Tag: tara butters

Emergence (NBC) pilot preview: Another day, another plane crash

SERIES TITLE: Emergence
NETWORK: NBC
GENRE: Mystery Thriller Drama

LOGLINE: Jo, the sheriff of a small town, takes in a young child that she finds near the site of a mysterious accident who has no memory of what has happened. The investigation draws her into a conspiracy larger than she ever imagined, and the child’s identity is at the center of it all. Determined to discover the truth and to protect her as well as her family, she takes all the risks…

Pilot Cast: Allison Tolman (Fargo, Downward Dog, Good Girls), Alexa Skye Swinton (Billions), Donald Faison (Scrubs, The Exes), Clancy Brown (Billions, Thor Ragnarok, The Shawshank Redemption), Owain Yeoman (The Mentalist, Generation Kill), Robert Bailey Jr (The Night Shift), Ashley Aufderheide (The Slap US), Zabryna Guevara (New Amsterdam, Gotham)…
Series Creator: Michele Fazekas & Tara Butters (Kevin Probably Saves The World, Agent Carter, Resurrection, Reaper).
Pilot Director: Paul McGuigan (Sherlock, Designated Survivor, Devious Maids)
Producers: Paul McGuigan, Robert Atwood, Michele Fazekas & Tara Butters. 

Studios: ABC Studios and Fazekas & Butters Productions

Ever wonder how TV executives wade through the dozens of pilot scripts they’re pitched each year? They have staff script readers, who provide what’s called “Script Coverage,” an executive summary and a recommendation for each script. Now you too can preview some of the season’s most buzzed about pilots and find out whether we’d recommend them for pickup. Note that all opinions are our own, and all plot, casting and other creative details described here are subject to change.

 

 

You’ll Like It If You Already Like: The Passage, Believe, Kevin Probably Saves The World, The Crossing, Fringe…

Likely Timeslot: Monday 10pm (midseason?). There’s honestly no other and better place for it.

 

WRITTEN BY: Michele Fazekas & Tara Butters

PAGECOUNT: 64 pages

DRAFT: 2rd Revised Network Draft. 1/8/19

 

BACKGROUND: Emergence marks a reunion for writers Michelle Fazekas and Tara Butters & director Paul McGuigan after working together on the 2017 ABC fantasy dramedy Kevin (Probably) Saves the World, which went to pilot and then to series at ABC. Sent to the tuesday 10pm death slot, it lasted a full season of 16 episodes without generating any real buzz. You don’t change a winning team, as they say! But this time, ABC Studios didn’t keep the project for themselves. It ended up at NBC with a put pilot commitment (for some reason). Since it’s not produced in-house, the pilot only has a tiny chance to get ordered to series. Meanwhile, Allison Tolman was among the most sough-after actors for pilots this season, fielding multiple offers both in comedy and drama.

 

SCRIPT SYNOPSIS: One night, JO TORRES (40s), a recently divorced mother and Chief of Police in the sleepy town of Southold on Long Island is awaken by a boom in the distance that causes all the lights to go out. She is called to the scene of a small aircraft crash. Nearby Jo finds a young girl allalone, who is physically perfectly fine, but has no memory of who she is. At the hospital as they asset the girl, federal agents who are investigating the crash show up demanding to see her and her chart. Red flags go off for Jo and her doctor friend ABBY FRASIER (50s). They are confirmed when one of her officers, CHRIS MINETTO (20s), calls saying those federal agents from earlier weren’t from NTSB (National Transportation Safety Board). Fearing for the girl after an abduction scare, Jo decides to keep her close at home with her teenage daughter, BREE (14) and her ill father ED (60s). Jo even recruits her exhusband, ALEX (40s), to help keep the girl, now called PIPER, safe as she tries to figure out who she is, who these mysterious people are, and what they want with her…

COMMENTS: I don’t want to sound cynical or bitter but I have no clue, only theory, that could explain why NBC decided to order a pilot for such a show, especially since it comes from an outside studio. Is this some sort of gift to ABC Studios? Were they forced to do it for some reason? Was it just love at first sight and it’s something you can never explain? So the biggest mystery here is not within the show itself. I wouldn’t go as far as to say there’s definitely a conspiracy behind Emergence‘s birth but it smells like it, folks! The thing is it’s a decent script. Yeah, surprise! I didn’t hate it in fact. I could even say I quite liked it. It’s a page turner. You want to know what’s gonna happen next. But it’s also very deceiving in the end. You get no answers, you’re just even more confused than you were at the beginning and more importantly: you don’t know what this show is and where it wants to go.

