Tag: jane the virgin

The CW Projects for 2018/2019 Pilot Season

(CBS Television Studios)

Sci-fi drama by Craig Sweeny (Limitless, Medium) & Taylor Elmore (Justified).

Over the course of recent history, four thousand four hundred young adults in their reproductive prime have gone missing all over the world—some disappearances happened as recently as a few weeks ago, while others date as far back as the infamous day the Soviets launched the Sputnik satellite in 1957. One day in 2019, all 4,400 show up at the sites of their original abductions. None of them have aged a day; none have any memory of where they’ve been. The so called “4400” must grapple with their return to a changed and hostile world… and also contend with the reality that they’ve come back altered in ways that none of them yet understand.

BATWOMAN (Warner Bros. Television)

Superhero drama from the Arrow-verse by Greg Berlanti & Caroline Dries (The Vampire Diaries, Smallville)…

Armed with a passion for social justice and a flair for speaking her mind, Kate Kane soars onto the streets of Gotham as Batwoman, an out lesbian and highly trained street fighter primed to snuff out the failing city’s criminal resurgence. But don’t call her a hero yet. In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope.

Starring Ruby Rose

CITY OF GHOSTS (Warner Bros. Television)

Fantasy drama by I. Marlene King (Pretty Little Liars), Karen Wyscarver (Private Practice) & Sanford Golden (Bones, Taken).

After a near-death experience, college grad Cassidy moves to Scotland to study paranormal psychology at the University of Edinburgh in hopes of learning more about her strange connection to the afterlife. There she meets the enigmatic Dr. Barrow and discovers that her gift is more powerful that she ever thought possible.

THE COVE (Warner Bros. Television)

Family adventure by Chad Fiveash (Kyle XY, Rise, Krypton), James Stoteraux (Switched at Birth, Legend of the Seeker) & Robert Zemeckis (Manifest).

Follows estranged sisters in the aftermath of their father’s death as they return to the Caribbean resort island they frequented as a family, only to discover the sun-drenched paradise is hiding many secrets, including the missing treasure that was their father’s obsession and may ultimately hold the key to eternal life.

DORIAN (Warner Bros. Television)

Fantasy dramedy by Marisa Coughlan & Len Goldstein (The Carrie Diaries, Cult).

It centers on a woman who made a deal with the devil 50 years ago to remain young has spent the subsequent decades living selfishly and without consequences. As the downsides of eternal youth finally land on her, Dorian is ready to grow up and age gracefully, but, to do so, she’ll have to make amends for half a century of bad behavior.

DR MIRAGE (CBS Television Studios)

Fantasy drama by Laurie McCarth (Reign). Based on the Valiant graphic novel.

About a female paranormal investigator who can communicate with dead souls except the one she wants to reach – the love of her life.

FINLEY & JUNE (CBS Television Studios)

Dramedy by Anna Fricke (Men In Trees, Being Human US) & Rina Mimoun (Everwood, Mistresses, Privileged).

When a tightly-wound aspiring children’s book author meets an actual fairy with rage issues in a Griffith Park restroom, the magic of female friendship takes on literal new meaning as the two millennials help each other navigate hipster LA in the quest to fulfill their destinies.

GLAMOROUS (CBS Television Studios)

Dramedy by Damon Wayans Jr. (Happy Together) & Jordon Nardino (Star Trek Discovery, Quantico, GCB).

It centers on a recent gender non-conforming high school graduate who lands the gig of a lifetime interning at the Manhattan cosmetics company whose products he panned on YouTube. But not everyone is happy to have him there, and they are doing everything they can to take him down.

GOOD CHRISTIAN BITCHES (CBS Television Studios/ABC Studios)

Soap drama by Leila Cohan-Miccio (Awkward.), Darren Star (Melrose Place, Sex & The City, Younger) & Aaron Kaplan. Inspired by Kim Gatlin’s book of the same name.

Follows the clergy and parishioners of Flock, a hip church plant in Austin where prayers and worship music cover up a multitude of sins and secrets.

THE L.A. COMPLEX REBOOT (Warner Bros. Television)

Dramedy by Martin Gero (Blindspot) & Brendan Gall.

