t end well. Mixtape is reminiscent of critical darling La La Land, which is a good thing I guess. The worrying part is “a disparate group of interconnected people” because this type of concept rarely works on television. Remember Six Degrees or even Heroes. It’s really hard to sustain and it may not do well on a network. But it’s definitely intriguing.

 

OFF-SITE (20th Century FOX Television)

What? about a former “chaos agent” for the CIA who’s recruited by a UN investigator to help recover a missing artifact that surprisingly contains clues to a mythical reservoir said to be overflowing with an incredibly rare and immensely valuable fossil fuel, instantly igniting a pulse-pounding chase across the desert

Why? Adventure dramas are rare on television, probably because it’s a very hard thing to do, it needs big budget, but I’m always hoping for a good one. Maybe Off-Site will be it… Len Wiseman (Sleepy Hollow, APB, Lucifer) is involved as writer, director and executive producer. I’m not sure it’s a good thing though.

 

PROXY (20th Century FOX Television)

What? centered on a technology that allows online followers to live voyeuristically through the experiences of hedonistic young “Proxies” on a remote island paradise…

Why? John Francis Daley (Bones) is behind this very interesting sci-fi project developed by Anonymous Content (Mr Robot, True Detective, 13 Reasons Why…). It may not be such a good fit with a network but since that’s where it is at this time, let’s just cross our fingers so we get the chance to see it from our own eyes.

 

SURVEILLANCE (20th Century FOX Television)

What? A lens into the least understood organization in the United States the NSA. Its a high stakes, serialized, character-driven political thriller set in a world we really haven’t seen before all through the eyes of our hero and the NSAs secret keeper Madeline Yardley.

Why? The NSA storylines were not the best part of The Good Wife, and a spin-off about this world would not have worked, but I still think there’s a show to do about the NSA and it’s the only one in this pilot season that I know of. Matt Reeves (Planet of the Apes, Cloverfield) is involved as producer, which reassures me. That being said, there’s a reason why it’s “the least understood organization”: it’s always very complex and can easily become boring…

 

UNTITLED LAVENDER & ULIN PROJECT (20th Century FOX Television)

What? After twenty years of marriage, a couple try to reignite their passion and strengthen their family by starting over in paradise on earth: Hawaii; they move their two teenage kids to the island of tourist fantasies, but the reality of paradise is not all sun, surf, and sex on the beach – dark family secrets, a complicated social structure they don’t understand, old mistakes, and messy new relationships threaten to tear the Campbell family apart, even as they struggle to find their way back to each other

Why? As a big supporter of family dramas, I find this one particularly interesting thanks to the Hawaii setting and the culture attached to it. Escapism and emotion, that’s a really good plan, isn’t it? If it’s as good as Alexander Payne’s movie The Descendants, we have a winner! But let’s not set the bar too high already…

 

UNTITLED L.A. WOMEN PROJECT (20th Century FOX Television)

What? Longtime friends Reza, June, Amelia, and Indie who have climbed to the top of the Hollywood ladder together as a lawyer, an actress, a writer-producer, and an entrepreneur. It all looks pretty enviable from the outside, and they all enjoy the many perks of their high-flying lifestyles – but there’s no such thing as having it all, at least not all at the same time. Each of them has made significant sacrifices to get where they are. When a face from their past resurfaces in the pilot, they have to confront some ugly buried secrets and protect their lives from being destroyed.

Why? Eva Longoria can’t get over Desperate Housewives after Devious Maids apparently, with this project that she’s producing that takes one aspect of it -4 women friends- to another environment: Hollywood! It’s timely, especially if those women are confronted to very bad men like Harvey Weinstein and so many others… There’s potential, as long as it’s not just another funny dramedy with cartoonesque characters that are mostly here to make us laugh and cry easily. Make it a profound feminist soap or don’t do it at all.

 

VICTORY (20th Century FOX Television)

What? set in the world of competitive gospel choirs which tells the inspirational story of a prodigal son and a group of forgotten young people who must rise above their personal hardships to save a church and heal a broken community through the power of song

Why? Well… Yeah, of course it’s from Lee Daniels again. What can I say? He certainly has deep obsessions and Victory is exactly what we could expect from him, no surprise here. But I can’t help thinking that this gospel choirs idea is good and it’s something that could touch people’s hearts as long as it’s not too preachy. Gospel is empowering and an amazing thing to witness in a church, if you get the chance. Would it work on a weekly basis? Yeah, if the community the characters form is well-defined and relatable, not on the “bigger-than-life” side.