That’s always the same story, over and over again, with those TV series billed as “mystery thriller dramas”. You’re irresistibly attracted to it, you know it’s bad for you, you know you’re gonna have a headache the morning after, but you still need your fix. Am I suddenly comparing them to drugs or alcohol? I think I do. There’s a pretty big difference though: it’s way easier to quit. And as ratings often suggest: many viewers don’t hesitate to stop when they get the feeling they’re being played or lied to. You know the famous “we have a plan, don’t worry! A 6-year plan!” and you’re only at the sixth episode and it makes no sense already? This is not working anymore. NBC’s Manifest is not proving me wrong. It started way stronger than anybody expected but it lost more and more steam as the season went on and it ended at a level that would require a cancellation, if network television was not so complicated these days. It will probably get a second season –Revolution and Timeless style- but moved to another slot, a more difficult one, and you can say bye to the six-year plan and to the promised answers. That’s hours of life you will never get back. Emergence gives me the same feeling, though it doesn’t seem to be as ambitious as previous offers. Which should be a bad thing, but in this case it’s what saves it from a disaster. At least for now.

Let’s see what the strenghths of Emergence are. First: the atmosphere. On the page, this isolated, bay town that feels almost like an island is a place where you want to spend some spooky time. The lighthouse, the ferry, the house by the sea… It’s a postcard waiting to be destroyed by bizarre happenings and strange mysteries. The cold open set during the night is a great way to start with lights flickering, a small safety pin sliding across a surface on its own and then flying across the room, the alarm’s clock digits cycling through weird hieroglyphs… and then you can hear a distant boom when suddenly all the electrical power in the city goes out. That’s the moment when the crash happened, we learn later. Magnetic field. Plane crash. Gosh, it’s hard not to have a déjà vu. From Lost to Manifest, we’re in well-known territory. Somehow it works. And that’s thanks to the writing mostly.

Second: the characters. No high-concept show can work with uninteresting protagonists. Most of those which didn’t make it on the long haul had a deficit in that department. I have to say it’s refreshing to have a central character who’s a woman. Too often mystery shows are associated with men. And she’s a sheriff, which is another way to shake things up a little bit. As the choice of the great Allison Tolman to play her suggests, she’s not a beauty queen, she’s not your typical heroine. She’s a single mother, she takes care of her ill father who’s living with her and her teenage daughter, she doesn’t know her mother who abandoned her when she was a baby, she’s strong, and a smart ass, and she’s beloved in her hometown and we can only love her too. Also she’s a divorcee but with her ex, things are not completely settled yet. It’s her whole family which is at the center of Emergence and that’s a better and simpler way to go than concept shows with 15 strangers and 15 stories to tell at the same time. Plus, they all have a good sense of humor in this family. A few jokes are always welcomed to release the tension a bit.

And of course there’s this strange little girl, that they decide to call Piper. She’s intelligent, curious and mysterious. The relationship that Jo starts to share with her is very reminiscent to similar ones in shows like NBC’s Believe of FOX’s The Passage. It’s déjà vu all over again. But this time it’s between a child with no mother she can remember of and a woman who’s already a mother. Not with a man who doesn’t want to be father and who has no clue how to act like one. So it’s a bit different, maybe easier, and less moving in a way. We’ll see if the magic happens between the actresses. That’s the key. We have the cliché character of Benny who presents himself as an investigative reporter but who’s in fact a bad guy. You can smell it for miles away but Jo doesn’t. She may be under his spell. He’s charming of course. Bad guys in those shows always are at first. The pilot script ends up on some sort of cliffhanger that’s confusing. We’re never clearly in a sci-fi show. But maybe we are. We don’t know. They don’t want us to know. Will we ever know?

 

FINAL RECOMMENDATION: After the Timeless wreck and soon-to-be a wreck Manifest, NBC should better stay out of the high-concept game for a while. They don’t really have a place for Emergence or any other mystery shows on their schedule and making it a summer fare would equal giving it a ticket to dumpsterland. It’s a series that could have made sense 10 or 15 years ago before all the other similar ones crashed, but today it would just be adding another corpse to the pile. 

 

OVERALL PROJECT SCORE:

[ X ] PASS
[  ] CONSIDER
 ] RECOMMEND

The Gospel of Kevin (ABC) pilot preview: Oh Lord, that’s a weird show!

Written and produced by Michelle Fazekas & Tara Butters (Agent Carter, Resurrection, Dollhouse). Also executive produced by Robert Atwood. Directed by Paul McGuigan (Victor Frankenstein, Designated Survivor, The Family, Devious Maids). For ABC Studios and Fazekas & Butters Productions. 69 pages. Studio Draft. 01/12/17.