Revolve around a new crop of tenants who move into the Luxe hotel in the heart of Hollywood – a ragtag commune of twentysomethings all hustling to make it as actors, dancers, producers or comedians

LEAN ON ME (Warner Bros. Television)

Inspired by the 1989 film that starred Morgan Freeman. Highschool drama by Wendy Calhoun (Nashville, Empire, Revenge) & Lebron James.

When a spirited young black teacher Amarie Baldwin scores the principal job at an Akron, Ohio, public high school, she must dig deep to transform a failing campus into an urban oasis. In a time when education and school safety have life-or-death stakes, Amarie will take on a broken system that tests her mettle, love life and family. But can she keep her moxie in check in order to embody the aspirational educator that motivates and uplifts an entire community.

LIFEBOAT CLIQUE (CBS Television Studios)

Drama by Jerry Bruckheimer (CSI, Cold Case, Lucifer), Jonathan Littman, KristieAnn Reed & Katie Wech (Star, Rizzoli & Isles).

About when a freak tsunami hits a Malibu house party, a group of teenagers from diverse social circles are swept out to sea; the place where they wind up is new, but the high school politics and social hierarchies that emerge are not

NANCY DREW (CBS Television Studios)

Mystery Drama by Josh Schwartz & Stephanie Savage (Gossip Girl, Dynasty, Chuck, The OC).

Centered on 18-year-old Nancy Drew in the summer after her high school graduation. Nancy thought she’d be leaving her hometown for college, but when a family tragedy holds her back another year, she finds herself embroiled in a ghostly murder investigation — and along the way, she uncovers secrets that run deeper than she ever imagined.

NOBODY’S PRINCESS (Warner Bros. Television)

Musical dramedy by James Corden (Carpool Karaoke), Erin Cardillo & Richard Keith (Life Sentence, Significant Mother).

Reimagines the stories of four classic fairy tale princesses for today’s generation. Instead of being set “once upon a time, in a land far away” where princesses were waiting around for true love to find them, the time is now, the setting is New York City, and the princesses are a group of friends in their twenties who are setting out to change the world and create their happily-ever-afters on their own terms.

NO HARD FEELINGS (CBS Television Studios)

Dark comedy by Brad Silberling (Charmed, Dynasty), Gus Hickey (Suburgatory) & Jordan Reddout (Man with a Plan).

About a group of friends who conspire to exact revenge on an old rival who assaulted one of their own and got away with it back in college.

THE PROGENY (CBS Television Studios)

Thriller drama by Chris Roberts (Orphan Black), based on Tosca Lee’s bestselling book.

Centers on a young amnesiac who discovers she’s a descendant of history’s greatest murderess, plunging her into a deadly underground war as she fights to stop a secret society that has preyed on her kind for centuries.

RUTHLESS (CBS Television Studios)

Thriller drama by George Olson & Michael Weatherly (NCIS, Bull).

About an ex-CIA operative, desperate for a normal life after a decade spent as a government killing machine, and a slightly unhinged teenage girl craving an escape from the mundane, who are forced into an unlikely alliance


Thriller drama by Glenn Geller & AJ Marechal (The First). Small screen take on the novels by fantasy author Theodora Goss.

Set in Victorian London where two radically different young women – one the daughter of Dr. Jekyll; the other, Mr. Hyde – discover they’re half-sisters when a series of gruesome murders appear connected to their deceased father. They unite with other unsung but remarkable daughters of famous literary figures to rise above societal norms and unearth the mystery of their origins.

STRONG GIRL (CBS Television Studios)

Superhero drama by Melissa Scrivner-Love (Person Of Interest, Fear the Walking Dead), Mark-Paul Gosselaar, Ronda Rousey & Ben Silverman (Jane the Virgin, No Tomorrow).

It follows a former war photographer named Rayna who discovers she is indestructible and potentially the strongest woman in the world. Ghosted by her Spec Ops fiance when she reveals her newfound power to him, Rayna is hired as a bodyguard by a billionaire named Oliver, who sees her true potential.

SUPER CLEAN (CBS Television Studios)

Superhero dramedy by Sascha Rothchild (GLOW, The Carrie Diaries). Based on the upcoming graphic novel by Heath Amodio and Cullen Bunn.