 

FOX is also developing a small screen take on James Cameron’s 1994 feature True Lies about a super-spy whose family discovers his real job, by McG; a new anthological take on the 24 franchise which would center on a female prosecutor who uncovers a legal conspiracy and has to work against the clock to save a death row inmate facing imminent execution whom she had helped prosecute but may be innocent; a retelling of the King Lear story produced by Milo Ventimiglia called Cordelia; a sequel to the 1970s David Carradine-led TV series Kung-Fu produced by Greg Berlanti (?!); more Lee Daniels projects; The Nice Girls, a contemporary gender flipped TV series based on Shane Black’s 2016 feature film The Nice Guys, about two very different PIs; many cop show…

 

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COMEDIES

COOL KIDS (20th Century FOX Television) – picked up to pilot

What?  about three guy friends in a retirement community who are the top dogs until they’re blown out of the water by the newest member of the community, a female rebel who’s ready to challenge their place – it’s high school with 70 somethings…

Why? I like old people having existential crisis and also a lof of fun in the process. If it can be as good as The Golden Girls or Grace and Frankie, I’m in. If it’s as shitty as FOX last attempt Dads: definitely out!

MS. PAT (20th Century FOX Television)

What?  the story of a most unlikely suburban mom; her hustle and entrepreneurial spirit were forged on the mean streets of Atlanta, but she now finds herself in conservative middle America alongside her loving husband and two distinct sets of kids raised under very different circumstances

Why? Redeveloped leftover from last year – Empire‘s Lee Daniels & Brian Grazer are behind this family comedy project that could be great if Ms. Pat is as hilarious a character as Cookie. I don’t know a thing about stand-up comedian Patricia Williams who’s attached to play the role but I feel very confident about this one.

 

MURDERTOWN (20th Century FOX Television)

What?  about a New York radio journalist who, after a career-ending gaffe, returns to her hometown in Cape Cod and takes a job at the local newspaper, hoping to uncover a headline-grabbing true crime story that will get her back in the spotlight…

Why? It could have been the pitch of a drama but since it’s a comedy, we can expect a true-crime parody in the vein of Trial & Error or American Vandal. There’s still time but not so much before this type of projects become outdated so it’s now or never, FOX.

 

ONE HIT WENDY (20th Century FOX Television)

What? about Wendy, a one-hit wonder who peaked at 18, who tries to guide her talented niece, Jordan, through the music industry and keep her from making the same mistakes she made… 

Why? If FOX develops so many music-fueled dramas, there’s no reason why they wouldn’t try it on the comedy-side too. This one sounds like the best of the crowd and it has one advantage: Julianne Hough, a popular judge from Dancing With The Stars -who won twice the competition before getting the gig- is attached for the lead role.

 

RESERVATIONS (20th Century FOX Television)

What? about a Native American family that trades their impoverished reservation for Los Angeles, a move inspired by the dreams of a 14-year-old boy to live in Hollywood

Why? Yet another family comedy but with an original angle. It makes me think of the best part of Unbreakable Kimmy Schmidt: Jacqueline and her native american parents. Curious to see how funny this cultural clash can play out.

 

REVIVAL (20th Century FOX Television)

What?  about Elliot, formerly the little kid from a beloved ’80s family sitcom and now living a normal life, who reluctantly gets sucked back into the show’s revival with his old TV family

Why? These days, with so many revivals on the air –Roseanne, Fuller House– this fake-family comedy from TV is simply genius! And the good news is Nahnatchka Khan (Fresh Off The Boat, Don’t Trust the B) is producing. I want it badly!

 

SPACEBOUND (Jackal Prod)

What? about an alien who goes on an intergalactic coffee run and finds herself stranded on “the worst planet in the universe”: Earth; a group of eccentric friends takes her in and she discovers she might actually be the most functional person in the world

Why? Similar projects are developped every year or so, I won’t tell you it’s incredibly original but instead of a 3rd Planet From The Sun reboot -that is not in the cards at this time- or worst an Alf one, why not?

