Tag: the cw

Searchers (The CW) pilot preview: The CW’s most ambitious journey yet?

Written and produced by Jason Rothenberg (The 100). Executive produced by Greg Berlanti (The Flash, Supergirl, Riverdale, Brothers & Sisters), Sarah Schester (Arrow, Blindspot, Legends of Tomorrow). Directed bt Dean White (The 100, The Shield, Once Upon a Time). For Warner Bros. Television & Berlanti Productions. 63 pages. 01/14/17.

Description: a group of unlikely heroes find themselves on the journey of a lifetime: 10 years after the death of their parents, Cooper, a pragmatic brother and Fable, a free spirited sister are forced to team up when they learn that their mother’s terrifying and bizarre stories may be a road map to discovering the great legends, myths, and unexplainable mysteries of the world…

With Zane Holtz (From Dusk til Dawn, Make It or Break It), Alex McGregor (Of Kings and Prophets, The Dark Tower), Jeanine Mason (Of Kings and Prophets, Bunheads), Josh KiddWilliam Miller, Marc Blucas (Buffy, Underground, Necessary Roughness)…

    

You’ll like it if you already like: Supernatural, Grimm, The 100, Once Upon a Time…

Likely timeslot: Wednesday at 9

I remember vividly the day I read the script for The 100 pilot. I was very impressed and hopeful it would turn into something special and spectacular. It didn’t. The finished pilot was certainly promising but not as good and ambitious as it was on the page. It became a better show afterwards, more adult and well… less The CW! Unfortunately it went south since then. And the hope of it being “the new Lost” is definitely… lost. While The 100 will live at least one more year, The CW ordered a new pilot from its controversial creator and showrunner Jason Rothenberg (we will not talk about the blacklash here…) and yet again, it’s a winner on the page. Ambitious it is, special too, but I can’t say I’m that impressed. Initially, a lot of comparisons were drawn between Searchers and the endless Supernatural. Even though they share a little bit of DNA, they’re vastly different. I don’t see it as Supernatural‘s successor. And quite frankly, it’s better this way. It’d be too much pressure.

Searchers is not your typical fantasy series, that’s for sure! It’s not about driving around the United States in a vintage car chasing demons, it’s about travelling the world by air and by sea to chase monsters! It’s way bigger in scope and the budget must be too, which is always worrying. Most of the pilot takes place in the Carribean islands -it is shot in South Africa- and ends on the Sahara desert. If they shoot in Vancouver after the pilot, it might be a problem… So don’t expect 22-episode seasons. Don’t even expect it for fall if it’s picked-up to series. It smells like a 13-episode season starting around january 2018. Maybe it will even share a timeslot with The 100… Anyway, the best way to describe the show is to call it an action and adventure drama with supernatural elements, the kind we don’t see much on television because it’s not cheap and because it rarely hits with the audience. There are the pirates shows like Black Sails, but that’s pretty much it right now. There are some kind of modern pirates in Searchers, but that’s not exactly who our heroes are.

They’re explorers. Cooper is a brilliant tech innovator and former soldier who has accepted his parents’ deaths. But all that changes when Fable, his strong, smart and soulful baby sister, drags him on a dangerous mission to learn what truly happened to them 10 years ago. They allegedly died while on a mission in a submarine, killed by a monster called the Grindylow -at least that’s what Fable thinks- but they may not be dead after all. Cooper, Fable and their new friends Zin, an ex-Marine fighter pilot, and Juniper, Fable’s ex-cell mate -Yeah, ‘cos Fable has just been released from jail- are now looking for them from their ship, Prometheus, led by the swashbuckling captain Bosch, a mysterious old soul who can’t shake the past experiences still weighing on his psyche. They’re also determined to find the Grindylow. And Keystones. There are 12 of them from 12 worlds. Each is said to have a pull on the creatures from those worlds and to protect the bearer from those creatures. So if they want the monsters out of our world, they need to find them. That’s basically all you need to know about the concept. It may sound a bit complex but in fact it’s pretty simple.