Explores the superhero genre from the human side. Becky Masters, an uber-organized and brilliant human, and her ragtag team of non-powered cohorts navigate the danger and drama of “cleaning up” after superheroes and villains, all while Becky works to prove her superhero boyfriend is innocent of a dastardly crime.

SURVIVOR’S CLUB (Warner Bros. Television)

Fantasy drama based on the comics from DC’s Vertigo, by Jared Frieder (Sweet/Vicious) & Len Golstein (The Carrie Diaries, Cult).

In a world where horror franchise monsters are real, twins Jason and Jennifer barely survived a demonic childhood possession that claimed their mother’s life and fractured their bond. Ten years later, when a new evil force awakens, the siblings join forces with other teen survivors to combat the literal and metaphorical monsters that haunt them.


Soapy Dramedy by Jennie Snyder Urman (Jane The Virgin, Charmed), Valentina Garza, Gina Rodriguez, Ben Silverman & Brad Silberling.

The spinoff is envisioned as a soapy, telenovela-inspired anthology series in the tradition of Jane the Virgin, where each season is based on a different fictional novel “written by” Jane Villanueva and narrated by her.


Drama by Roberto Aguirre-Sacasa (Riverdale, The Chilling Adventures of Sabrina).

Spin-off series that “will be very different” from “Riverdale”

The CW’s 8 most exciting projects for 2018/2019 pilot season


The following article is based on descriptions mixed wih talents attached ONLY. None of the scripts have been read at this point.


For how long The CW will manage to survive? The situation is getting complicated, if you ask me. The 5th network is becoming less and less relevant these days by relying on too many DC Comics shows –Arrow is not the powerhouse it once was, Supergirl is doing so-so, Legends of Tomorrow is losing castmembers like crazy, only The Flash can still be labelled as a success- and on well-liked CBS-produced dramedies that attract a very tiny crowd of die-hard fans. I’m looking at you Jane The Virgin & Crazy Ex-Girlfriend. Military drama Valor flopped, as everyone expected, except The CW president Mark Pedowitz; while Life Sentence, their most promising new entry, is still waiting for a spot on the schedule…

Is The CW being destroyed by Netflix? What looked like a fair exchange a few months ago is entering a dangerous territory now. The CW is simply becoming Netflix-dependent and that can’t be good in the long run. Many people think Riverdale is a Netflix original -they brand it like it is and the success over there apparently helped the CW ratings- and they even stole them the Sabrina spin-off, which is still a shocker to me. How did they let that happen? Black Lightning is a Netflix original overseas, as is Dynasty, which is the only reason why it was given a backorder since the ratings are truly terrible. And Netflix picked up a full season of The CW’s last pilot season’s dark dramedy Insatiable. So far, you can argue that Netflix needs The CW as much as The CW needs Netflix, but clearly the best projects are now going directly to Netflix, while The CW takes the leftovers. Between Warner Bros. selling shows to everyone (especially to FOX, which will soon lose its in-house studio in the Disney merger) and CBS Television having the CBS All Access platform now, I’m not sure The CW will still be there in a few years…

Anyway, they still have a pilot season to navigate: here are the 8 pilots that have potential. Yeah, 8 is not much…



EPIPHANY (Warner Bros. Television)

What?  about a group of gifted strangers recruited to a Gilded Age mansion to solve a complex code that lies within the structure’s walls…

Why? Weird concept, the kind that never passes the script stage, let alone the pilot stage… but at least it sounds original and could work as a miniseries. But is The CW really looking for miniseries? They probably don’t. Don’t get attached to this one. It has like 10% chance to see the light of day.


FEMME (CBS Television Studios)

What? about four millennial women from different walks of life who become unlikely friends and fierce allies after meeting online in a secret feminist social media group…

Why? After Freeform’s The Bold Type and all that’s happening in the world right now, Femme, produced by Jane The Virgin‘s star Gina Rodriguez, looks perfectly relevant and exciting. And shows about female friendships have mostly disappeared (besides Younger), it’s time they come back stronger than ever!


ILLEGAL (CBS Television Studios)

What? about 16-year-old Rafael: He is a charming but bumbling high school student just trying to survive puberty. But when this all-American teenager discovers that he is not American at all, his perfect Honor Roll world is turned upside down

Why? Gina Rodriguez is also behind this project and at some point, CBS will have to do something with this overall deal they signed with her two years ago… Illegal is based on the life of series co-executive producer Rafael Agustin and certainly doesn’t seem to be that different from Jane The Virgin topically and tonally. Since Jane doesn’t have that much life left, it could takeover.