 

STEP STRANGERS (Warner Bros. Television)

What? about five 20-something adults who are forced to become step-siblings after their overbearing divorced mother and oblivious widower father meet on a singles cruise and fall in love

Why? Elizabeth Banks is producing this one. I kinda like the premise. Think it’s like Happy Endings but if they were suddenly all brothers and sisters! Did I convince you? I just convinced myself.

 

What projects are you the most interested in among these? Take your picks!

FOX 2017-2018 Schedule [+ THOUGHTS]

 

MONDAY

8- LUCIFER

9- THE GIFTED

TUESDAY

8- LETHAL WEAPON

9- THE MICK / BROOKLYN NINE-NINE

WEDNESDAY

8- EMPIRE

9- STAR

THURSDAY

8- GOTHAM

9- THE ORVILLE

FRIDAY

8- HELL’S KITCHEN

9- THE EXORCIST

SUNDAY

8- THE SIMPSONS / GHOSTED

9- FAMILY GUY / LAST MAN ON EARTH

MIDSEASON

911 – THE X-FILES – THE RESIDENT – LA TO VEGAS – NEW GIRL…

 

What’s good?

  • Tuesday night feels very coherent with compatible shows. Lethal Weapon needed to move from Empire‘s shadow. They were never a good fit.
  • Using Empire as a lead-in should have been done last year. But it’s not too late, even if the show is not as strong anymore. Pairing Star with it is an evidence. Thank God they realized it.

What’s bad ?

  • That’s a weird thing to do to use both Lucifer and Gotham as lead-ins while they treated them shit the whole past year. Plus, The Gifted seemed like a better option at 8, since it’s family-friendly. It could have self started.
  • The Orville against This Is Us? Well, why not? The problem is not there. The problem is that they never should have ordered The Orville. It has FLOP written all over it…

 

FOX | 2017/2018 – Fantasy Schedule

Those are predictions based on feelings and FOX final schedule may end up very differently! It will be announced on Monday. Stay tuned and until then, enjoy the read!

 

RENEWED

THE X-FILES | EMPIRE | GOTHAM | LUCIFER | STAR | LETHAL WEAPON | THE EXORCIST

THE SIMPSONS | FAMILY GUY | BOB’S BURGERS | NEW GIRL | BROOKLYN NINE-NINE | LAST MAN ON EARTH | THE MICK

ORDERED

THE ORVILLE | GIFTED | THE RESIDENT | 911

LA TO VEGAS | GHOSTED

While FOX is in a really tough spot with only declining Empire as a bright light, it’s hard to make a schedule that you can be happy with and proud of. Too many shows that went fractional this season were renewed and the new options don’t look very strong. So whatever happens, FOX is in deep shit. And since they will probaby do an even worse schedule than mine, let’s just say what follows is not a prediction or a wish, just a desperate move…

MONDAYS

THE GIFTED

LUCIFER

With The X-Files probably not ready for fall because of a late August shooting, The Gifted is the only show that seems to be able to give new life to monday night. They could pair it with Gotham but I chose Lucifer for two main reasons: stability -it’s its current slot- and compatibility. I expect The Gifted to be family friendly and lighter than Gotham.

TUESDAYS

BROOKLYN NINE-NINE / LA TO VEGAS

THE ORVILLE

FOX should keep New Girl‘s last season -which is rumored to be only 8 episodes- as a filler and try to bank a little bit more on Brooklyn Nine-Nine that could launch a new compatible comedy. LA To Vegas can be considered as a workplace comedy too, since it’s taking place in a airplane and tells the story of the crew and their passengers. Seth MacFarlane’s one-hour sci-fi dramedy The Orville has to air somewhere and Scream Queens‘s previous slot seems to be ready to welcome it. The ratings will probably be ugly but then again, it HAS TO air somewhere right?

WEDNESDAYS

STAR

EMPIRE

While keeping Lethal Weapon at 8 would make sense, finally pairing Star & Empire is the best way to go if FOX wants a full season of Star and to use Lethal Weapon as a launchpad somewhere else. If they’re still serious about an Empire spin-off, it could take over during the hiatus.