The goals are clear and the promise of the show is too: Searchers is a treasure hunt with young, beautiful and sexy people. And if the actors are not too bad and the writing not too easy, it could also be emotional from time to time. On paper, the relationship between the brother and the sister is. They don’t get along that well but they clearly love each other deeply. There are flashbacks with their parents, when they were just kids, and those are the scenes I liked the most. We’ll probably get more of them every week, since the stories the mother told them before bed are significant in their quest. There is more to know about the parents. I suspect they are not the good people we’re led to believe. And they have an uncle, Raff. He doesn’t act as a good guy either. So it’s Cooper and Fable against the world and there are exciting challenges ahead. For the writers too. The pilot is action-packed and really delivers on twists and turns but the subsequent episodes will need to be as well if they want viewers to stay. As entincing as the characters are initially, they’re not strong enough yet -unless the actors really add something distinctive to the mix- to bet on them and only them heavily.

With Searchers, The CW is offering an ambitious proposition, maybe they’re most ambitious yet, which is targetting a more family-oriented audience than their other shows. It can be dark and frightening sometimes but it’s mostly fun and adventurous. It’s pure entertainment. It’s not a safe bet but it’s one worth taking if they want to grow again. 

Insatiable (The CW) pilot preview: Crazy, scary, creepy, campy… devious, scandalous!

Written and produced by Lauren Gussis (Dexter, Once Upon a Time). Executive produced by Nina Wass (Shades of Blue, Less Than Perfect), Andrea Shay (Benched), Todd Hoffman (APB), Dennis Kim (APB)  & Ryan Seacrest (Shades of Blue, Keeping Up with the Kardashians). For CBS Television Studios & Ryan Seacrest Productions. 60 pages. Network Draft. 01/16/17.

Description: when Bob Anderson, a disgraced, dissatisfied civil lawyer-turned-beauty pageant coach takes on a vengeful, bullied teenager, Patty, as his client, he has no idea what he’s about to unleash upon the world…

With Debby Ryan (Jessie, Sing It, The Suite Life on Deck), Dallas Roberts (The Good Wife, The Walking Dead), Erinn Westbrook (Awkward, Glee), Christopher Gorham (Covert Affairs, Popular, Ugly Betty), Michael Provost (Six), Sarah Colonna (Chelsea Lately), Irene Choi & Alyssa Milano (Charmed, Who’s the boss?, Melrose Place, Mistresses) as recurring …

  

You’ll like if you already like: Scream Queens, Glee, Pretty Little Liars, Jane the Virgin

Likely timeslot: None.

If you feel like Insatiable pitch is kinda weird, it’s perfectly normal. The script is weird, the tone of it is weird, the characters are weird and the promise is even weirder. Ryan Murphy is not involved in this project, none of the people who work on it worked with him before but there’s definitely a Murphy vibe all along. It’s funny, and over the top, and ridiculous, and dark… and yes, ultimately weird. I have to confess I have some sort of PTSD since I read Jane The Virgin script a few years ago, and then wrote on it. I really thought it was dumb, and stupid, and that it would never work. And as it turned out, I was almost wrong. Almost because let’s be real: it’s not a success and it will never be. But it’s way better than I thought initially, it has a specific voice, critics are raving about it. So now, every time I read a weird script, I’m like: “be careful, think twice, maybe you’re mistaking weirdness and ridiculousness with genius!”. With Insatiable though, I’m almost sure that I’m not wrong -see I’ being cautious- it’s not gonna work. And not only because it’s weird. But I have to say, it could be a fun guilty pleasure.

First things first: who cares about beauty pageant anymore? Very few scripted shows dealt with the subject before as a central theme. It can only mean two things: it’s not an interesting enough world for a TV show and it’s really hard to find the right angle to make it more interesting than it is. It’s so superficial and full of empty people… Here, you never really get why Bob Anderson is so obsessed with it. It’s even a bit creepy at some point. He’s supposed to be an intelligent guy. He’s a lawyer… He thinks that “beauty is power”, that “everybody can be beautiful” and that’s the only reason we’re given about his strange behaviour towards his “passion”. I really don’t understand the character honestly. He’s handsome, 40, has a “perfect” family -a wife made of plastic, a quaterback son, a tomboy daughter- and apparently, he’s not gay. I don’t want to fall into clichés but… man, just come out of the closet! He behaves like the teenage girls he coaches and their stupid mothers: he’s kind of a bitch. He thrives on jealousy and rivalry. At least, he’s a unique character! At some point, he’s accused of being abusive with one of his girls. That’s when his world falls apart. And that’s when we sorta feel empathy for the poor man.