IT’S THE END OF THE WORLD AS WE KNOW IT (Warner Bros. Television)

What? when a prison spaceship carrying the universe’s most deadly aliens crashes in Southern California, two millennial women with bigger dreams than working at a kids’ pizza place in The Valley are recruited by a space cop to hunt down the escaped criminals, who have camouflaged themselves as eccentric Angelenos…

Why? Now we’re talking! How long can this premise sustain? I’m not sure. If there’s an ambitious mythology behind, not just a “monster of the week” situation, then maybe we have a winner here! The creators Justin Halpern & Patrick Schumacker have mostly worked on comedies before, meaning this could be a fun ride. Would be a great companion show for Supernatural and even a natural successor if the show gets cancelled one day but I feel like it’s the CW that will get cancelled first!


LADY IN THE MASK (CBS Television Studios)

What? set in a near future where people can back-up their minds like they back-up their computer. It centers on a woman who awakens in the hospital after a suspicious car accident and learns her memory was damaged and restored from a two-year-old “back-up.” As she tries to return to her seemingly loving husband, high-profile job in her family’s tech VC firm, and otherwise normal life, the details about her missing years begin to contradict one another, leading her to believe she’s being manipulated by someone close to her, that the accident was no accident and that she’s at the center of a much larger conspiracy — unless she’s just losing her mind.

Why? Among those 8 projects, it’s the one I’m the most conflicted about. It’s already too complicated for its own good and would probably work better as a 2-hour long Black Mirror episode. But if somehow they manage to make something believable and thrilling out of it then I’m in. Is it really what we’re waiting from The CW? Not really. But surprising their audience seems like the best way to go these days, as long as the product is solid. Let’s just hope it is! It reminds me of Ringer a bit though. Can’t be a good thing.


THE SHE WORD (CBS Television Studios)

What? about four driven female assistants who discover they have been victims of gender discrimination at their boys’ club of a company; they vow to work together to take over by whatever means necessary…

Why? The CW will have to decide between this one and Femme. They are probably vastly different but they tackle the same -important- subject. What’s interesting with The She Word it’s that it seems to be darker. That’s what’s implied in the “by whatever means necessary” of the pitch and a “How To Get Away With Murder“-style soap is an exciting perspective, as long as it’s not only about revenge but empowerment too.


THE VALIANT (Warner Bros. Television)

What? about a Celtic princess on the run from an arranged marriage and a sheltered life who is captured and forced into slavery under Julius Caesar; she ends up training among the first wave of female Gladiators to compete in the Colosseum for fame, fortune and, ultimately, her freedom…

Why? Personally, I would never watch this BUT I feel like there’s an audience for it as long it’s not just an excuse to show partially naked women fighting (not that it wouldn’t be a good selling point). Spartacus was very popular a few years ago; maybe there’s potential here and it would draw attention. The CW is desperately looking for attention. That being said it’d have to be really good and modern to survive, because period drama and this network just don’t fit well together. Even The Carrie Diaries couldn’t make it…



What?  inspired by the life of pro football player Spencer Paysinger, a rising high school football player from South Central L.A.; when he is recruited to play for Beverly Hills High, the wins, losses and struggles of two families from vastly different worlds – Compton and Beverly Hills – begin to collide…

Why? Let’s just see it as Friday Night Lights meets The OC, produced by Greg Berlanti and his football player of a husband Robbie Rogers. It could attract both men and women and would depart from everything that is on the network right now. It represents a risk but it’s damn time to take one, a good, worthy one.


Meanwhile, The CW is still looking into a Charmed reboot but is also trying to revive Roswell, as well as spinning-off Supernatural with Wayward Sisters and The Originals with a show focusing on Hope Mikaelson, the tribrid daughter of Niklaus Mikaelson and Hayley Marshall-Kenner. Alyssa Milano’s Hacktivist is still on the map with a second script ordered and a one-hour horror anthology series Black Rose written and directed entirely by women and produced by Drew Barrymore is in development, though it would fit better on cable or streaming.


