Despite the huge success of Hunger Hames worldwide and the honorable results of such movies as Divergent and The Maze Runner –-let’s not forget a few missteps like The 5th Wave recently– the dystopian genre has a hard time existing on television. Which is weird when you think about it since these movies work like series, through multiple episodes and cliffhangers at the end to make you come back the following year. We had The Lottery on Lifetime, if anyone remembers it. Guess not. The excellent The 100 of course. And not much else. Other attempts (The Selection at The CW, Delirium at FOX) were not picked-up to series. And I fear Spark will meet the same end. Even though I’m not totally convinced by its potential, I’d be curious to see what’s gonna happen in case it’s ordered. It could become another huge disappointment like Blood and Oil. Or maybe the new Empire is hiding behind it…
Most of the success of the pilot -a presentation was ordered first but they upped it to a full-length pilot then, which is a good sign– resides in its execution. The setting, the landscapes, as well as the costumes, need to be taken care of properly so that it doesn’t look cheap. The writer has a real vision of how this city and those people should look like in this alternate reality, circa 2016. It’s based on Steampunk, an aesthetic inspired by 19th-century industrial steam-powered machinery. He even offers a “look book” at the end of the script with visuals for cars working with coal cumbustion, underground bar and dance clubs, coffee machines or the heroine’s high heels. They decided to shoot in Prague, Czech Republic, to reduce the costs while most of the cast is coming from Europe, especially the UK. There’s no big name but promising newcomers, like Anthonia Thomas, a mini-Rihanna who was stunning in Misfits. Risky. But in case you haven’t notice, let me break it to you: the show can be labelled as “black”. 5 of the most prominent characters are. Good strategy. ‘cos that’s what it is. I’m probably going too far but imagine ABC slots the show on Wednesday at 10pm after Blackish, when Empire ends on FOX… Wouldn’t it be damn smart? Hire me ABC!
The network describes the show as a lavish primetime soap of passion, greed and hope. It’s true, it is. If it looks new and different from the outside, it’s very classical in the inside. Sometimes, it also feels a bit like a CW show with slightly older characters. Pin Jones is yet another Katniss Everdeen, a whip smart, courageous, independent, kind-hearted girl, soon to be torn between two men and two rival families: her boyfriend Captain Aidan Stockton, a rugged and sexy all man who’s deeply in love with her, he even hides a ring in his drawer; and Alex Lavelle, a more sophisticated handsome man, kind of douchy, who knows exactly who she is when he met her and has an agenda but can’t help liking her more than he should. You get the picture. A good ol’ love triangle. Pin’s mother is dead. Of course. She has a delinquent brother. A loving father. They’re tinkers. So they’re poor. Aidan’s mother is a great bitch. We’ll love hating her. Alex has a brother, who’s a terrible person. And an evil father. And Aidan’s most close friend and colleague happens to be Alex’s brother’s fiancée. Still following? Told you. It really is a soap.
But there’s action too, and many surprises. A few pages in, there’s a huge explosion, that kills someone. And later on, a coal train derails. And other people die. Won’t reveal you more but be sure a lot happens in this pilot. Like… maybe our Pin is on the verge of discovering something huge, that will change the face of humanity as they know it… At first, I had a hard time getting into the script. Those stories about gas and coal are so unsexy and sad. It lacks sparkle, electricity. It takes time before it gets interesting. It takes time before you can connect with the main characters. Too much time probably. But at some point, somehow, it starts to work. And you can see the potential and the emotional strength of this story. It resonates with our past and our present. It’s brighter than it looks. It’s more than a soap.
Spark is certainly a leap of faith for ABC. Sometimes, it’s good to take one. Especially since the network is in a tough situation. Before new boss Channing Dungey gets too scared of screwing her first little victories up –hoping she has some– there’s a window of opportunity to try new things, be bold. Spark is new. Sort of. And bold. A bit. And out of time. Why not giving it a chance?