Tag: rose rollins

No Apologies (FOX) pilot preview: The Good Scandal

Also known as Mrs Otis Regrets. Written and executive produced by Ilene Chaiken (Empire, The Handmaid’s Tale, Empire) & Melissa Scrivner Love (Rosewood, Person Of Interest, CSI Miami). Also produced by Judy Smith (Scandal, Braindead) & Oly Obst (The Resident, Ghosted, The Mick). Directed by Saana Hamri (Empire, Shameless US). For FOX, 20th Century FOX Television & 3 Arts. 60 pages. Network Draft. 1/21/18.

Description: FBI Special Agent Hazel Otis -wife, mother, patriot- is in the midst of investigating a domestic terrorism threat when a personal indiscretion – an affair with a prominent general – shatters her life and threatens her career at the FBI. Now labeled “the mistress,” Clementine Otis – wife, mother, patriot – begins to rebuild her personal life and professional reputation…

With Katie Holmes (Ray Donovan, The Kennedys, Dawson’s Creek, Batman Begins), James Tupper (Big Little Lies, Revenge, Men In TreesRose Rollins (The Catch, The L Word), Mark Moses (Desperate Housewives, Mad Men, Homeland), Christian Camargo (Penny Dreadful, Dexter), Ian Harding (Pretty Little Liars), Jose Pablo Cantillo (Taken, The Walking Dead, Sons of Anarchy), Paul Walter Hauser (I, Tonya, Kingdom)…


You’ll Like It If You Already Like: The Good Wife, Scandal, Homeland…

Likely Timeslot: it’s almost impossible to guess FOX schedule at this point


Katie Holmes is back, guys! Between her guest stint on Ray Donovan, Soderbergh’s Logan Lucky, upcoming Ocean’s 8, this pilot and her much talked-about romance with Jamie Foxx, our dear Joey Potter is doing great 20 years after Dawson’s Creek launched (I’m a die hard fan of Kevin Williamson’s teen drama). It makes me genuinely happy for her. Always thought she was worth better than movies nobody’s watching and unsatisfying TV roles. But let’s not forget she played Jackie Kennedy for christ’s sake! Too bad it was for a miniseries that was just okay. With Mrs Otis Regrets (or whatever name it ends up with), she’s playing a character like she’s never been offered before. We’ll see if she’s the right fit -and sometimes I felt like she wasn’t, I want her to prove me wrong- but it’s a great showcase for her talent. It’s demanding, she’s just not there to make her trademark pouty face. She starts the show undercover dressed as a sexy and trashy redneck southern gal, riding a mechanical bull! Later in the pilot, she’s drunk as fuck, performing Maniac in a karaoke bar, singing and doing sexy moves, and then pouring a bottle of water over her head, shaking her hair and spraying water like Jennifer Beals did in the movie. It’s gonna be legendary! And those scenes are reasons enough to pray for a series pickup!

With such an introduction, you probably think I will tell you this script is awesome. Not if you paid attention to the number of “stars” I gave it. Honestly, I went back and forth a lot. 3 stars or 4 stars? It was a really difficult decision to make. Overall, I enjoyed this script and I think it will make at the very least a decent pilot. It is great at introducing the central character, making us feel a diverse range of emotions regarding her actions, past and present; it’s a multi-dimensional, challenging heroine, that you don’t instantly fall in love with but that you know you want to spend more time with, to understand who she really is. She can be fun, badass -she has a military past that is very important in her backstory- and also very restrained and even cold at times. She’s all of this. And brilliant at her job. And a loving mom. And sexy as hell. It’s hard not to side with her, especially when her all world collapses. She’s definitely worth our attention. She’s a heroine of our times. The show is written, directed and produced by women. And that you can tell. It’s a fine portrait.

