Tag: justin lin

S.W.A.T. (CBS) pilot preview: The Shemar Moore Show

Written and produced by Aaron Rahsaan Thomas (CSI: New York, SouthLAnd, Sleepy Hollow). Based on the 1975 TV series. Executive produced by Justin Lin (Fast & Furious, Scorpion, Star Trek Beyond), Shawn Ryan (The Shield, The Unit, Timeless, The Get Down), Marney Hochman (Mad Dogs, Terriers, The Shield), Pavun Shetty (New Girl), Danielle Woodrow (Scorpion) Neal H. Moritz (Prison Break, Fast & Furious, I Am Legend, S.W.A.T.) & Shemar Moore. Directed by Justin Lin. For Sony Pictures Television, CBS Television Studios, MiddKid Prods, Original Films & Perfect Storm Entertainment. 53 pages. Final Shooting Draft. 04/17/17.

Description: Daniel ‘Hondo’ Harrelson, a locally born and bred S.W.A.T. lieutenant, is torn between loyalty to the streets and duty to his fellow officers when he’s tasked to run a highly-trained unit that is the last stop for solving crimes in Los Angeles…

With Shemar Moore (Criminal Minds, The Young and the Restless), Jay Harrington (Better Off Ted, Desperate Housewives, The Inside), Lina Esco (Kingdom, Flaked), Kenny Johnson (The Shield, Bates Motel, Secrets & Lies, Sons of Anarchy), Stephanie Sigman (Narcos, American Crime, The Bridge US), Peter Onorati (The Goodfellas, Civil Wars), Alex Russell (Chronicle)…

  

You’ll like it if you already like: Hawaii 5-0, Scorpion, Criminal Minds, Lethal Weapon

Likely timeslot: Wednesday at 9 or 10

 

In comparison to the previous pilot season, reboots didn’t score this many pilot pick-ups. Cheers to that! You can count them on one hand: Behind Enemy Lines at FOX, Dynasty at The CW and S.W.A.T. at CBS. S.W.A.T. is even the reboot of a (failed) reboot since it’s inspired by the 2003 Sony movie of the same name -which starred starred Samuel L. Jackson, Colin Farrell, Michelle Rodriguez & LL Cool J. and grossed $207 million at the worldwide box office, which isn’t that great- that was based on the short-lived 1975 TV series produced by Aaron Spelling! The theme song of the show was probably more famous than the show itself: it only lasted 2 seasons (37 episodes) on ABC. The project with 100 executive producers received a pilot production commitment from CBS with series penalty behind it. Meaning it would have to really stink not to land on the schedule in less than two weeks now. And it doesn’t stink on paper, though it smells like sweat and male hormones. Oh and if you’re wondering before we start, S.W.A.T. stands for Special Weapons And Tactics.

CBS may have found a smart strategy to attract their viewers towards shows they may not have been attracted to in the first place: they use one of the stars of one of their long-running drama series to topline a new one. That’s what happened with Bull last year, a legal show tailor-made for Michael Weatherly when he decided to left NCIS. And it worked. Bull is not a huge success but it would have had less of a chance of success without Weatherly in the starring role and the NCIS lead-in. They’re doing it again with S.W.A.T. which is toplined by Shemar Moore, who starred in Criminal Minds for 11 years. It has yet to be seen if CBS will slot it around his previous show though but his Criminal Minds fans will check this out, that’s for sure. He will be perfectly fine in this and CBS is the right home for it.

Harrelson is a character who exudes calmness -and sexiness- but who’s always ready for action and has all the ability to become a leader: he’s just not happy with the political reason he just became one. His mentor has been fired after a burr and he’s chosen to replace him, partly because he’s black and knows better than his colleagues the people who live in the streets where they operate, while the “Black Lives Matter” movement is in full force in Los Angeles and the whole country. S.W.A.T. wants to be timely and seems to have found the best way to be. The writing is not particularly sharp and subtle but at least it’s not just about big guns and action, though in the end it mostly is. It’s not described as an intense, action-packed, procedural for no reason.

It starts with a high-octane chase of about 8 pages; there’s a car chase later of course; and some other chases until the end. It’s exhausting honestly but if you came for it, you’ll definitely be happy. The moments when they’re not running somewhere and catching bad guys are to be cherished. That’s when they talk -not only one-liners to make us laugh a little right in the middle of the action, because you know, they’re cool too- and become more than muscles. Though those talks often happen when they’re training, boxing or… making love. Women and gay men should get their weekly shirtless scenes so they’re not watching the show for nothing. They will even get a bit of soapy storylines thanks to one of the few female characters in there who happens to both Harrelson’s boss and… lover! And it’s against the rules… Drama!

S.W.A.T. is very much about Moore’s character -he’s in every scene- but other members of the team still manage to emerge, especially the new guy, Jim Street. He’s cocky, living on the edge and has earned himself a reputation as a loose cannon in his previous job (think Martin Riggs in Lethal Weapon). I think it’s the 56th character who fits that description this season, but he’s still the most interesting one in there. There’s also David “Deacon” Kay, the second in command, who I like only because he’s played by Jay Harrington and I like Jay Harrington a lot. And let’s talk about Chris, who’s the only woman of the team. Well… I’d like to describe her to you in details but we don’t know much about her yet, sadly. I think they should have focused on her a little bit more. It would have lessen this impression that S.W.A.T is all about the men. I forgot to tell you about the case of the week. But… it’s just a case of the week, who really cares?

S.W.A.T. is not as light and fun as Lethal Weapon –of the rare stands out of this past season- and can’t be considered as ballsy but it’s doing the job it’s asked for, which is being very actiony, trying to be timely and most of all being the best vehicle possible for Shemar Moore’s skills. It’s a slam dunk for CBS.