And then there’s our heroine, Patty, a bullied teenage girl known as “Fatty Patty” at school, who lived all her life in the shadow of her stunning single mother who could have been a successful beauty queen if she didn’t have her at the worst time. After an incident -she punched an homeless guy in the face- she needs a lawyer to defend her in court and that’s when she meets Bob. But she’s not the same girl anymore: she lost around 70 pounds after a liquid diet. Now she’s just like her mother was: a beauty queen in the making. She just doesn’t have any sense of fashion. And she becomes mean and a little crazy in the process, especially when she discovers her life is still shitty. Oh and she has a creepy best friend, Nonnie, who may or may not be secretly in love with her. The relationship between Patty and Bob gets weirder and weirder. They become obsessed with each others. Bob because he sees her as the “project” of his life and Patty because she’s desperately falling in love with him, seeing him as her savior. Yeah, that’s totally fucked-up.

I won’t spoil you the end of the pilot, just in case it gets ordered. You deserve a surprise. But let’s just say it gets… even creepier than it already is. Patty may be a psychopath and it involves her losing her virginity and… fire. Ugh. It’s hard not to tell you. You remember Stephen King’s Carrie? We’re not that far. And by the way, Ryan Seacrest, who produces the show, has found a way to make an appearance at the very end, playing himself. He has something to offer to Bob. Now that I think about it, maybe Bob is inspired by Seacrest? Enough said. Last things you need to know about the script: some dialogues are just hilarious, some situations too -like when Bob has to raise money for a charity about… anal cancer- and there is a voice over throughout, from different point of views -Bob and Patty mostly, but Nonnie too- which might sound a bit irritating but it definitely adds something, like it does in Jane The Virgin but in a different way. It helps it being more profound, more realistic even. More human maybe. More relatable. This pilot works as a long exposition, it’s hard to guess what’s coming next, what’s beyond the initial hook. But in the end, the writer has created something special, with its own little world and codes. And that’s not an easy thing to do.

Insatiable is not weird after all. It would be an understatement. It’s CRAZY. SCARY. CREEPY. CAMPY… DEVIOUS. SCANDALOUS. And that’s the beauty of it. It’s way edgier than anything The CW has ever done. Which makes it the odd man out. I’m impatient to know if they have the balls to pick it up to series anyway, to see the reactions. But on a less enthusiastic note: I’m not sure there’s a long-running TV series hidden behind the concept. It’s attractive somehow but for how long? And is The CW the best fit? It would have had a better chance on E! or MTV.

SCOOP: The CW mulling a series order for “The Lost Boys” TV remake

Contrary to recent reports, The CW won’t wait before next season to give a chance to its The Lost Boys TV series by Veronica Mars & iZombie‘s creator Rob Thomas. 

As The CW will bid farewell to The Vampire Diaries next friday, other vampires are almost ready to be unleashed. The Lost Boys’ ambitious new take on the 1987 Joel Schumacher movie won’t have to wait until next season to see the light of day, unlike the Charmed reboot that is not ready yet. The network is prepping a straigh-to-series order for the Rob Thomas show, without going to the traditional pilot stage. Shooting on the series could start as soon as this spring in Los Angeles, though nothing is set in stone. No word yet on the number of episodes and a potential air date.

Envisioned for a seven-season, anthology-style run, The Lost Boys series will tell a story spanning 70 years, each season chronicling a decade. Season 1 will be set in San Francisco during the Summer of Love, 1967. Each season, the humans, the setting, the antagonist and the story all change — only the vampires, our Lost Boys, who like the Peter Pan characters never grow up, remain the same.

Thomas will exec produce via his Spondoolie Productions banner alongside frequent collaborators Danielle Stokdyk and Dan Etheridge. Gulfstream Television’s Juliana Janes, Mike Karz and Bill Bindley are also on board after the production company came up with the idea to remake the feature film. Warner Bros. Television is the studio.