THURSDAYS

LETHAL WEAPON

THE RESIDENT

I know what you’re thinking : pairing Lethal Weapon & The Resident doesn’t look smart and logical, even more considering the fact that The Resident will have to launch against This Is Us on NBC. And you’re right. BUT honestly, where else FOX can launch the show? Tuesday could have been an option… I’m not sure I can defend this move, other than by saying that I think FOX thinks The Resident will skew more male than medical dramas usually do so the pairing would somehow make sense in that way. Plus, they’re both in the dark humor business. Another possible scenario: they keep it for midseason and put an unscripted fare there like Hell’s Kitchen. Anyway, I put my money on The Resident cancellation after a possibly shortened run.

FRIDAYS

GOTHAM

THE EXORCIST

The fact that The Exorcist has been renewed is overwhelming enough so thinking of moving it to another night is plain crazy. Gotham seems less and less a priority for FOX, especially since they don’t own it, and they have quite an impressive record to let shows they don’t really want anymore die on friday night. Here’s their next victim!

SUNDAYS

THE SIMPSONS / GHOSTED

FAMILY GUY / LAST MAN ON EARTH

Quirky Ghosted will probably end up there with The Simpsons. Like they did with other quirky entries Son of Zorn & Making History this season (with bad results).

MIDSEASON

THE X-FILES & not yet ordered THE PASSAGE could make a great pair on monday for 10 weeks while The Gifted -if it’s still alive- and Lucifer go on a hiatus.

The new Ryan Murphy show 911 could take over The Orville slot once the first season is done.

THE MICK could go back behind The Simpsons for a while. Or be paired with NEW GIRL again for a few weeks on tuesday.

More new shows should be ordered until then since FOX is rumored to pick-up a new batch of pilots to shoot this summer.

What do you think? Feel free to comment!

FOX 2017/2018 Comedy Pilots ranked

FOX had a really rough year, both with their dramas and their comedies. Hybrid entry Son of Zorn started well initially but ended in bad shape; a renewal is not expected. Making History is doing terrible numbers since it started; a renewal is out of reach. Then there’s The Mick that FOX really loved and pushed with airings at special times. It definitely helped though its pairing with New Girl limited its potential on tuesday since the Zooey Deschanel-starrer has outstayed its welcome for quite some time but could defy the odds one more time with a final season; it’s still considered as a cash machine for 20th Century FOX Television. Brooklyn Nine-Nine moved a lot on the schedule once again and miraculously didn’t lose too much strenghth in the process; it should be back. Finally, high-concept comedy Last Man On Earth couldn’t compete on sunday night with depressing ratings; it could go either way for this one but I bet on a renewal. It leaves us animated comedies The Simpsons and Family Guy. They’re both suffering but they’re still stronger than most of FOX slate. Can a miracle happen next year with a breakout comedy hit? With this weak surrounding, it’s gonna be hard, even next to impossible, but you never know… Here’s what they have in store:

 

  1. THIN ICE (20th Century FOX Television)

    A woman reclaims her dreams when she finds herself at the end of the earth – in Antarctica – surrounded by a group of brilliant misfits… With Bridgit Mendler, Ian Harding, Isaiah Whitlock Jr, Jane Curtin…

It’d be easy to describe Thin Ice as New Girl in Antarctica but like it or not, that’s what it initially is. It starts the same way -sad lonely girl entering a new world full of men who are mostly childish- but creator of both shows Liz Meriwether slowly goes into another direction until we end up with something that has more to do with workplace comedies like Parks and Recreation or The Mindy Project. It seems fresh -no pun intended- and those characters are really good at convincing you to stay there a little longer, as the heroine experiences. There are way too many though. It’s not revolutionary but it makes you happy for a while. Now, can a studio lot in Los Angeles really look like Antarctica? I have my doubts. They can’t afford to shoot on location every week I guess…

 


2. TYPE A (20th Century FOX Television)

    A group of consultants are hand-picked to do the dirty work most professionals can’t handle: layoffs, downsizing, generally delivering horrible news. To everyone else, they’re the enemy – to each other, they’re family. With Eva LongoriaDavid Hornsby, Ken Marino, Kyle Bornheimer, Andy Richter…

