SERIES TITLE: The Republic Of Sarah
GENRE: Political Soap Drama
LOGLINE: Morrisville, a small New Hampshire rural mountain town, is thrust onto the world stage when the discovery of a valuable resource within its borders compels the residents to utilize a cartographical loophole to declare themselves an independent nation, thus setting the unlikely young mayor Sarah Chambers and her cabinet of inexperienced locals on the path of running a brand-new country…
Pilot Cast: Sarah Drew (Grey’s Anatomy, Everwood, Mad Men), James Lesure (Good Girls, Las Vegas), Carlos Leal (El Internado), Jonathan Slavin (Better Off Ted, Santa Clarita Diet, Dr Ken), Daniel Ings (The Crown, Lovesick, Instinct), Annie Funke (Criminal Minds Beyond Borders), Kirsten Nelson (Psych), Victoria Gabrielle Platt, Kimberly Guerrero…
Series Creator: Jeffrey Paul King (Elementary).
Pilot Director: Marc Webb (500 Days Of Summer, The Amazing Spider-Man, Gifted, Limitless, Instinct, Lone Star).
Producers: Leo Pearlman, Jeff Grosvenor, Jeffrey King, James Corden (Carpool Karaoke, The Late Late Show) & Marc Webb.
Studios: CBS Television Studios, Marc Webb Productions & Fulwell 72.
Ever wonder how TV executives wade through the dozens of pilot scripts they’re pitched each year? They have staff script readers, who provide what’s called “Script Coverage,” an executive summary and a recommendation for each script. Now you too can preview some of the season’s most buzzed about pilots and find out whether we’d recommend them for pickup. Note that all opinions are our own, and all plot, casting and other creative details described here are subject to change.
You’ll Like It If You Already Like: Northern Exposure, Everwood, Men In Trees, Providence…
Likely Timeslot: Sounds like a sunday show; or pushing it after Survivor on Wednesday could make sense thematically.
WRITTEN BY: Jeffrey Paul King.
PAGECOUNT: 61 pages
DRAFT: Revised network draft 1/17/19
BACKGROUND: While a Northern Exposure revival is in the works at CBS -which would be centered on Dr. Joel Fleischman (Rob Morrow) returning to Cicely, Alaska, for the funeral of an old friend and staying (again) longer than he expected- the network has decided to move forward with a project in the same vein, already compared to it. The Republic of Sarah would reunite Sarah Drew, who’s the female lead, with CBS & CBS Television Studios after playing one of the title roles in another drama pilot last season, Cagney and Lacey’s remake, that was not picked up to series. Drew was a very popular Grey’s Anatomy cast member and she exited -not by choice- at the end of season 14, after nine seasons on the hit medical drama playing Dr. April Kepner. Before that, she was best known for her portrayal of Hannah in The WB’s Everwood. Now she’s back to a mountain town.
SCRIPT SYNOPSIS: SARAH CHAMBERS (30s) is a community sweetheart, she gets along with everyone in Morrisville from mayor to barista. Open on her in a Tiananmen style standoff with the governor of New Hampshire OTTIS TAGGERT (50s) and several earthmovers. The first half of the pilot shows the previous two days, beginning when rich mineral deposits are discovered under Morrisville. Sarah, part of the town council, urges her companions to resist the corporation that the governor has chosen to open a mine in their town. That corporation‘s key lobbyist is Sarah’s older brother, DANNY (30s), returning to the town after a ten–year absence, leaving behind an alcoholic politician mother ELLEN (60s) and a fiancée, CORINNE (30s)– Sarah’s best friend. Sarah doesn’t like the idea of being a politician, but shows true promise as she supports a crazy strategy to saving their town from the intrusive mining–declaring independence. The siblings face off to get the townspeople on their side, with the governor breathing down Danny’s neck. A vote is held and the townspeople narrowly declare independence thanks to a 1800s topographical loophole. After all is said in done, the people overwhelmingly want Sarah to be their leader. Coming to terms with her mother’s past and her brother’s reemergence, she resigns to give leadership a go, knowing that the true test of the resilience Morrisville is just beginning…
COMMENTS: There’s nothing that makes me happier this pilot season than the return to good ol’ serialized relationship dramas, based on family values and emotional issues, far from always failing high-concept shows with endless mysteries and tired detective TV series piling up corpses. We can probably thank This Is Us & A Million Little Things for that. A few years ago, CBS might have developed such a show, but they wouldn’t have picked it up to pilot. The Republic of Sarah is the perfect illustration of this trend, with the “wow effect” that could help it stand out from the crowd. Because it’s not just about townspeople doing townspeople’s things, it’s also very much political, deeply rooted in today’s America, offering an escape and a beacon of hope to viewers who don’t think there’s any left. It might seem radical but the script refers a few times to the official motto of the U.S. state of New Hampshire: “Live Free or Die“. There’s definitely a wind of freedom blowing on this town and on this script. And I think it’s beautiful.