What projects are you interested in? Feel free to comment!

SCOOP: The CW eyes Charmed prequel with Jane The Virgin team

More than three years after CBS passed on the Charmed reboot they were working on -which is still talked about a lot by fans all over the world- The CW has landed a prequel to the cult WB series produced by the team of critically acclaimed dramedy Jane The Virgin.

Jane The Virgin creator Jennie Snyder Urman, as well as producer Brad Silverman, are behind the project which will follow three witches who fight evil in a small New England town during the seventies/eighties (1976), possibly the Halliwells’ ancestors from the Warren Line, the most powerful line of witches in history introduced in the original show. The pilot script is written by Amy Rardin & Jessica O’Toole who already know a thing or two about the 80s and prequel series since they wrote for The Carrie Diaries, prequel of Sex & The City. They also worked on Jane The Virgin, Selfie & Greek.

Brad Silberling, who directed the pilot of Jane The Virgin and also A Series of Unfortunate Events movie (not the upcoming Netflix show) is attached to direct this one as well. CBS Television is the studio, with Propagate Content and Reveal Entertainment.

So don’t expect Alyssa Milano, Shannen Doherty, Holly Mary Combs or Rose McGowan to comeback, at least initially.

It’s not the only series reboot The CW is developing for next season. A Dynasty remake is also in the works.

The CW’s 8 most exciting projects for 2017/2018 pilot season

The CW 2016/2017 Schedule / TRAILERS & THOUGHTS


No Tomorrow -- "Pilot" -- Image Number: NOT101c_0139.jpg -- Pictured (L-R): Joshua Sasse as Xavier and Tori Anderson as Evie -- Photo: Eddy Chen/The CW -- © 2016 The CW Network, LLC. All Rights Reserved.



















THE 100




What’s good:

  • Keeping tentpoles The Flash & Arrow in the same timeslots. But the contrary was highly unlikely anyway. And adding Supergirl to the mix on mondays, paired with Jane The Virgin for a “girl night”.
  • Arrow & Frequency put together makes sense in term of viewership. They’re both more adult than other shows.
  • The 100 & iZombie are good midseason options.

What’s bad:

  • Keeping Riverdale in the bench for a midseason launch is both a shocker and a weird decision. This show will be noisy… The only acceptable explanation would be if they don’t want to do 22-episode season. Then they would premiere it in the spring, possibly in Legends of Tomorrow timeslot.
  • The Vampire Diaries + Crazy Ex-Girlfriend pair means only one thing: The CW doesn’t believe the Rachel Bloom show will be a success one day but wants it on the fall schedule because of possible nominations and Emmy wins…
  • No Tomorrow paired with The Flash. I’m not totally sold on the idea. But it shows the network is very high on the series. Good to know.

The CW’s Fall Schedule revealed / Trailers

















THE 100



The CW | 2015/2016 – Fantasy Schedule


 Those are predictions based on feelings and NBC final schedule may end up very differently! It will be announced on Thursday. Stay tuned and until then, enjoy the read!





9pm- iZOMBIE

The CW can’t wait to launch iZombie‘s second second after a good and very stable run since midseason on Tuesday after The Flash. Light fare Jane The Virgin should move at 8 and iZombie return at 9. It makes a great feminine pair. Cheerleader Death Squad would have been great there but hey… wasn’t ordered, weirdly and sadly.




The CW didn’t order a lot of new shows and Cordon seems the only one that can be ready for fall. They should put it behind their highest show, The Flash, for 13-15 weeks, and then give it to spin-off DC’s Legends of Tomorrow.


8pm- ARROW

9pm- THE 100

I wouldn’t change anything on Wesnesday. Arrow has lost steam and The 100 is a safe player. Supernatural can go back there at midseason, possibly ending in summer.




It’s about time to broadcasting those two together. Hopefully, it will give them a little more strenghth.



9pm- REIGN

Reign wasn’t totally worth its renewal. It makes sense to give it a run on Friday (where Hart of Dixie didn’t do that bad).



About Crazy Ex-Girlfriend, a run behind Whose line is it anyway? at midseason on friday is a possibilty. A duet with Jane The Virgin is also an option but moving iZombie again would be a mistake.

What do YOU think?