Type A may be the contrary of Thin Ice: it’s so cynical about today’s world that it doesn’t make you happy. BUT it’s funny. Really funny. The dialogues are just superb. And those actors can’t screw it up. It’s definitely edgier than most network television comedies, it can get pretty vulgar, and I think that’s beautiful! FOX is the best place for it, no questions asked. I can already see it on the schedule, probably next to Brooklyn Nine-Nine. Those two would make a great pair. And that’s good news for Eva Longoria: it’s way better than Telenovela. She’s not THE star of the show, she’s one of the stars of the show and it’s better this way. Her character is hilarious. And she’s only asked what she does best: playing a witty bitch. Can’t wait!

 

 

3. LAX > VEGAS (20th Century FOX Television)

   About a group of underdogs trying to find their place in the world who all share the same goal: to come back a winner in the casino of life. Set on the Friday night flight from LAX to Vegas and the returning flight on Sunday. With Dylan McDermott, Ed Weeks, Olivia Macklin, Kim Matula…

Before reading the pilot script, I was 100% sure that it wouldn’t work. Who would want to spend 22 minutes each week in an airplane? Because just so you know, that’s where it’s set let’s say… 95% of the time! Well, the answer is: me. And you too probably. They made a pretty convincing case. Thanks to the principal characters -we want to know more about them- mostly and the promise that we’ll get to meet new passengers every week with their own set of stories and problems. At some point, I told myself: why nobody tried a comedy like this before, it’s a great idea? Well, maybe it has been tried but the projects didn’t see the light of day. Not a huge fan of the cast though. Will they live up to the expectations?

 

4. LINDA FROM HR (20th Century FOX Television)

   All it takes is one bad decision to throw Linda from HR’s monotonous, unfulfilled life into an exciting but dangerous tailspin of balancing work life, home life and a secret that could unravel everything. With Lauren Graham, Michael Landes, Zachary Knighton…

This pilot is batshit crazy, my friends! I’m not surprised the great Lauren Graham wanted to be part of it. It has been described as a comedic version of Mr Robot and I have to admit it’s pretty accurate. You never know where it’s going. It’s getting darker and crazier as the story progresses and you’re left with the sentiment you’ve just read something incredibly weird. And you want to watch more. The problem is:  the script needs a little more work and it’s not a network comedy AT ALL. It can’t work on FOX and it’s heavily serialized. I think FX or TBS should try to get it if FOX passes on. Or maybe a streaming platform? Hulu? Netflix? Those are the places where Linda from HR can be totally herself, without worrying about anything.

 

5. GHOSTED (20th Century FOX Television)

   A cynical skeptic and a genius “true believer” in the paranormal are recruited by The Bureau Underground to look into the rampant “unexplained” activity in Los Angeles – all while uncovering a larger mystery that could threaten the existence of the human race. With Adam Scott, Craig Robinson, Ally Walker…

Maybe it’s just me but this paranormal comedy that wants to be a funny The X-Files is less funny than the funniest episodes of The X-Files. That being said, I didn’t find the script bad or anything, I just didn’t laugh as much as I thought. There is no reason to worry: with this concept, this cast and the fact that it’s produced in-house, there’s no reason why it wouldn’t be ordered to series. I’m even surprised they didn’t go for a straight-to-series order. Maybe just in case the Adam Scott/Craig Robinson duet didn’t work. Looking forward to it anyway. It’s very much in FOX alley.

 

6. AMY’S BROTHER (Warner Bros. Television)

   About an unconventional family that is formed when a successful type-A man and his estranged sister, plus her two children, find themselves not only back in one another’s lives but also living under one roof. With Michael Urie, Annie Mumolo

Have you watched The Mick? Haven’t watched myself the entire first season yet but it’s a good one. Sadly for Amy’s Brother. Because the story is pretty much the same in reverse -an uptight guy has to take care of his crazy family suddenly- with different characters and a less irreverent tone. It’s probably the cutest FOX comedy pilot of the year but cute doesn’t always win. The kids don’t have much to do and the principal character played by Michael Urie is too cliché. Not the “gay cliché” but the “uptight guy cliché”. We’ve already seen that a thousand times. Since it’s not produced in house, I’d say it doesn’t stand a chance to get ordered anyway.