SEE OTHER THE CW PILOT ORDERS

Dynasty (The CW) pilot preview: Another Lazy Reboot No One Asked For

Written and produced by Josh Schwartz (The OC, Gossip Girl, Chuck, Hart of Dixie), Stephanie Savage (Fastlane, Gossip Girl, The OC, The Carrie Diaries) & Sallie Patrick (Revenge, Limitless, Life Unexpected). Based on the show created by Richard & Esther Shapiro. Directed by Brad Silberling (Jane The Virgin, No Tomorrow). For CBS Television Studios & Fake Empire. 59 pages. Studio Draft. 12/18/16.

Description: Two of America’s wealthiest families, the Carringtons and the Colbys, feud for control over their fortune and their children, starting with Fallon Carrington, daughter of billionaire Blake Carrington, and her soon-to-be stepmother, Cristal, a Hispanic woman marrying into this WASP family, exposing the dark underbelly that is a corrupt world built on backroom deals, betrayal, and, in some cases, murder…

With Nathalie Kelley (The Vampire Diaries, UnReal, Body of Proof), Elizabeth Gillies (Victorious, Sex&Drugs&Rock&Roll), Grant Show (Melrose Place, Devious Maids), Sam Adegoke (Switched at Birth, Murder in the first), Alan Dale (Ugly Betty, Lost, Once Upon a Time), Rafael de la Fuente (Empire, When We Rise), Robert Christopher Riley (Hit the Floor)…

 

You’ll like if you already like: Revenge, Gossip Girl, Empire

Likely timeslot: Monday at 9 or Friday at 8 or 9

 

When Dynasty started in 1981 I wasn’t born yet, not even conceived. Maybe my parents haven’t even met yet. Growing up, I watched a lot of television and a lot of soap operas in particular, but never this one despite the multiple reruns. I came across some of Dallas –and was a fan of the recent follow-up- have fond memories of Knots Landing and loved Melrose Place more than anything. Why am I telling you this about my life? To make a point. I feel like we, millenials, couldn’t care less about Dynasty, even though it was a huge hit in the 80s and is considered as cult. It’s too old. Really. For us, it’s just shiny earrings, sparkly outfits, incredible haircuts and crazy catfight scenes. But not something that we’re really curious about and certainly not a show we would watch in a heartbeat. Unless I missed something, The CW isn’t targeting people over 40. So I don’t understand why this pilot has been picked-up…

Okay, I’m not stupid. Deep down I know. It’s about milking CBS Television Studios’ library at all costs (same reason why Hawaii Five-0MacGyver came back to life and why Charmed is poised to be next on the list). But seriously? No one asked for this and no one will watch it. Even if you promote it like crazy. If Dallas didn’t last long on TNT, then Dynasty is doomed on The CW. It doesn’t fit. It’s as simple as that. Plus, I feel like it’s coming at the worst time possible. Most networks decided it was time to make more shows that reflect the “real” America, the middle-America that voted for Trump. The people who watch This Is UsDynasty is the opposite of that. It’s about the 1% of American who are rich. There was a time -especially in the 80s, “The Reagan Era”- when it was all people cared about. They were fascinated by wealth. Today? Not so much anymore. Dynasties still appear everywhere, from reality TV -hello dear Kardashians!- to the polling booths. But they don’t fascinate anymore. Not in the same way at least. And straight soap operas like Dynasty, without anything that makes them special like Empire, are just dead.

It’s not that Josh Schwartz and Stephanie Savage didn’t try to modernize Dynasty. They just didn’t try hard enough. What they did was adding diversity to the exact same concept and script. Or should I say: adding colours. Sorry but it is what it is. So our heroine is no longer called Krystle but Cristal and she’s hispanic, something that is not even vaguely adressed in the pilot. She just is. Which is defensible. The Carringtons are still white but the Colbys are black now. Finally, to spice things up, Steven Carrington is still gay but he’s totally out of the closet and it doesn’t seem to be a problem -he’s still a trainwreck though, the black sheep of the family, but it’s not because of his sexuality apparently- while his principal love interest Sammy Jo is no longer a woman (played by Heather Locklear at the time) but a young gay man, who’s still looking for easy money and troubles. Don’t get me wrong: it’s all okay! It makes sense, those are good moves and not making them would have been heavily criticized. BUT it’s all there is. That’s where the modernization begins and ends.

