You’ll like it if you already like: Desperate Housewives, The Family…
Likely timeslot: Tuesday at 10
For the third year in a row, writer Jenna Bans has a pilot in contention and for the very first time it’s not at ABC, where she was schooled by Shonda Rhimes through Grey’s Anatomy & Scandal, but at NBC. She signed an overall deal with Universal Television last summer -where her husband Justin Spitzer, creator of Superstore, already was- after the failure of The Family, which was worth better by the way, one of the few good network shows from last year. Sometimes, ratings work in mysterious ways. I was eager to read Good Girls‘ pilot script. Sea of Fire‘s in 2014 was incredibly strong. But I’m sad to report this one is not her best (unless if you go way way back to Off The Map, that she created)…
Here’s the thing with Jenna Bans: her writing is fearless, she always dives in darkness, she flirts with the limits -dealing with pedophilia on a broadcast network was not exactly taking the easiest road- and she makes it entertaining at the same time, full of surprises and compelling troubled characters. Mixing soap with gloom is rare and difficult. She learned her Shonda lessons right while crafting her own style. But with Good Girls, something’s off. It took time for me to understand what was bothering me but after reflecting on it and reading again some portions of the script it became clear: the whole story is just not believable and it feels like she knows it. As if she was determined to convince the audience as well as herself that such a thing could happen in real life. Subsequently, subtlety is nowhere to be found. It’s just not working. Not with these characters and in this context. Whether or not it actually happened someday, somewhere in the world.
I’m very surprised by the cast they assembled. Positively. I love these actresses and they didn’t choose them because they were popular. ‘cos they’re not. They choose them because they were right for the parts, I guess. Like they did with This Is Us actually. And they probably tested them as a group, since many scenes are about the girls together, talking. It’d be a shame if they didn’t have chemistry. A good move anyway, that gives me hope they’ll add what’s missing in the script by their natural talent, especially comedy-wise. Good Girls is more in the drama side, depressing sometimes, definitely heavy, supposedly emotional if they don’t push it too much, but there are a few scenes that could be funny. Calling it a dramedy would be a stretch though.
The hilarious Kathleen Rose Perkins (if you never saw her in Episodes then you don’t know what funny is) will play Beth, the ringleader of the trio, a frazzled mother who discovers her husband has an affair. Fed up with her life and angry, she’s the one who decides to rob a supermarket. She struggles with guilt and fear in the aftermath. She’s the most interesting, multi-dimensional character on paper. Then there’s her younger sister Annie, played by the excellent Mae Whitman, a single mom terrified of losing her son in a custody battle. Who’s a bit boring and whining person for now. And finally her best friend Ruby, a waitress who worries about her 11-year-old daughter who has kidney disease and isn’t getting the treatment she needs at the local clinic. Retta is the most surprising casting. I didn’t picture her like this at all. And that’s good news. She’ll probably add layers to the role. The men of Good Girls are mostly bad uninteresting guys. There’s work to do to make them more than those tired clichés.
Then there’s the question of being able to sustain the premise over multiple seasons. Even with shortened orders, I don’t see it. Those girls won’t be able to escape prison at some point. Not without huge inconsistencies in the stories. That worries me a lot to be honest. If they start by robbing a supermarket, what happens next? They rob a bank, deal drugs and kill people? It’s gonna get ugly and possibly ridiculous.
Good Girls has an average pilot script that has really good moments as well as mediocre ones, and that can be elevate to a superior level by only two things: a great cast (which it has) with a real chemistry (has yet to be proven) and a director that has a vision and who’s not just a performer (I’m not sure). NBC is clearly envisioning it as a companion for This Is Us and though it would suffer from the comparison, it’s a valid option.