Apart from the fact that it starts with a flashfoward -which I hate in general but it’s an intense one- The Republic of Sarah takes first the right amount of time to establish the bucolic beauty of its rural mountain town, with our leading lady having her morning routine which consists of a wild run from the valley bathed in sunrise to the forest, and finally up to the hills. It’s supposed to be magnificient and I’m pretty sure the production found the fitting landcapes around Vancouver. But this run is not just about the atmosphere, it’s also about introducing us to some of the secondary (and quirky) characters Sarah meets on her way, like a salt-of-the-earth elderly couple Betty and Ralph, or Russell, a 50 year-old naturist painting completely naked in his garden. The quirkiness is all around in the script, but just like in Northern Exposure it doesn’t feel fake. It’s part of the town’s identity and charm. There’s this restaurant, the Sweetie Pie, with meals and treats named after video games. There’s the Moose Manor, a hotel where everything, really everything, is based on moose, from lamps to wallpapers and pillows. And there’s also the character of Paula Judge, a gruff mountain of a woman who’s… a judge. Judge Judge! See. Those are sweet details that help you fall in love with the place and make it so alive and special.
But more importantly, there’s a family drama within. Or a family within the family, ‘cos the whole town forms a giant family in a way. The Chambers are very much at the center of the story, between our heroine Sarah and her complicated relationships with her mother, her brother and her father, who may or may not be back after decades of disappearance into thin air. Nothing here is completely earth-shattering but it works and it’s not emotionally manipulative, as This Is Us can be sometimes. It goes straight to the point, probably because there’s a ton of other things going on. Like creating from scratch a micro-nation. Just so you know, even though the idea seems far-fetched and unrealistic, it’s something that happens in the real world, more and more. And it’s quite exciting. The script takes the time it needs to make it believable. Sometimes it’s a bit technical, and it could bore people, but at least they’re not taking too many shortcuts. It wants to be a credible political drama. The real political part will have to wait for the subsequent episodes though, once Sarah will officially be the new Mayor. Or the President, I’m not how sure how we’re supposed to call her. It really has a ton of potential, both on the personal soapy stories and the bigger picture. Did I tell you about the secret lesbian love story? There’s that too. And many other secrets.
I didn’t introduce you to the characters properly. It’s a lot of strong women and it’s particularly notable for a CBS drama. Sarah is a quintessential New Englander: sharply intelligent, fiercely loyal, and always willing to lend a hand. Perfect for Sarah Drew, isn’t it? She’s a force nature and natural-born leader, she just doesn’t known it yet. We talk a lot about positive leading roles these days, like The Good Doctor, as opposed to the anti-heros. She could become a part of this group. Corinne is Sarah’s devoted, bubbly best friend. Like Sarah, she’s a teacher and possesses warmth, wit and savvy. Mary is a self-reliant badass whose steady support has made her the strong maternal figure in Sarah’s life. There’s also Francine, Morrisville’s sheriff. Unflappable and resolute, she lives her life according to old-school principles of honor and duty and isn’t afraid to speak her mind when she feels those principles are being ignored. We love them all!
On the men side, there’s Sarah’s brother Danny, who had to endure a difficult childhood at the hands of his mother. When he returns to his hometown, he must confront the faces of his troubled past. He was fragile, he’s stronger now. But he’s still vulnerable and that’s a sensible portrait of a male character. Tim is Sarah’s new antagonist: a banker who has always been considered as the smartest and most powerful guy in Morrisville… until the town chooses -against his advice- to put its faith in Sarah and her plan for independence. So he fights to stop her and her new nation. We hate him of course. He’s here for that. But maybe he’s more complex. We’ll see. Last but not least: Eugene. A brilliant, bizarre librarian with a hummingbird energy and encyclopedic knowledge of sociopolitical minutiae. He’s a invaluable asset to Sarah and her team as the brand-new government of Morrisville gets up and running. He’s her Giles (from Buffy), but quirkier. And believe it or not, there’s no real love interest waiting for Sarah. Or I missed it. That’s good. She has other -and better- things to take care of for now.
FINAL RECOMMENDATION: Symbolically, CBS would really make a point by ordering The Republic of Sarah to series. It would show their indepedence now Les Moonves is gone and it would be fierce. Yes, they can put a show on the air that is not a crime drama and that is mostly centered around women. More realistically, it’s a riské proposition for them that may not fit with the rest of their line-up. But they desperately need to evolve and that could be a first, smart step to take. I declare The Republic of Sarah one of the best scripts of this pilot season.