So what’s the problem exactly, you’re asking? Well. First, they didn’t do a great job at introducing the other characters. Her new partner in crime, Sam Gerard, is a 29 yerd-old preppy, privileged and unexperienced agent who’s mostly irritating. I have no doubt they will make him more likeable in the subsequent episodes but so far, they made it way too easy to hate him. And then there’s her husband, Larry, a handsome news reporter who’s like the perfect man any woman would want to marry, which makes him a bit bland. He’s modern but he’s too kind, even when he should be really angry at his wife. You want him to scream and go nuts, and he doesn’t. Again, with more episodes they will be able to flesh him out. There are a lot of family scenes by the way. We meet their daughters, Chelsea (13) and Catherine (8). They found the right balance between her professional life and her private one, but sometimes, I have to say I just wanted the show to be about that, and office politics, but not about her mission of the day. She has to save a known racist politician from an assassination attempt. It’s efficient, just not the best part. There’s a serialized story behind though, since the mastermind behind this is not caught in the end. He’ll be back. I remember I had the same feeling with The Good Wife when it started. As much as I liked the cases and Alicia’s relationships at the office, what I wanted the most was her scenes with her husdand and her children, at home. It’s not the only thing that made me think of The Good Wife, to be honest. And it’s both a compliment and a reproach.

From start to finish, I felt like this script was a clever mix between The Good Wife & Scandal, with a hint of Homeland since she’s doing the same job as Carrie Mathison. So, yeah, clever. But it doesn’t change the fact that you’re always under the impression that you’ve already seen it before. It makes it very much predictable. Like this scene when the press is outside her home after the scandal broke. So cliché. Unavoidable, maybe. Or the one when the scandal breaks for instance: she’s right in the middle of a school fundraiser with the other moms. Or the daughter who’s harassed at school and called names because of her mother. But honestly, the most worrying part here is not the comparisons drawn with The Good Wife and Homeland. It’s the one with Scandal. The show is just about to end and it won’t leave on a good note since it’s stupid for ages now. I’m very much afraid Mrs Otis Regrets falls into the same traps. I don’t want Hezel to become as annoying and murderous as Olivia Pope. I don’t want a tiring and never-ending love triangle between Hezel, her husband and NSA’s General Moses Fallon, who’s a lot like President Grant. Been there, done that! Coincidentally, it’s also produced by Judy Smith, like Scandal, which was based on her own life! And with an Empire producer/showrunner on the team, I wouldn’t want the show to become too soapy either. I do love soaps but when they take place at the FBI -look at Quantico!- they can quickly turn into a mess.

Even though Mrs Otis Regrets have a few problems, mostly a bit predictable and déjà vu premise, it definitely has potential for the long haul and it’s a great vehicle for Katie Holmes. At some point, one character says: “The timing is all wrong. All anyone cares about right now is the sexual assault stuff.” And that’s my main concern here: is the show’s timing wrong? I’d say its timing is perfect as long as they play their cards right: it has A LOT to say about sexism in the work place, about the glass-ceiling, about being in the public eye and how much the perception is different if you’re a man or a woman, and I hope they won’t shy away from all of this, that they will embrace it and make it an important show in the process. Women deserve this.

“The Catch” (ABC) pilot preview: After Meredith, Addison, Olivia, Annalise… now please welcome Alice!


Also known as “Smoke and Mirrors“. Written & produced by Jennifer Schuur (Hannibal Big Love, Crash). Co-produced by Shonda Rhimes (Grey’s Anatomy, Private Practice, Scandal, How to Get Away With Murder), Betsy Beers, Helen Gregory & Kate Atkinson. Directed by Julie Anne Robinson (Grey’s Anatomy, Weeds, The Middle, One for the Money). For ABC, ABC Studios & Shondaland Productions. 63 pages.

Description: Alice Martin, a fraud investigator, fighting crime by the numbers and exposing embezzlers, money launderers and even cartels, is a partner in a Los Angeles firm and attracts top clients, which affords her a nice lifestyle she shares with her fiancé, Kieran. They are about to get married but one day he disappears with two million dollars from her bank account. Now, Alice is determined to find Kieran and the truth. Even worse, if her clients and colleagues find out that this fraud investigator was a fraud victim herself, it could mean the end of her career. The game of cat and mouse has just begin…