Description: After a failed suicide attempt, Kevin, a cluelessly self-serving jerk on a dangerous path to despair, is going home to stay with his widowed twin sister and niece for a time, only to be met with a crisis that presents itself very real in the person of Yvette, a warrior for God, whose job is to guide Kevin back to the road of righteousness, and make him understand his mission in this life: saving the world…

With Jason Ritter (Girls, Parenthood, The Event, Grafity Falls, Joan of Arcadia), JoAnna Garcia (Once Upon A Time, Privileged, Reba), Cristela Alonzo (Cristela), J. August Richards (Agents of SHIELD, Raising the Bar, Angel), Dustin Ybarra

  

You’ll like it if you already like: The 4400, Eli Stone, Joan of Arcadia, The Event

Likely timeslot: Tuesday at 10, summer spot…

 

This year, ABC is all about DRAMEDIES. 7 pilots out of 11 are to various degrees. There’s the action one (Unit Zero), the medical one (The Good Doctor), the crime procedural one (Deception)… and there’s the fantasy one : The Gospel of Kevin. President Channing Dungey stated she wanted new shows that both reflect Middle America and entertain like Desperate Housewives, Ugly Betty or Brothers & Sisters did. Those were successes for the network and it makes sense wanting to go back to it, even more if you consider the fact that they have a really strong comedy brand right now and that it’s easier to mix comedies with dramedies than with heavy dark dramas. But I feel like with The Gospel of Kevin, we’re sadly more on the Men in Trees / Eli Stone territory : dramedies that showed up around the same time but didn’t get the same traction for some reason. Some would say that they were not as good. I don’t agree with that. I had a soft spot for them I confess. I’d say they were a little too original and quirky to be appreciated by a larger crowd. Especially Eli Stone, that was ahead of its time with its flashforwards and ambition.

Like Eli, Kevin, played by Jason Ritter -I have a soft spot for him too, let’s call it like that and move on- is a strange man who seems to be on the verge of getting crazy. On one hand, there was Eli, who had visions of George Michael -his “personal Jesus”- singing for him, as well as of his coworkers who burst into songs for no reason. It was about a divine mission he had to accomplish, which had something to with well… saving the world. It was supposed to be because of a brain tumor, though the show ended before we got to know the whole truth. On the other hand, here comes our Kevin, who has visions of a black woman who tells him she has been sent by God to help him accomplish his mission, which also is saving the world. She’s like a guardian angel to him but not in a preachy Touched by an Angel way, thank God. She’s a funny woman. He’s an awkard boyish man. They are both a little crazy and making a mess wherever they go. It’s a pleasure to spend time with this duet. The dynamics between Kevin and his difficult teenager niece Reese, who hates him initially, also works a lot. Plus it’s sweet to watch them getting closer. Those are the perks of the show and the parts that make me hopeful it can be good.

But there are the fantasy elements and the conspiracy behind that puzzle me and make me less hopeful. The pilot starts in Iceland, where a huge impact crater has been found, “the size of a foobtall field and as deep as a lake”. We never go back to it during the rest of the script, which leaves it as a mistery for now. And then there’s this night when Kevin is at his sister’s with Reese and a rock, that is supposed to be a meteor, fall from the sky on a field nearby. Insane as he is, he decides to touch the damn thing and take it back with him. That’s when his visions start. A whole part of the rest of the night has disappeared from his memory, though Reese and surveillance cameras have witnessed his disturbed behavior. The morning after, the meteor has disappeared too. Those scenes could turn out very silly if not executed well.

So what’s happening exactly? We don’t know yet. Is it aliens? Is it God? Is it the beginning of the apocalypse? We’re not left with many clues honestly, though we get some answers along the way thanks to Yvette. Are we supposed to care? I’d say yes, since the characters are pretty interesting. But do we feel like there’s an incredible plan and a fascinating story behind? Not really. Oh and you know what? Kevin’s sister Amy is a “civilian weapons analyst”, who worked with the Pentagon and the CIA before. OF COURSE. It brings the story towards another direction, more serious and real, that I’m not fond of. It’s like there are two different shows there. A funny one and an almost boring one. It seems impossible to make them match naturally. It probably wants to be too many things at the same time. It wants to be thrilling, and funny, and quirky, and touching, and it also wants to be taken seriously.

The Gospel of Kevin is a leap of faith for ABC. It’s exciting on paper but it will require a lot of work, and talent and creativity from all the parts involved to end up on the schedule; and a miracle and lots of prayers not to become a flop. It’s a perfect vehicle for Jason Ritter though, and I wish him all the best, but a heavy serialized fantasy dramedy? I’m not sure it’s even a thing. It’s weird and people don’t like weird.