On the plus side, it’s mostly efficient, like the original pilot was. Except the beginning of the opening sequence. It’s just two minutes long tops but two minutes that are really not engaging, with people talking about the solar system, green energies… Please cut this. Many viewers will change the channel immediately! You can’t just start with this. Most of the plots are tired, cliché. That’s what happens when you decide to copy/paste a 35 years-old pilot script. We know the tricks. Dynasty must have been one of the first soap operas to perform them, but time has past and other shows that came and went used them in the meantime. So it’s predictable. Even if the end has been changed. There’s a death. Won’t say who. But damn, adding a murder mystery is not what I would call a wild and original idea…

About the tone, it can be funny sometimes. Especially with Joseph Anders, the estate manager of the Carrington family, who’s a really amusing guy who clearly hates Cristal and isn’t afraid to show her everytime he has the chance. And the catfights between Fallon and Cristal are quite enjoyable on paper, as they should be. I wouldn’t say there’s anything really daring in this version of the show, unless if you still consider that showing two men kissing and making love is daring, as well as suggesting that Fallon’s pussy is being eaten out by her african-american chauffeur in one scene. How shocking!

This Dynasty reboot feels lazy. It’s like putting makeup on a tired old lady. She looks better with the makeup on but it doesn’t really hide the fact that she’s old and tired. It doesn’t have the freshness, the cleverness and the relevance of a Jane the Virgin, neither the nostalgic vibe of a Riverdale. it’s more like Revenge, without much of a concept and new ideas. A hot and charismatic cast would certainly help but it’d still be a mistake for The CW to bet on it next year, unless they really have nothing better to offer…

Life Sentence (The CW) pilot preview: Pretty Little Cutie Pies

Written and produced by Erin Cardillo & Rich Keith (Significant Mother, Fuller House). Executive produced by Bill Lawrence (Scrubs, Cougar Town, Undateable) & Jeff Ingold (Ground Floor, Undateable). Directed by Lee Toland Krieger (Riverdale, Beyond, Adaline, Celeste & Jesse Forever). 61 pages. Network Draft Revised 01/11/2017. For Warner Bros. Television & Doozer Entertainment.

Description: When Stella, a young woman diagnosed with terminal cancer finds out that she’s not dying after all, she has to learn to live with the choices she made when she decided to “live like she was dying.” She then discover her family has been lying to her for the past ten years so she doesn’t worry. Now, she has every reason to worry…

With Lucy Hale (Pretty Little Liars, Privileged), Jayson Blair (Whiplash, Young & Hungy, The New Normal), Dylan Walsh (Nip/Tuck, Unforgettable), Gillian Vigman (New Girl, Suburgatory), Brooke Lyons (The Affair, iZombie, 2 Broke Girls), Elliot Knight (American Gothic, Sinbad, Once Upon a Time)…

   

You’ll like it if you already like: Jane The Virgin, Crazy Ex-Girlfriend, Life Unexpected…

First there was Jane The Virgin. Then came Crazy Ex-Girlfriend. Now there’s No Tomorrow (which doesn’t have much of a future ironically). Despite underwhelming ratings -but rave reviews and rare prizes for the network- those hour-long dramedies are very much alive, as if The CW wanted to apologize for all their superhero shows -there will be 5 next year if Black Lightning is ordered to series!- by balancing them with lighter fares targeting millenial women. Before reading the script, I expected Life Sentence to be yet another romantic comedy with charming and colorful leads. It turned out the leads are charming and sometimes colorful but it is not that romantic. Though it can be. There are clichés about Paris and Amsterdam after all. But it’s mostly about a quirky, messy, relatable, instantly appealing family from Portland that we could enjoy spending a few years with.