With Mireille Enos (The Killing US, Big Love, World War Z), Damon Dayoub, Jay HaydenElvy Yost, Rose Rollins (The L Word, Bosch), Jacky Ido (Taxi Brooklyn), Bethany Joy Lenz (One Tree Hill, Dexter), Alimi Ballard (CSI, Sabrina)…

rate rate rate rate

When you read a Shonda Rhimes-produced pilot, you can’t help comparing it to what she brought to television before. It’s a natural reaction. With How to Get Away With Murder, it was obvious: the perfect mix between Grey’s Anatomy and Scandal, while still managing to be its own thing. With The Catch (or whatever it is called in the end), the most unstartling element is Jennifer Schuur, the writer who created it, has never worked for or with her in any of her previous shows and she didn’t even try to imitate her style of storytelling here. So, the question is: why did shonda Rhimes feel this idea, this pitch, fits in the Shondaland brand? As different as it may sound, it’s in the same vein as Scandal and entirely devoted to Alice Martin, a strong leading woman, brilliant at her job but who can also prove to be fragile when it comes to her messy personal life, in the same fashion as Meredith Grey, Addison Montgomery, Olivia Pope and Annalise Keating. Ultimately, like the Kerry Washington-starrer, it’s about about people hiding secrets and others finding the truth whatever it takes, while they have secrets of their own, though I have to admit a firm specialized in fraud is less sexy and catchy than Washington’s political scene. It still gives a wide playing field for the writers. The Catch comes off as a thrilling ride, but I can’t say it blew my mind… yet.

Remember when the idea of Scandal came to our attention back in 2011 and was called Damage Control at the time? A lot of people were  suspicious about it and very few people felt excited. ABC picked it up anyway but decided to launch it only in the last few weeks of the season, with 7 episodes to prove it was worth a chance. Didn’t look like a vote of confidence from the network. Everybody burried it before it even started. And when it finally did, with very little promotion, the pilot was not widely liked, neither watched. Even I -known to be a Shonda lover- thought it was not exactly what I wanted it to be -I had time to fantasize about it, nearly a year- but the following episodes were better and better, the cliffhangers were breathtaking, ratings started to take off and Scandal finally found its footing by season’s end. You know what happened after that. It became a huge success and four years later, the show is still one of the highest watched on television and the number one drama on ABC. The story could repeat itself with The Catch except now a lot of people want Shonda Rhimes to fall from grace. Badly. Because successful people are always hated at some point, because Scandal is hitting a rough patch story-wise and because she can’t stop killing characters on Grey’s Anatomy. She’s still the queen, haters!

A few pages in, one character from Alice’s team -Maria, a brilliant newbie- asks another -James, a 30 year old who just came out of the closet- “How do you explain your job to people?“. His answer is: “I tell them it’s solving crime, but with numbers“. It’s exactly what it is, but it’s still hard to understand how. Don’t be afraid, Jennifer Schuur did a great job making it easy to follow. The case they’re investigating in the pilot is okay, with a fair amount of twists and turns, but it’s the way Alice kicks ass all along to find the truth that is the most fun to watch. And she doesn’t mind spreading her legs if she needs to. Or hurting someone in the process. Of course, the most interesting part is the cat and mouse game between our heroin and her slippery fiancé. To put the puzzle together, we are helped through flashbacks from the time they were happy and full of hope for the future. Or so it seems. They were already lying to each other. A lot. Still, many pieces are missing. Alice remains a mystery in the end of the pilot. Who is she? Not the woman she pretends to be, that’s for sure. When the FBI gets involved, she’s the mouth caught in her own trap. And Kieran is not ready to let her go this easily either… It’s a great role for Mireille Enos. I’m a huge fan of her work in Big Love and The Killing US and Alice is very different from what she has already played. Can’t wait watching her nailing it!

ABC has a lot of exciting stuff coming out of this pilot season. The Catch is not their pilot script I liked the most. Quantico & Original Sin have stronger hooks and feel more exciting for the long haul. If it was not produced by Shonda Rhimes, I’m not sure ABC would have picked it up to series (I assume they will whatever happens). That being said, it would match pretty well with Scandal on Thursday night and I’m all for it joining “TGIT” when How To Get Away With Murder‘s second season is done by February. It’s simply where it belongs and where it has the biggest chance to spark with the audience. Doing only 8-10 episodes to begin with couldn’t hurt it from a creative point of view. The Catch is a no-brainer. Let the game begins!