First of all, let me introduce you to all of them. Stella, our heroine and narrator, is a 25 year-old decisive, strong woman, with a wry, sometimes morbid, sense of humor. She’s a cutie pie. I’m not a Pretty Little Liars fan but I feel like casting Lucy Hale in the starring role is the best thing that could have happenned to the project. She’s certainly capable and she does have fans that will sample the show. Wes is Stella’s husband, a cool guy’s guy. Paul is Stella’s father, a solid rock who rarely shows his feelings. Ida is Stella’s mother, a kind and emotional 55 year-old woman who owns a cheese shop called… Brie Yourself. Elizabeth is Stella’s older sister, an aspiring writer with a family of her own to take care of. Aiden is Stella’s older brother, an immature womanizer who still lives with his parents at 28. There’s also Dr Helena Chang, Stella’s awkward oncologist and the closest she has to a best friend; and Poppy, Ida’s best friend who has become an aunt for Stella and her brother and sister. We get to meet all of them through the pilot and have a pretty good idea of who they are… or more precisely: who they want Stella to believe they are and who they really are. And it’s already a hell of a ride! And they’re never irritating, which is kind of a miracle.

Life Sentence is funny. But discreetly. Without a red light warning sign saying “Be ready, we’re gonna be funny in 3,2,1…”. It’s funny because the characters are -and hopefully the actors too- because the dialogues are sharp and smart, and probably because the writers and the producers wrote for comedies before. It shows. It’s touching without being cheesy, especially thanks to the heroine’s voice-over that could be compared to the narrator’s in Jane The Virgin, though she’s not breaking the fourth wall. And it has potential to go on for years. As long as the characters are good, and I don’t want to repeat myself but they are, everything’s gonna be fine. You want to know their secrets? Here’s one [SPOILER ALERT!]: Ida wants to divorce Paul for years. And you know why? Because she doesn’t love him anymore, yes. But mostly because she’s in love with a woman. And this woman is… Poppy! It is this type of show. The situations can be far-fetched, there’s too much going on, but the emotions feel real.

Life Sentence is a delightful, funny, soapy, certainly not preachy, breath of fresh air, that may not be as inventive as Jane The Virgin and Crazy Ex-Girlfriend are, but there’s a lot to like in there, especially for those who want more family dramedies on TV. Can it be a huge success for The CW? Probably not. Can it win awards? I doubt it. Can it charm the hell out of the audience? Oh yeah, it will!

PILOT WHISPERER: New edition #PilotSeason

First published on December, 07

2017 pilot season officially started yesterday when ABC ordered political comedy pilot Libby & Malcolm starring Felicity Huffman and Courtney B. Vance as we reported 3 weeks ago. Other comedies are nearing pilot orders while deals are being worked out.

 

At ABC, the next one on the list is Rapper Mayor / Untitled City Mayor Project, that could be descrided as a comedic version of hit Designated Survivor. It is about Courtney Rose, a talented but struggling hip-hop artist, who runs for mayor to promote his mixtape – and wins. The guy is a quitenssential optimistic, a dreamer through and through. He’s the coolest, most fun dude in town, and if you don’t believe it, just ask him and he’ll tell you… It’s created by Jeremy Bronson, writer and producer on The Mindy Project and Speechless, and produced by Jamie Tarses (Happy Endings) for ABC Studios. The casting for the leading man is underway. PICKED-UP

The multicamera comedy project Documenting Love, sort of a Mad About You new generation has a pilot production commitment, as well as thriller drama Doomsday from Sony Pictures Television about a secret think tank featuring the most creative minds in science and entertainment that is tasked with dreaming up man-made disaster scenarios and their possible solutions. PICKED-UP  DTLA, about a celebrity choreographer who must fight to protect her status, family, business and secrets, is heating up. The Untitled Marc Cherry drama with Reba McEntire is already ordered to pilot.

Comedy Start Up starring Zach Braff is inching closer to a pick-up PICKED-UP, as well as Splitting Up Together produced by Ellen De Generes  PICKED-UP and Charlie Foxtrot from Aaron Kaplan PICKED-UP. A not-yet-announced project starring basketball player Jalen Rose, Jalen vs Everybody, and written by Nahnatchka Khan, is heating up. PICKED-UP

 

At CBS, the Untitled Chris Distefano Hybrid Comedy Project is heating up. Written and produced by How I Met Your Mother creators Carter Bays & Craig Thomas. Inspired by comedian Chris Distefano’s life story, the hybrid project is centered on Izzy and Chris, two 20-somethings who are raising their newborn daughter and merging their loud families – one Puerto Rican, one Italian… PICKED-UP

Me, Myself and I is also on the map. The single-camera comedy which examines one man’s life over a 50-year span, somewhat in the vein of movie Boyhood, has a put pilot. PICKED-UP And of course, the order for The Big Bang Theory spin-off Sheldon is just a formality. UPDATE: World Wide Webbs, a comedy about a family who became rich and famous thank to their daily video blogs, is on tracks for an order.

On the drama side, quirky cop show Magnolia Springs about a sheriff and his teenage son solving crimes in a small city is gearing up towards a pick-up, casting is underway. Firewall, a new procedural from Mentalist creator, is also hot. Luc Besson’s Hunch, about a LAPD detective who begrudgingly teams up with a celebrity psychic who, unfortunately, is also his ex-wife, should get the nod soon; as well as Justin Lin’s SWAT,  a reboot of the 1970s series billed as an intense, action-packed procedural following an African-American SWAT lieutenant torn between loyalty to the streets and duty to his fellow officers. PICKED-UP

 

At NBC, while Amy Poehler’s off-cyle pilot The Baby starring Seann William Scott will shoot in a few days, the Untitled Kourtney Kang Comedy produced by Fresh Off The Boat creator Nahnatchka Khan is red hot. It explores what it’s like to grow up as the only girl in the only mixed race family in the suburbs of Philadelphia, dealing with real-world issues like race and gender while never losing focus of her life goal… to become a Laker Girl like her idol, Paula Abdul. PICKED-UP

In the drama department, the peacock has medical drama Salvation directed by Paul Haggis awaiting green light. It is billed as the first real-time hospital “extreme event” show, capturing the life-and-death choices nurses, PA’s and other front-line caregivers make as they struggle to provide care and triage. PICKED-UP Legal drama Blood Defense, based on Marcia Clark’s book about a relentless criminal attorney, is red hot for a pick-up, as well as Family Honor, from Matt Reeves, a police procedural told through the eyes of four diverse foster sisters. The Last Policeman is close to a pick-up. It follows a detective in New Hampshire during the final years of civilization as a catastrophe-level asteroid hurtles toward the planet. Heavy serialized legal drama Flight Risk from John Wells is also considered. Drama High, an high-school drama with musical elements written and produced by Jason Katims (Parenthood) with Hamilton producers Jeffrey Seller & Flody Suarez is red hot. PICKED-UP Last drama pilot order at NBC should go to Redliners, adapted from Charlaine Harris’ short stories, that mixes romance and espionnage about a pair of former spies living in suburbia who are reactivated when a failed hit on one of them leaves the assassin dead. PICKED-UP

 

At FOX, DC’s Black Lightning is almost a done deal PICKED-UP AT THE CW, as is Matt Nix’s untitled family superhero drama at Marvel in the X-Men Universe PICKED-UP. The network is just waiting for the final pilot script. Dr House creator David Shore could be back at FOX with an untitled project about a professional spy who teams up with an enterprising civilian to solve cases here and abroad. Control, by Westworld creators Jonathan Nolan & Lisa Joyce, is heating up.

Comedy Thin Ice from New Girl creator is already ordered to pilot. Other comedy heating up is Turned On, directed by Paul Feig, about a brilliant but awkward engineer who creates an android who spirals out of control… The Untitled Wresting Comedy produced by Dwayne Johnson, Will Ferrell & Adam McKay, is also very much on the map.

 

At The CW the Charmed reboot seems to be a priority. Searchers pilot from The 100 creator Jason Rothenberg & Greg Berlanti is a sure thing, with a shooting expected to take place in South Africa. PICKED-UP Transience produced by Ian Somerhalder, is heating up, as well as LA Demonic for Warner Bros.

 

More to come…